Judith Bettelheim
Biographic Data
| ID | 169332 |
|---|---|
| NAME | Judith Bettelheim |
| GIVEN NAMES | Judith |
| FAMILY NAME | Bettelheim |
| SIGNATURE | BETTELHEIM J |
| VERIFIED | No |
| TOTAL WORKS | 15 |
| TOTAL CITATIONS | 17 |
| AUTHOR COUNT | 15 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1982 |
| LATEST PUBLICATION YEAR | 2004 |
| H-INDEX | 3 |
Carnaval of Los Congos of Portobelo, Panama: Feathered Men and Queens
Wifredo Lam and the 1940s Paris Art Scene
December 01 2002 Wifredo Lam and the 1940s Paris Art Scene Judith Bettelheim Judith Bettelheim Search for other works by this author on: This Site Google Scholar Author and Article Information Judith Bettelheim Online Issn: 1937-2108 Print Issn: 0001-9933 Copyright 2003 Regents of the University of California2003 African Arts (2002) 35 (4): 90. https://doi.org/10.1162/afar.2002.35.4.90 Cite Icon Cite Permissions Share Icon Share Facebook Twitter …
The African Diaspora: African Origins and New World Identities
Introduction by Isidore Okpewho, Carole Boyce Davies, and Ali Mazrui The Diaspora: Orientations and Determinations Michael J. C. Echeruo, An African Diaspora: The Ontological Project Maureen Warner-Lewis, Cultural Reconfigurations in the African Caribbean Elliott P. Skinner, The Restoration of African Identity for a New Millenium Addressing the Constraints Joseph E. Inikori, Slaves or Serfs?: A Comparative Study of Slavery and Serfdom in Europe a…
Palo Monte Mayombe and Its Influence on Cuban Contemporary Art
La culture africaine kongo est encore tres presente dans les Caraibes, notamment a travers la pratique de la religion Palo Monte Mayombe (ou Congo Reglas). A travers une analyse detaillee de l'initiation Palo Monte, l'A. examine la signification de certains aspects de l'iconographie d'origine kongo du Palo Monte, et il montre comment elle trouve son expression dans les oeuvres de trois artistes cubains contemporains, deux d'entre eux etant des in…
Wehmeyer's Article on the Indian Image in New Orleans Altars: The Caribbean Connection
Twelfth Triennial Symposium on African Art, St. Thomas
Women in Masquerade and Performance
L'A. s'interroge sur la difference de signification entre les termes de mascarade et de representation (performance), tels qu'ils sont utilises dans le discours academique. De nombreux chercheurs les considerent comme interchangeables, dans la mesure ou dans les processus de construction identitaire l'individu serait toujours en situation de representation et par consequent de mascarade. Cependant, si l'on considere la question de l'identite chez…
Cuban Festivals: An Illustrated Anthology
Negotiations of Power in Carnaval Culture in Santiago de Cuba
I am honored and delighted to be included in this memorial issue for Arnold Rubin. My main mentors have always been inspirational, tough, and a little crazy. I was introduced to Arnold in 1967 on the campus at Bloomington; I had driven over from Antioch College in Ohio to meet the man who would be my teacher at UCLA in the coming fall, when I was to begin graduate studies. Transported from those Midwestern years, we both learned to love Los Angel…
Carnaval in Cuba: Another Chapter in the Nationalization of Culture
(1990). Carnaval in Cuba: Another Chapter in the Nationalization of Culture. Caribbean Quarterly: Vol. 36, No. 3-4, pp. 29-41
TDR, the Drama Review: A Journal of Performance Studies
Caribbean Festival Arts: Each and Every Bit of Difference
The Lantern Festival in Senegambia
n contemporary urban Senegal and Gambia (Senegambia),1 Lanterns, also known as the Lantern festival or Fanal,2 is held varyingly on Christmas Eve, during the Christmas-New Year holiday, or Ramadan. Lanterns is a secular festival that takes place on these different holy days because of historical circumstances, government regulations, and competitive activities. For example, during slavery Christmas was the time when slaves were permitted the leis…
From the inside to the outside: The Art and Ritual of Bahian Candomblé
Spiritual Baptist Music of Trinidad
The African Diaspora: African Origins and New World Identities
Introduction by Isidore Okpewho, Carole Boyce Davies, and Ali Mazrui The Diaspora: Orientations and Determinations Michael J. C. Echeruo, An African Diaspora: The Ontological Project Maureen Warner-Lewis, Cultural Reconfigurations in the African Caribbean Elliott P. Skinner, The Restoration of African Identity for a New Millenium Addressing the Constraints Joseph E. Inikori, Slaves or Serfs?: A Comparative Study of Slavery and Serfdom in Europe a…
Palo Monte Mayombe and Its Influence on Cuban Contemporary Art
La culture africaine kongo est encore tres presente dans les Caraibes, notamment a travers la pratique de la religion Palo Monte Mayombe (ou Congo Reglas). A travers une analyse detaillee de l'initiation Palo Monte, l'A. examine la signification de certains aspects de l'iconographie d'origine kongo du Palo Monte, et il montre comment elle trouve son expression dans les oeuvres de trois artistes cubains contemporains, deux d'entre eux etant des in…
The Lantern Festival in Senegambia
n contemporary urban Senegal and Gambia (Senegambia),1 Lanterns, also known as the Lantern festival or Fanal,2 is held varyingly on Christmas Eve, during the Christmas-New Year holiday, or Ramadan. Lanterns is a secular festival that takes place on these different holy days because of historical circumstances, government regulations, and competitive activities. For example, during slavery Christmas was the time when slaves were permitted the leis…
