Marcus D Welsh
Biographic Data
| ID | 1691311 |
|---|---|
| NAME | Marcus D Welsh |
| GIVEN NAMES | Marcus D |
| FAMILY NAME | Welsh |
| SIGNATURE | WELSH M D |
| VERIFIED | No |
| TOTAL WORKS | 1 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 1 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2021 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 0 |
Cross-dressing and Transgressing
In Karim Aïnouz's debut feature film Madame Satã (2002), the protagonist yearns to be a cross-dressing performer. Based on the historical figure João Francisco dos Santos, the protagonist is black, poor, gay, and a criminal in the Brazil of the 1930s. An examination of his body as a nexus of these factors and the film's portrayal of it in the context of queer theory, film history, and social discourses of gender, race, and class and in cinematic …
No prominent works on this page.
Cross-dressing and Transgressing
In Karim Aïnouz's debut feature film Madame Satã (2002), the protagonist yearns to be a cross-dressing performer. Based on the historical figure João Francisco dos Santos, the protagonist is black, poor, gay, and a criminal in the Brazil of the 1930s. An examination of his body as a nexus of these factors and the film's portrayal of it in the context of queer theory, film history, and social discourses of gender, race, and class and in cinematic …
Aesthetics (1 work) · African Sexualities and LGBTQ+ Issues (1 work) · Art (1 work) · Art history (1 work) · Cinema and Media Studies (1 work) · Context (archaeology) (1 work) · Gender identity (1 work) · Gender Studies (1 work) · Gender, Sexuality, and Education (1 work) · History (1 work)