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Mark W Rectanus

Biographic Data

ID1689332
NAMEMark W Rectanus
GIVEN NAMESMark W
FAMILY NAMERectanus
SIGNATURERECTANUS M W
AFFILIATIONSIowa State University
ORCID0000-0001-8058-8745
VERIFIEDYes
TOTAL WORKS16
TOTAL CITATIONS0
AUTHOR COUNT16
EDITOR COUNT0
FIRST PUBLICATION YEAR1986
LATEST PUBLICATION YEAR2025
H-INDEX0
  • From private collection to public museum: Walid Raad’s investigation of the Thyssen-Bornemisza Collection (Madrid)

    Mark W Rectanus•ARTICLE•Museums & Social Issues•2025•References: 5

  • The Artist's Museum as Reversed Cultural Space: Theaster Gates’s Black Chapel at the Haus der Kunst (Munich)

    Open Access•Mark Rectanus, Mark W Rectanus•ARTICLE•Museum and Society•2025

    During 2019-20, visitors to the Haus der Kunst (HDK), a non-collecting museum for contemporary art in Munich, could view Black Chapel, created by the Chicago-based artist Theaster Gates. Black Chapel was a platform for Gates's 'museum within a museum', or an artist's museum, composed of Gates's sculptures, collections of images, and artefacts, including Jesse Owens's music album collection. This article examines how Gates's project deploys the hi…

  • Community-Based Museum Ecologies: Public Doors and Windows and Les Nouveaux Commanditaires ('The New Patrons)

    Open Access•Mark W Rectanus•ARTICLE•Museum and Society•2019

    A growing number of artist-led initiatives and para-institutional organizations are creating community-based projects that signal the emergence of alternative museum ecologies. This article will examine two initiatives, Public Doors and Windows (PDW) and Les Nouveaux Commanditaires (NC) ('The New Patrons') that reflect a diverse range of practices that contribute to, or create, museum ecologies outside the physical and conceptual spaces of museum…

  • Sponsorship

    Mark W Rectanus•CHAPTER•2018

  • Artists, debt, and global activism

    Open Access•Mark W Rectanus•ARTICLE•Finance and Society•2016•References: 19

    This article examines how artists, activism, and works of art may contribute to a more textured understanding of debt in contemporary society and culture. The diversity of aesthetic practices and range of strategic interventions in which artists are organizers and activists are manifest in the Global Ultra Luxury Faction (G.U.L.F.), advocacy initiatives by Working Artists and the Greater Economy (W.A.G.E.), and alternative, trans-local projects s…

  • Performing Knowledge: Cultural Discourses, Knowledge Communities, and Youth Culture

    Mark W Rectanus•ARTICLE•Telos•2010

    In a interview concerning the Internet and cyberculture, communications professor Nobert Bolz was asked how he prepares his children for a world in which the authority of experts is in competition with emerging lay communities of knowledge production, such as Wikipedia. Bolz replied: "I try to constantly hammer in that they should read books. I just always say, read books, otherwise you'll belong to the losers. This is the only objective for educ…

  • Culture Incorporated: Museums, Artists and Corporate Sponsorship

    Peter M Mcisaac, Mark W Rectanus•ARTICLE•The German Quarterly•2003

  • Culture Incorporated. Museums, Artists, and Corporate Sponsorships

    James J Sheehan, Mark W Rectanus•ARTICLE•German Studies Review•2003

    Rectanus, Mark W. Culture Incorporated: Museums, Artists and Corporate Sponsorship. Minneapolis: University of Minnesota Press, 2002. 288pp. $22.95 paperback. This study is one of the first in English to address the influence of corporations on art, entities, and audiences in the US and Germany. Rectanus pairs the US and Germany because for him they epitomize how corporate influence on politics is advancing in what he calls globalized societies. …

  • Das Licht und die Lichtschere: Produzierte und rezipierte Literatur in der suddeutschen Publizistik 1750-1790

    Mark W Rectanus, Gunter Volz•ARTICLE•The German Quarterly•2000

  • Romantik, Revolution und Reform: Der Eugen Diederichs Verlag im Epochenkontext 1900-1949

    Mark W Rectanus, Justus H Ulbricht et al.•ARTICLE•The German Quarterly•2000

  • Literatur und Fiktion: Zur Theorie und Geschichte der literarischen Kommunication

    Mark W Rectanus, Kaspar Kasics•ARTICLE•German Studies Review•1993

  • Moderne Literatur in Grundbegriffen

    Mark W Rectanus, Dieter Borchmeyer et al.•ARTICLE•The German Quarterly•1989

  • Die Literatur der Bundesrepublik. Autoren, Geschichte, Literaturbetrieb

    Mark W Rectanus, Ralf Schnell•ARTICLE•The German Quarterly•1988

  • Ein Gesprach mit Mark W. Rectanus

    Mark Rectanus, Mark W Rectanus et al.•ARTICLE•The German Quarterly•1987

  • Literary Publishing in the Federal Republic of Germany: Redefining the Enterprise

    Mark W Rectanus•ARTICLE•German Studies Review•1987

    The evolution of the primary institution of literary mediation, the publishing house, has been a result of significant historical, sociological and technological developments since the end of World War II. Just as the early sixties marked the beginning of a new era in literary publishing (most notably through the expansion of paperback publishing) the eighties and nineties may also represent another benchmark in the evolution of the publishing in…

  • Bucherlust und Lesefreuden. Beitrage zur Geschichte des Buchwesens in Deutschland

    Mark W Rectanus, Paul Raabe•ARTICLE•The German Quarterly•1986

No prominent works on this page.

