Gibson
Biographic Data
| ID | 16940 |
|---|---|
| NAME | Gibson |
| FAMILY NAME | Gibson |
| SIGNATURE | GIBSON |
| AFFILIATIONS | Steve Gibson, Northumbria University, School of Design, Newcastle upon Tyne, NE1 8ST U.K. Email: [email protected]. |
| ORCID | 0000-0003-1768-7294 |
| VERIFIED | Yes |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 5 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1970 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 0 |
Being Formal without Being a Formalist
This article argues for the value of using formal models within the (digital media) artwork. Eschewing the antiformalism common to much of postmodernism, it argues for a more active engagement with formal concerns. Without embracing the totalizing theories of late modernist formalism, or discarding the idea of “the concept,” the author argues for a more formal approach to the making of the (digital media) artwork. The goal is to point to models t…
Theory, Method and Psychology: The British Psychological Society’s Annual Conference
Evaluating Intelligence as a Public Contrition
Incentivising operational performance on the UK rail infrastructure since 1996
Contemporary Practice of the United States Relating to International Law
The material for this section is compiled by Stephen L. Gibson, attorney in the Office of the Legal Adviser, Department of State
No prominent works on this page.
Contemporary Practice of the United States Relating to International Law
The material for this section is compiled by Stephen L. Gibson, attorney in the Office of the Legal Adviser, Department of State
Incentivising operational performance on the UK rail infrastructure since 1996
Evaluating Intelligence as a Public Contrition
Theory, Method and Psychology: The British Psychological Society’s Annual Conference
Being Formal without Being a Formalist
This article argues for the value of using formal models within the (digital media) artwork. Eschewing the antiformalism common to much of postmodernism, it argues for a more active engagement with formal concerns. Without embracing the totalizing theories of late modernist formalism, or discarding the idea of “the concept,” the author argues for a more formal approach to the making of the (digital media) artwork. The goal is to point to models t…
Computer Science (3 works) · Business (2 works) · Law (2 works) · Political science (2 works) · Sociology (2 works) · Academic and Historical Perspectives in Psychology (1 works) · Aesthetics (1 works) · Applied Psychology (1 works) · Art (1 works) · Art, Politics, and Modernism (1 works)