Sophie Esch
Biographic Data
| ID | 1691409 |
|---|---|
| NAME | Sophie Esch |
| GIVEN NAMES | Sophie |
| FAMILY NAME | Esch |
| SIGNATURE | ESCH S |
| VERIFIED | No |
| TOTAL WORKS | 1 |
| TOTAL CITATIONS | 2 |
| AUTHOR COUNT | 1 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2014 |
| LATEST PUBLICATION YEAR | 2014 |
| H-INDEX | 1 |
In the Crossfire
So-called narcoliterature in Mexico faces bitter controversy about its merits, duties, and scope. Compared with the three dominant discourses about the narco phenomenon in Mexico (the state, the media and music), literary texts harbor the possibility of presenting a more complex viewpoint. In particular, the novel Contrabando, by Víctor Hugo Rascón Banda, draws an especially ambiguous and complex image of the narco enterprise and avoids moralist,…
In the Crossfire
So-called narcoliterature in Mexico faces bitter controversy about its merits, duties, and scope. Compared with the three dominant discourses about the narco phenomenon in Mexico (the state, the media and music), literary texts harbor the possibility of presenting a more complex viewpoint. In particular, the novel Contrabando, by Víctor Hugo Rascón Banda, draws an especially ambiguous and complex image of the narco enterprise and avoids moralist,…
In the Crossfire
So-called narcoliterature in Mexico faces bitter controversy about its merits, duties, and scope. Compared with the three dominant discourses about the narco phenomenon in Mexico (the state, the media and music), literary texts harbor the possibility of presenting a more complex viewpoint. In particular, the novel Contrabando, by Víctor Hugo Rascón Banda, draws an especially ambiguous and complex image of the narco enterprise and avoids moralist,…
Art (1 works) · Context (archaeology) (1 works) · Epistemology (1 works) · Hegemony (1 works) · History (1 works) · Humanities (1 works) · Latin American Literature Studies (1 works) · Law (1 works) · Phenomenon (1 works) · Philosophy (1 works)