  • Bucherlust und Lesefreuden. Beitrage zur Geschichte des Buchwesens in Deutschland

    Mark W Rectanus, Paul Raabe•ARTICLE•The German Quarterly•1986

  • Ein Gesprach mit Mark W. Rectanus

    Mark Rectanus, Mark W Rectanus et al.•ARTICLE•The German Quarterly•1987

  • Literary Publishing in the Federal Republic of Germany: Redefining the Enterprise

    Mark W Rectanus•ARTICLE•German Studies Review•1987

    The evolution of the primary institution of literary mediation, the publishing house, has been a result of significant historical, sociological and technological developments since the end of World War II. Just as the early sixties marked the beginning of a new era in literary publishing (most notably through the expansion of paperback publishing) the eighties and nineties may also represent another benchmark in the evolution of the publishing in…

  • Die Literatur der Bundesrepublik. Autoren, Geschichte, Literaturbetrieb

    Mark W Rectanus, Ralf Schnell•ARTICLE•The German Quarterly•1988

  • Moderne Literatur in Grundbegriffen

    Mark W Rectanus, Dieter Borchmeyer et al.•ARTICLE•The German Quarterly•1989

  • Literatur und Fiktion: Zur Theorie und Geschichte der literarischen Kommunication

    Mark W Rectanus, Kaspar Kasics•ARTICLE•German Studies Review•1993

  • Das Licht und die Lichtschere: Produzierte und rezipierte Literatur in der suddeutschen Publizistik 1750-1790

    Mark W Rectanus, Gunter Volz•ARTICLE•The German Quarterly•2000

  • Romantik, Revolution und Reform: Der Eugen Diederichs Verlag im Epochenkontext 1900-1949

    Mark W Rectanus, Justus H Ulbricht et al.•ARTICLE•The German Quarterly•2000

  • Culture Incorporated: Museums, Artists and Corporate Sponsorship

    Peter M Mcisaac, Mark W Rectanus•ARTICLE•The German Quarterly•2003

  • Culture Incorporated. Museums, Artists, and Corporate Sponsorships

    James J Sheehan, Mark W Rectanus•ARTICLE•German Studies Review•2003

    Rectanus, Mark W. Culture Incorporated: Museums, Artists and Corporate Sponsorship. Minneapolis: University of Minnesota Press, 2002. 288pp. $22.95 paperback. This study is one of the first in English to address the influence of corporations on art, entities, and audiences in the US and Germany. Rectanus pairs the US and Germany because for him they epitomize how corporate influence on politics is advancing in what he calls globalized societies. …

  • Performing Knowledge: Cultural Discourses, Knowledge Communities, and Youth Culture

    Mark W Rectanus•ARTICLE•Telos•2010

    In a interview concerning the Internet and cyberculture, communications professor Nobert Bolz was asked how he prepares his children for a world in which the authority of experts is in competition with emerging lay communities of knowledge production, such as Wikipedia. Bolz replied: "I try to constantly hammer in that they should read books. I just always say, read books, otherwise you'll belong to the losers. This is the only objective for educ…

  • Artists, debt, and global activism

    Open Access•Mark W Rectanus•ARTICLE•Finance and Society•2016•References: 19

    This article examines how artists, activism, and works of art may contribute to a more textured understanding of debt in contemporary society and culture. The diversity of aesthetic practices and range of strategic interventions in which artists are organizers and activists are manifest in the Global Ultra Luxury Faction (G.U.L.F.), advocacy initiatives by Working Artists and the Greater Economy (W.A.G.E.), and alternative, trans-local projects s…

  • Sponsorship

    Mark W Rectanus•CHAPTER•2018

  • Community-Based Museum Ecologies: Public Doors and Windows and Les Nouveaux Commanditaires ('The New Patrons)

    Open Access•Mark W Rectanus•ARTICLE•Museum and Society•2019

    A growing number of artist-led initiatives and para-institutional organizations are creating community-based projects that signal the emergence of alternative museum ecologies. This article will examine two initiatives, Public Doors and Windows (PDW) and Les Nouveaux Commanditaires (NC) ('The New Patrons') that reflect a diverse range of practices that contribute to, or create, museum ecologies outside the physical and conceptual spaces of museum…

  • From private collection to public museum: Walid Raad’s investigation of the Thyssen-Bornemisza Collection (Madrid)

    Mark W Rectanus•ARTICLE•Museums & Social Issues•2025•References: 5

  • The Artist's Museum as Reversed Cultural Space: Theaster Gates’s Black Chapel at the Haus der Kunst (Munich)

    Open Access•Mark Rectanus, Mark W Rectanus•ARTICLE•Museum and Society•2025

    During 2019-20, visitors to the Haus der Kunst (HDK), a non-collecting museum for contemporary art in Munich, could view Black Chapel, created by the Chicago-based artist Theaster Gates. Black Chapel was a platform for Gates's 'museum within a museum', or an artist's museum, composed of Gates's sculptures, collections of images, and artefacts, including Jesse Owens's music album collection. This article examines how Gates's project deploys the hi…

Art (14 works) · German Literature and Culture Studies (7 works) · Political science (5 works) · Humanities (4 works) · Sociology (4 works) · Visual arts (4 works) · Computer Science (3 works) · Cultural Industries and Urban Development (3 works) · Media studies (3 works) · Philosophy (3 works)

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