Enrico Di Pastena
Biographic Data
| ID | 1701102 |
|---|---|
| NAME | Enrico Di Pastena |
| GIVEN NAMES | Enrico |
| FAMILY NAME | Di Pastena |
| SIGNATURE | DI PASTENA E |
| AFFILIATIONS | University of Pisa |
| ORCID | 0000-0002-7313-7759 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2020 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
El Anuario Lope de Vega cumple treinta años
La mappa e il corpo come veicoli di memoria
"In The Cartographer, the playwright Juan Mayorga recovers for the present, and in an original and oblique way, some of the events that took place in the Warsaw ghetto in the first half of the 1940s. The piece makes explicit a parallelism between cartographic art and theatrical writing and at the same time translates it into practice through its own architecture. The map and the human body become there means of resistance to the impositions of Hi…
Il bavaglio e la parola. Note su una pièce allegorica di Alfonso Sastre
"In The Gag (1954, original title: La mordaza), Alfonso Sastre recovered the external stylistic features of a rural drama to protest against the censorship of the Franco regime which, at the time of the composition of the play, began to prohibit or oppose the staging of his dramas. Using cues taken from the crime news, mindful of the lesson by O’Neill in Desire under the Elms and refining previous personal experiences, Sastre wrote a sparse drama…
No prominent works on this page.
Il bavaglio e la parola. Note su una pièce allegorica di Alfonso Sastre
"In The Gag (1954, original title: La mordaza), Alfonso Sastre recovered the external stylistic features of a rural drama to protest against the censorship of the Franco regime which, at the time of the composition of the play, began to prohibit or oppose the staging of his dramas. Using cues taken from the crime news, mindful of the lesson by O’Neill in Desire under the Elms and refining previous personal experiences, Sastre wrote a sparse drama…
La mappa e il corpo come veicoli di memoria
"In The Cartographer, the playwright Juan Mayorga recovers for the present, and in an original and oblique way, some of the events that took place in the Warsaw ghetto in the first half of the 1940s. The piece makes explicit a parallelism between cartographic art and theatrical writing and at the same time translates it into practice through its own architecture. The map and the human body become there means of resistance to the impositions of Hi…
El Anuario Lope de Vega cumple treinta años
Art (3 works) · Humanities (3 works) · History (2 works) · Italian Literature and Culture (2 works) · Philosophy (2 works) · Aesthetics (1 work) · Architecture (1 work) · Art history (1 work) · Artificial Intelligence (1 work) · Computer Science (1 work)