Lydia Marinelli
Biographic Data
| ID | 1695692 |
|---|---|
| NAME | Lydia Marinelli |
| GIVEN NAMES | Lydia |
| FAMILY NAME | Marinelli |
| SIGNATURE | MARINELLI L |
| AFFILIATIONS | Centre Alexandre Koyré |
| VERIFIED | No |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 5 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2004 |
| LATEST PUBLICATION YEAR | 2016 |
| H-INDEX | 1 |
The Receding Animal
Argument Animals played an important role in the formation of psychoanalysis as a theoretical and therapeutic enterprise. They are at the core of texts such as Freud's famous case histories of Little Hans, the Rat Man, or the Wolf Man. The infantile anxiety triggered by animals provided the essential link between the psychology of individual neuroses and the ambivalent status of the “totem” animal in so-called primitive societies in Freud's attem…
"Body Missing" at Berggasse 19
"Body Missing" at Berggasse 19 Lydia Marinelli Translated by Joy Titheridge We were talking about what a museum is, the functions it can fulfil, the conditions it requires. "I don't think you deserve the name. You shouldn't call yourselves a museum, what you have here has nothing to do with a museum. Museums exhibit works of art or collections, but this. . . . " The participant in the course for aspiring museum experts broke off mid-sentence. The…
Dirty Gods
Dirty Gods:An Exhibition on Freud's Archaeological Collection Lydia Marinelli Translated by Joy Titheridge "Why are the figures placed at such a distance? They are what I came to see." —An exhibition visitor Exhibitions exploring literature and theory are faced with a paradox: They attempt both to reveal that which defies visibility and at the same time to assign the often banal objects of the visible world a significance that will always remain …
Screening Wish Theories
Argument The analogy between dream and film represents a central thread in the psychoanalytic discussion of cinema. Using examples taken from films created between 1900 and 1906, this paper develops a typology of dream scenes in early film. The basis for the proposed typology is provided by the dream knowledge in circulation toward the end of the nineteenth century. This knowledge was fed by a great variety of sources, some of them in the proximi…
Smoking, Laughing, and the Compulsion to Film
"The projectionist has informed us that the pictures would be enjoyed much more and would be clearer if fewer people were smoking." —Announcement made by Philip R. Lehrman during the screening of the film Sigmund Freud, His Family, and Colleagues, 1928-1947 Blue Haze Scene: The cigar is thrown away with a hasty, almost annoyed gesture—smoking is prohibited during the shooting, but only for the "star." He complies with the injunction unwillingly a…
Dirty Gods
Dirty Gods:An Exhibition on Freud's Archaeological Collection Lydia Marinelli Translated by Joy Titheridge "Why are the figures placed at such a distance? They are what I came to see." —An exhibition visitor Exhibitions exploring literature and theory are faced with a paradox: They attempt both to reveal that which defies visibility and at the same time to assign the often banal objects of the visible world a significance that will always remain …
Smoking, Laughing, and the Compulsion to Film
"The projectionist has informed us that the pictures would be enjoyed much more and would be clearer if fewer people were smoking." —Announcement made by Philip R. Lehrman during the screening of the film Sigmund Freud, His Family, and Colleagues, 1928-1947 Blue Haze Scene: The cigar is thrown away with a hasty, almost annoyed gesture—smoking is prohibited during the shooting, but only for the "star." He complies with the injunction unwillingly a…
Screening Wish Theories
Argument The analogy between dream and film represents a central thread in the psychoanalytic discussion of cinema. Using examples taken from films created between 1900 and 1906, this paper develops a typology of dream scenes in early film. The basis for the proposed typology is provided by the dream knowledge in circulation toward the end of the nineteenth century. This knowledge was fed by a great variety of sources, some of them in the proximi…
"Body Missing" at Berggasse 19
"Body Missing" at Berggasse 19 Lydia Marinelli Translated by Joy Titheridge We were talking about what a museum is, the functions it can fulfil, the conditions it requires. "I don't think you deserve the name. You shouldn't call yourselves a museum, what you have here has nothing to do with a museum. Museums exhibit works of art or collections, but this. . . . " The participant in the course for aspiring museum experts broke off mid-sentence. The…
Dirty Gods
Dirty Gods:An Exhibition on Freud's Archaeological Collection Lydia Marinelli Translated by Joy Titheridge "Why are the figures placed at such a distance? They are what I came to see." —An exhibition visitor Exhibitions exploring literature and theory are faced with a paradox: They attempt both to reveal that which defies visibility and at the same time to assign the often banal objects of the visible world a significance that will always remain …
The Receding Animal
Argument Animals played an important role in the formation of psychoanalysis as a theoretical and therapeutic enterprise. They are at the core of texts such as Freud's famous case histories of Little Hans, the Rat Man, or the Wolf Man. The infantile anxiety triggered by animals provided the essential link between the psychology of individual neuroses and the ambivalent status of the “totem” animal in so-called primitive societies in Freud's attem…
Philosophy (5 works) · Art (4 works) · Epistemology (4 works) · Aesthetics (3 works) · Linguistics (3 works) · Literature (3 works) · Psychoanalysis (3 works) · Psychoanalytic theory (3 works) · Psychology (3 works) · Sociology (3 works)