Kristen Holfeuer
Biographic Data
| ID | 1695785 |
|---|---|
| NAME | Kristen Holfeuer |
| GIVEN NAMES | Kristen |
| FAMILY NAME | Holfeuer |
| SIGNATURE | HOLFEUER K |
| AFFILIATIONS | Performance Studies, New York University, New York, NY, USA |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2021 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 0 |
Crafting Inoculation
Cree visual artist Ruth Cuthand utilizes traditional and contemporary Indigenous beading techniques to craft multicolored, enlarged images of deadly diseases spread during contact with European settlers. The beaded virus makes visible the 500-year history of biological warfare waged against Indigenous communities, while the act of beading, a form of medicine in itself, is a centuries-old practice of continuity and memory. The paper builds upon Av…
Access intimacy and disability aesthetics in I Wanna Be With You Everywhere
This review examines the aesthetic, social, and political force of access intimacy as it emerges in three performances that took place during the 2019 multidisciplinary festival of disability performance, I Wanna Be With You Everywhere. By examining the access aesthetics present in Kayla Hamilton's Nearly Sighted/unearthting the dark, Jerron Herman's Relative, and performances of Protactile poetry by John Lee Clark and company, I argue that these…
No prominent works on this page.
Access intimacy and disability aesthetics in I Wanna Be With You Everywhere
This review examines the aesthetic, social, and political force of access intimacy as it emerges in three performances that took place during the 2019 multidisciplinary festival of disability performance, I Wanna Be With You Everywhere. By examining the access aesthetics present in Kayla Hamilton's Nearly Sighted/unearthting the dark, Jerron Herman's Relative, and performances of Protactile poetry by John Lee Clark and company, I argue that these…
Crafting Inoculation
Cree visual artist Ruth Cuthand utilizes traditional and contemporary Indigenous beading techniques to craft multicolored, enlarged images of deadly diseases spread during contact with European settlers. The beaded virus makes visible the 500-year history of biological warfare waged against Indigenous communities, while the act of beading, a form of medicine in itself, is a centuries-old practice of continuity and memory. The paper builds upon Av…
Art (2 works) · Aesthetics (1 work) · Disability Rights and Representation (1 work) · Disability studies (1 work) · Gender Studies (1 work) · Geographies of human-animal interactions (1 work) · Law (1 work) · Literature (1 work) · Poetry (1 work) · Political science (1 work)