Negotiations of Power in Carnaval Culture in Santiago de Cuba
I am honored and delighted to be included in this memorial issue for Arnold Rubin. My main mentors have always been inspirational, tough, and a little crazy. I was introduced to Arnold in 1967 on the campus at Bloomington; I had driven over from Antioch College in Ohio to meet the man who would be my teacher at UCLA in the coming fall, when I was to begin graduate studies. Transported from those Midwestern years, we both learned to love Los Angel…
Women in Masquerade and Performance
L'A. s'interroge sur la difference de signification entre les termes de mascarade et de representation (performance), tels qu'ils sont utilises dans le discours academique. De nombreux chercheurs les considerent comme interchangeables, dans la mesure ou dans les processus de construction identitaire l'individu serait toujours en situation de representation et par consequent de mascarade. Cependant, si l'on considere la question de l'identite chez…
Carnaval in Cuba: Another Chapter in the Nationalization of Culture
(1990). Carnaval in Cuba: Another Chapter in the Nationalization of Culture. Caribbean Quarterly: Vol. 36, No. 3-4, pp. 29-41
Spiritual Baptist Music of Trinidad
The Lantern Festival in Senegambia
n contemporary urban Senegal and Gambia (Senegambia),1 Lanterns, also known as the Lantern festival or Fanal,2 is held varyingly on Christmas Eve, during the Christmas-New Year holiday, or Ramadan. Lanterns is a secular festival that takes place on these different holy days because of historical circumstances, government regulations, and competitive activities. For example, during slavery Christmas was the time when slaves were permitted the leis…
From the inside to the outside: The Art and Ritual of Bahian Candomblé
TDR, the Drama Review: A Journal of Performance Studies
Caribbean Festival Arts: Each and Every Bit of Difference
Carnaval in Cuba: Another Chapter in the Nationalization of Culture
(1990). Carnaval in Cuba: Another Chapter in the Nationalization of Culture. Caribbean Quarterly: Vol. 36, No. 3-4, pp. 29-41
Negotiations of Power in Carnaval Culture in Santiago de Cuba
I am honored and delighted to be included in this memorial issue for Arnold Rubin. My main mentors have always been inspirational, tough, and a little crazy. I was introduced to Arnold in 1967 on the campus at Bloomington; I had driven over from Antioch College in Ohio to meet the man who would be my teacher at UCLA in the coming fall, when I was to begin graduate studies. Transported from those Midwestern years, we both learned to love Los Angel…
Cuban Festivals: An Illustrated Anthology
Women in Masquerade and Performance
L'A. s'interroge sur la difference de signification entre les termes de mascarade et de representation (performance), tels qu'ils sont utilises dans le discours academique. De nombreux chercheurs les considerent comme interchangeables, dans la mesure ou dans les processus de construction identitaire l'individu serait toujours en situation de representation et par consequent de mascarade. Cependant, si l'on considere la question de l'identite chez…
Palo Monte Mayombe and Its Influence on Cuban Contemporary Art
La culture africaine kongo est encore tres presente dans les Caraibes, notamment a travers la pratique de la religion Palo Monte Mayombe (ou Congo Reglas). A travers une analyse detaillee de l'initiation Palo Monte, l'A. examine la signification de certains aspects de l'iconographie d'origine kongo du Palo Monte, et il montre comment elle trouve son expression dans les oeuvres de trois artistes cubains contemporains, deux d'entre eux etant des in…
Wehmeyer's Article on the Indian Image in New Orleans Altars: The Caribbean Connection
Twelfth Triennial Symposium on African Art, St. Thomas
Wifredo Lam and the 1940s Paris Art Scene
December 01 2002 Wifredo Lam and the 1940s Paris Art Scene Judith Bettelheim Judith Bettelheim Search for other works by this author on: This Site Google Scholar Author and Article Information Judith Bettelheim Online Issn: 1937-2108 Print Issn: 0001-9933 Copyright 2003 Regents of the University of California2003 African Arts (2002) 35 (4): 90. https://doi.org/10.1162/afar.2002.35.4.90 Cite Icon Cite Permissions Share Icon Share Facebook Twitter …
The African Diaspora: African Origins and New World Identities
Introduction by Isidore Okpewho, Carole Boyce Davies, and Ali Mazrui The Diaspora: Orientations and Determinations Michael J. C. Echeruo, An African Diaspora: The Ontological Project Maureen Warner-Lewis, Cultural Reconfigurations in the African Caribbean Elliott P. Skinner, The Restoration of African Identity for a New Millenium Addressing the Constraints Joseph E. Inikori, Slaves or Serfs?: A Comparative Study of Slavery and Serfdom in Europe a…
Carnaval of Los Congos of Portobelo, Panama: Feathered Men and Queens
Art (13 works) · Cuban History and Society (7 works) · Visual arts (7 works) · Caribbean history, culture, and politics (5 works) · History (5 works) · Computer Science (4 works) · Geography (4 works) · African history and culture studies (3 works) · Ancient history (2 works) · Art history (2 works)