Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

Fernando Calzadilla

Biographic Data

ID1695784
NAMEFernando Calzadilla
GIVEN NAMESFernando
FAMILY NAMECalzadilla
SIGNATURECALZADILLA F
AFFILIATIONSNew York University
VERIFIEDNo
TOTAL WORKS5
TOTAL CITATIONS0
AUTHOR COUNT5
EDITOR COUNT0
FIRST PUBLICATION YEAR2002
LATEST PUBLICATION YEAR2026
H-INDEX0
  • Between performance and archive

    Open Access•Fernando Calzadilla•ARTICLE•Body, Space & Technology•2026

    This essay is a fictionalised dialogue that, while adjusting to publishing guidelines, also takes liberties in favour of fluency and style. Laura and Paul are fictional characters who discuss the work Goddesses: looking or looked at in relation to the ontology of performance and its documentation. Laura’s conclusion is that while curatorial practice and art history would dwell on the photographs alone, designating Goddesses’ images as their inten…

  • Artists in the Field

    Fernando Calzadilla, George E Marcus•CHAPTER•Contemporary Art and Anthropology•2020

    Abdel Hernández is a Cuban artist, art critic, and cultural theorist. His work has evoked that of anthropologists, as in his performances, installations, and experiences in remote rural communities in Cuba, and in his exhibits/installations in the milieu of the everyday life of the urban poor. The various performances and installations were meant to explore the concept of evocation and its relation to ethical practice. In some cases artists devel…

  • YokastaS (review)

    Fernando Calzadilla•ARTICLE•Theatre Journal•2003

    TV talk shows are the spine of this new play exploring the many possibilities for Yokasta (also known as Jocasta in Oedipus Rex), the Queen of Thebes and mother-wife of Oedipus. The logic of words—as they lead us to definitions of reality or obscure hopes of obtaining anything definite—runs through YokastaS from the opening scene in which she is interviewed by a character named Media "to set the record straight" through to a final interview with …

  • Performing the Political

    Fernando Calzadilla•ARTICLE•TDR/The Drama Review•2002

    Each week like clockwork, Encapuchados—“hooded ones”—appear on the streets of Caracas to protest. Protest what? To what effect? Calzadilla examines the Encapuchados phenomenon in terms of Venezuelan gendered notions of virility, the performance of political identity and spectatorship, and finally, an embodiment of an imagined political community

  • Identity case-D

    Fernando Calzadilla•ARTICLE•Women & Performance a journal of…•2002

No prominent works on this page.

  • Performing the Political

    Fernando Calzadilla•ARTICLE•TDR/The Drama Review•2002

    Each week like clockwork, Encapuchados—“hooded ones”—appear on the streets of Caracas to protest. Protest what? To what effect? Calzadilla examines the Encapuchados phenomenon in terms of Venezuelan gendered notions of virility, the performance of political identity and spectatorship, and finally, an embodiment of an imagined political community

  • Identity case-D

    Fernando Calzadilla•ARTICLE•Women & Performance a journal of…•2002

  • YokastaS (review)

    Fernando Calzadilla•ARTICLE•Theatre Journal•2003

    TV talk shows are the spine of this new play exploring the many possibilities for Yokasta (also known as Jocasta in Oedipus Rex), the Queen of Thebes and mother-wife of Oedipus. The logic of words—as they lead us to definitions of reality or obscure hopes of obtaining anything definite—runs through YokastaS from the opening scene in which she is interviewed by a character named Media "to set the record straight" through to a final interview with …

  • Artists in the Field

    Fernando Calzadilla, George E Marcus•CHAPTER•Contemporary Art and Anthropology•2020

    Abdel Hernández is a Cuban artist, art critic, and cultural theorist. His work has evoked that of anthropologists, as in his performances, installations, and experiences in remote rural communities in Cuba, and in his exhibits/installations in the milieu of the everyday life of the urban poor. The various performances and installations were meant to explore the concept of evocation and its relation to ethical practice. In some cases artists devel…

  • Between performance and archive

    Open Access•Fernando Calzadilla•ARTICLE•Body, Space & Technology•2026

    This essay is a fictionalised dialogue that, while adjusting to publishing guidelines, also takes liberties in favour of fluency and style. Laura and Paul are fictional characters who discuss the work Goddesses: looking or looked at in relation to the ontology of performance and its documentation. Laura’s conclusion is that while curatorial practice and art history would dwell on the photographs alone, designating Goddesses’ images as their inten…

Art (3 works) · Philosophy (3 works) · Aesthetics (2 works) · Computer Science (2 works) · History (2 works) · History (2 works) · Mathematics (2 works) · Philosophy (2 works) · Sociology (2 works) · Theatre and Performance Studies (2 works)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae