Kirsten Pullen
Biographic Data
| ID | 1695984 |
|---|---|
| NAME | Kirsten Pullen |
| GIVEN NAMES | Kirsten |
| FAMILY NAME | Pullen |
| SIGNATURE | PULLEN K |
| AFFILIATIONS | University of Calgary |
| VERIFIED | No |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 6 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2005 |
| LATEST PUBLICATION YEAR | 2020 |
| H-INDEX | 1 |
Seditious Theology
Freeze frame
When I typed “celebrity aging” into Google the morning I began this review, my 0.31 second search turned up about 10,700,000 hits. Though I didn’t click on every site (but I’ll confess to having fa
More than a Mermaid
In Million Dollar Mermaid (1952), one of Esther Williams' most famous films, she plays real-life, turn-of-the-century Australian swimming champion and US variety star Annette Kellerman. In the clos
Striptease
Reviewed by: Striptease: The Untold History of the Girlie Show Kirsten Pullen Striptease: The Untold History of the Girlie Show. By Rachel Shteir. Oxford: Oxford University Press, 2004; pp. 438. $30.00 cloth, $17.95 paper. While there's certainly no shortage of first-person accounts of working in striptease and burlesque—from foundational narratives like Gypsy Rose Lee's Gypsy: A Memoir and Ann Corio's This Was Burlesque to the recent confessiona…
Interfaces
Reviewed by: Interfaces: Women, Autobiography, Image, Performance Kirsten Pullen Interfaces: Women, Autobiography, Image, Performance. Edited by Sidonie Smith and Julia Watson. Ann Arbor: University of Michigan Press, 2003; pp. ix + 480. $59.50 cloth, $24.95 paper. Smith and Watson's extensive body of previous work established the study of women's literary life-writing. In Interfaces, they turn to autobiography through visual and performance arts…
Guest-starring excess
More than a Mermaid
In Million Dollar Mermaid (1952), one of Esther Williams' most famous films, she plays real-life, turn-of-the-century Australian swimming champion and US variety star Annette Kellerman. In the clos
Interfaces
Reviewed by: Interfaces: Women, Autobiography, Image, Performance Kirsten Pullen Interfaces: Women, Autobiography, Image, Performance. Edited by Sidonie Smith and Julia Watson. Ann Arbor: University of Michigan Press, 2003; pp. ix + 480. $59.50 cloth, $24.95 paper. Smith and Watson's extensive body of previous work established the study of women's literary life-writing. In Interfaces, they turn to autobiography through visual and performance arts…
Guest-starring excess
Striptease
Reviewed by: Striptease: The Untold History of the Girlie Show Kirsten Pullen Striptease: The Untold History of the Girlie Show. By Rachel Shteir. Oxford: Oxford University Press, 2004; pp. 438. $30.00 cloth, $17.95 paper. While there's certainly no shortage of first-person accounts of working in striptease and burlesque—from foundational narratives like Gypsy Rose Lee's Gypsy: A Memoir and Ann Corio's This Was Burlesque to the recent confessiona…
More than a Mermaid
In Million Dollar Mermaid (1952), one of Esther Williams' most famous films, she plays real-life, turn-of-the-century Australian swimming champion and US variety star Annette Kellerman. In the clos
Freeze frame
When I typed “celebrity aging” into Google the morning I began this review, my 0.31 second search turned up about 10,700,000 hits. Though I didn’t click on every site (but I’ll confess to having fa
Seditious Theology
Art (5 works) · Art history (3 works) · Cinema and Media Studies (3 works) · Advertising (2 works) · Business (2 works) · Computer Science (2 works) · Psychology (2 works) · Archaeology (1 work) · Art, Politics, and Modernism (1 work) · Biography (1 work)