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Tara Aisha Willis

Biographic Data

ID1696114
NAMETara Aisha Willis
GIVEN NAMESTara Aisha
FAMILY NAMEWillis
SIGNATUREWILLIS T A
AFFILIATIONSNew York University
VERIFIEDNo
TOTAL WORKS5
TOTAL CITATIONS4
AUTHOR COUNT5
EDITOR COUNT0
FIRST PUBLICATION YEAR2015
LATEST PUBLICATION YEAR2025
H-INDEX1
  • You Sometimes Sounding like You”

    Open Access•Tara Aisha Willis•ARTICLE•liquid blackness•2025•Cited by: 1•References: 10

    In choreographer Will Rawls's collaboration with poet Claudia Rankine, What Remains, which toured nationally in 2016 – 21 and in which the author was one of four performers, improvisation serves as a strategy for the playful and indeterminate navigation of categorizations and curtailments of Black living and dancing in the charged landscape of the theatrical stage. This collaboratively constructed choreography was made up of tightly honed vocal a…

  • Exit interview

    Tara Aisha Willis, Walton Muyumba et al.•ARTICLE•Women & Performance a journal of…•2022•References: 6

  • Stumbling into Place

    Tara Aisha Willis•ARTICLE•The Black Scholar•2016•Cited by: 2

    Something happens when a body repeats a movement in time: a settling, a slipping in and out, a loss of trajectory even as the action pushes on. Dance artist David Thomson calls this repetition the

  • Black Moves

    Thomas F Defrantz, Tara Aisha Willis•ARTICLE•The Black Scholar•2016•Cited by: 1

    We dance to demonstrate our protest to the assumption of a unified subject.Black Moves that emerge under the umbrella paradigm of an African Diaspora become dance that resists category and restores

  • Cynthia Oliver'sBoom!and Dean Moss'sjohnbrown

    Barbara Browning, Tara Aisha Willis et al.•ARTICLE•Women & Performance a journal of…•2015

  • Stumbling into Place

    Tara Aisha Willis•ARTICLE•The Black Scholar•2016•Cited by: 2

    Something happens when a body repeats a movement in time: a settling, a slipping in and out, a loss of trajectory even as the action pushes on. Dance artist David Thomson calls this repetition the

  • You Sometimes Sounding like You”

    Open Access•Tara Aisha Willis•ARTICLE•liquid blackness•2025•Cited by: 1•References: 10

    In choreographer Will Rawls's collaboration with poet Claudia Rankine, What Remains, which toured nationally in 2016 – 21 and in which the author was one of four performers, improvisation serves as a strategy for the playful and indeterminate navigation of categorizations and curtailments of Black living and dancing in the charged landscape of the theatrical stage. This collaboratively constructed choreography was made up of tightly honed vocal a…

  • Black Moves

    Thomas F Defrantz, Tara Aisha Willis•ARTICLE•The Black Scholar•2016•Cited by: 1

    We dance to demonstrate our protest to the assumption of a unified subject.Black Moves that emerge under the umbrella paradigm of an African Diaspora become dance that resists category and restores

  • Cynthia Oliver'sBoom!and Dean Moss'sjohnbrown

    Barbara Browning, Tara Aisha Willis et al.•ARTICLE•Women & Performance a journal of…•2015

  • Stumbling into Place

    Tara Aisha Willis•ARTICLE•The Black Scholar•2016•Cited by: 2

    Something happens when a body repeats a movement in time: a settling, a slipping in and out, a loss of trajectory even as the action pushes on. Dance artist David Thomson calls this repetition the

  • Black Moves

    Thomas F Defrantz, Tara Aisha Willis•ARTICLE•The Black Scholar•2016•Cited by: 1

    We dance to demonstrate our protest to the assumption of a unified subject.Black Moves that emerge under the umbrella paradigm of an African Diaspora become dance that resists category and restores

  • Exit interview

    Tara Aisha Willis, Walton Muyumba et al.•ARTICLE•Women & Performance a journal of…•2022•References: 6

  • You Sometimes Sounding like You”

    Open Access•Tara Aisha Willis•ARTICLE•liquid blackness•2025•Cited by: 1•References: 10

    In choreographer Will Rawls's collaboration with poet Claudia Rankine, What Remains, which toured nationally in 2016 – 21 and in which the author was one of four performers, improvisation serves as a strategy for the playful and indeterminate navigation of categorizations and curtailments of Black living and dancing in the charged landscape of the theatrical stage. This collaboratively constructed choreography was made up of tightly honed vocal a…

Art (4 works) · Aesthetics (2 works) · Computer Science (2 works) · Dance (2 works) · Diversity and Impact of Dance (2 works) · Geology (2 works) · History (2 works) · History (2 works) · Oceanography (2 works) · Visual arts (2 works)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae