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Lee Ann Riccardi

Biographic Data

ID1704545
NAMELee Ann Riccardi
GIVEN NAMESLee Ann
FAMILY NAMERiccardi
SIGNATURERICCARDI L A
AFFILIATIONSCollege of New Jersey
VERIFIEDNo
TOTAL WORKS4
TOTAL CITATIONS4
WORKS AS AUTHOR4
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2000
LATEST PUBLICATION YEAR2026
H-INDEX1
  • Asking Different Questions

    Julia Lenaghan, Lee Ann Riccardi•ARTICLE•American Journal of Archaeology•2026

    This study aims to identify imperial portraits through contextual and iconographic markers rather than from physiognomy and hairstyle. Modern scholarship categorizes portraits into types based on facial features and hair arrangements, applying standards facilitated by photography, a mid 19th-century invention that fundamentally altered expectations with regard to physical resemblance. The approach implies that ancient viewers recognized emperors …

  • Living with Myths

    Lee Ann Riccardi•ARTICLE•Phoenix•2014

    388 PHOENIX Living with Myths: The Imagery of Roman Sarcophagi. By Paul Zanker and BjÈ orn Ewald, translated by Julia Slater. Oxford: Oxford University Press. 2012. Pp. xi, 428. When a book appears with Paul Zanker’s name on it, it automatically attracts the attention of people interested in ancient Rome. Zanker is perhaps the most respected and prominent scholar working in the field of Roman art today, and his impressive reputation suggests that…

  • The Bust-Crown, The Panhellenion, and Eleusis

    Lee Ann Riccardi•ARTICLE•Hesperia The Journal of the…•2007•Cited by: 3•References: 7

    A marble portrait found in 2002 near the City Eleusinion, just outside the Athenian Agora, depicts the head of a man wearing a crown adorned with eight small busts. The busts appear to be imperial portraits representing male members of the Antonine and Severan dynasties, the latest of which is probably Caracalla, during whose reign the portrait was presumably carved. The face and beard, but not the crown or hair, show signs of having been later r…

  • Uncanonical Imperial Portraits in the Eastern Roman Provinces

    Lee Ann Riccardi•ARTICLE•Hesperia The Journal of the…•2000•Cited by: 1

  • The Bust-Crown, The Panhellenion, and Eleusis

    Lee Ann Riccardi•ARTICLE•Hesperia The Journal of the…•2007•Cited by: 3•References: 7

    A marble portrait found in 2002 near the City Eleusinion, just outside the Athenian Agora, depicts the head of a man wearing a crown adorned with eight small busts. The busts appear to be imperial portraits representing male members of the Antonine and Severan dynasties, the latest of which is probably Caracalla, during whose reign the portrait was presumably carved. The face and beard, but not the crown or hair, show signs of having been later r…

  • Uncanonical Imperial Portraits in the Eastern Roman Provinces

    Lee Ann Riccardi•ARTICLE•Hesperia The Journal of the…•2000•Cited by: 1

  • Uncanonical Imperial Portraits in the Eastern Roman Provinces

    Lee Ann Riccardi•ARTICLE•Hesperia The Journal of the…•2000•Cited by: 1

  • The Bust-Crown, The Panhellenion, and Eleusis

    Lee Ann Riccardi•ARTICLE•Hesperia The Journal of the…•2007•Cited by: 3•References: 7

    A marble portrait found in 2002 near the City Eleusinion, just outside the Athenian Agora, depicts the head of a man wearing a crown adorned with eight small busts. The busts appear to be imperial portraits representing male members of the Antonine and Severan dynasties, the latest of which is probably Caracalla, during whose reign the portrait was presumably carved. The face and beard, but not the crown or hair, show signs of having been later r…

  • Living with Myths

    Lee Ann Riccardi•ARTICLE•Phoenix•2014

    388 PHOENIX Living with Myths: The Imagery of Roman Sarcophagi. By Paul Zanker and BjÈ orn Ewald, translated by Julia Slater. Oxford: Oxford University Press. 2012. Pp. xi, 428. When a book appears with Paul Zanker’s name on it, it automatically attracts the attention of people interested in ancient Rome. Zanker is perhaps the most respected and prominent scholar working in the field of Roman art today, and his impressive reputation suggests that…

  • Asking Different Questions

    Julia Lenaghan, Lee Ann Riccardi•ARTICLE•American Journal of Archaeology•2026

    This study aims to identify imperial portraits through contextual and iconographic markers rather than from physiognomy and hairstyle. Modern scholarship categorizes portraits into types based on facial features and hair arrangements, applying standards facilitated by photography, a mid 19th-century invention that fundamentally altered expectations with regard to physical resemblance. The approach implies that ancient viewers recognized emperors …

Ancient Mediterranean Archaeology and History (3 works) · Art (3 works) · Portrait (3 works) · Archaeology (2 works) · Art history (2 works) · Classical Antiquity Studies (2 works) · Computer Science (2 works) · History (2 works) · 3D Scanning (1 work) · Agora (1 work)

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