Hallie G Meredith
Biographic Data
| ID | 1705528 |
|---|---|
| NAME | Hallie G Meredith |
| GIVEN NAMES | Hallie G |
| FAMILY NAME | Meredith |
| SIGNATURE | MEREDITH H G |
| AFFILIATIONS | Washington State University |
| ORCID | 0000-0003-0175-9193 |
| VERIFIED | Yes |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 5 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2015 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 1 |
An approach to craft and craftworkers in process
Late Antique Glass Carving as Cross-Craft
Focusing on the related engraving techniques of openwork and opus sectile carving as evidence, this paper demonstrates that glass production in the Eastern Mediterranean in late Antiquity was an example of cross-craft, involving aspects of specialised collaboration among glass producers. As such, it represents the interdependence required of inter-industry relations in terms not only of resources but fundamentally of skills. Beyond just glass, co…
An Introduction to Late Antique Cross-Craft Studies
The study of crafts and trades in the ancient Mediterranean world has garnered increased attention over the last decade, including through the investigation of cross-craft or inter-industry relations among craft producers. This body of literature represents a range of distinct approaches – including co-production, cross-craft interaction, skeuomorphism, and multicraft – each derived from different disciplinary perspectives, yet collectively these…
The Late Roman UnfinishedChaîne opératoire
Fragments of incomplete material objects, too often relegated to storage, have the potential to help uncover production processes that had been believed lost or thought permanently obscured. Traditionally, study of the chaîne opératoire (operational sequence) has been limited to completed pieces, excluding in-process and discarded items. This omission creates a misleading narrative. Rather than a linear process, the manufacture of sculpted object…
Engaging Mourners and Maintaining Unity
Roman gold-glass provides evidence of a nascent custom widely practiced throughout the catacombs but limited to Rome - excising a gold-glass roundel from a functional vessel or inserting an entire vessel with gold-glass base and - permanently sealing it outside of a loculus. Although less common, gold-glass pendants were also selected for inclusion outside of tombs. It had been presumed that the intended recipient was the deceased. This essay, ho…
The Late Roman UnfinishedChaîne opératoire
Fragments of incomplete material objects, too often relegated to storage, have the potential to help uncover production processes that had been believed lost or thought permanently obscured. Traditionally, study of the chaîne opératoire (operational sequence) has been limited to completed pieces, excluding in-process and discarded items. This omission creates a misleading narrative. Rather than a linear process, the manufacture of sculpted object…
Engaging Mourners and Maintaining Unity
Roman gold-glass provides evidence of a nascent custom widely practiced throughout the catacombs but limited to Rome - excising a gold-glass roundel from a functional vessel or inserting an entire vessel with gold-glass base and - permanently sealing it outside of a loculus. Although less common, gold-glass pendants were also selected for inclusion outside of tombs. It had been presumed that the intended recipient was the deceased. This essay, ho…
The Late Roman UnfinishedChaîne opératoire
Fragments of incomplete material objects, too often relegated to storage, have the potential to help uncover production processes that had been believed lost or thought permanently obscured. Traditionally, study of the chaîne opératoire (operational sequence) has been limited to completed pieces, excluding in-process and discarded items. This omission creates a misleading narrative. Rather than a linear process, the manufacture of sculpted object…
Late Antique Glass Carving as Cross-Craft
Focusing on the related engraving techniques of openwork and opus sectile carving as evidence, this paper demonstrates that glass production in the Eastern Mediterranean in late Antiquity was an example of cross-craft, involving aspects of specialised collaboration among glass producers. As such, it represents the interdependence required of inter-industry relations in terms not only of resources but fundamentally of skills. Beyond just glass, co…
An Introduction to Late Antique Cross-Craft Studies
The study of crafts and trades in the ancient Mediterranean world has garnered increased attention over the last decade, including through the investigation of cross-craft or inter-industry relations among craft producers. This body of literature represents a range of distinct approaches – including co-production, cross-craft interaction, skeuomorphism, and multicraft – each derived from different disciplinary perspectives, yet collectively these…
An approach to craft and craftworkers in process
Ancient Mediterranean Archaeology and History (5 works) · Art (4 works) · Craft (3 works) · Visual arts (3 works) · Ancient and Medieval Archaeology Studies (2 works) · Antique (2 works) · Archaeology and ancient environmental studies (2 works) · Carving (2 works) · Historical and Archaeological Studies (2 works) · History (2 works)