Judith A Lerner
Biographic Data
| ID | 1705561 |
|---|---|
| NAME | Judith A Lerner |
| GIVEN NAMES | Judith A |
| FAMILY NAME | Lerner |
| SIGNATURE | LERNER J A |
| AFFILIATIONS | New York University |
| VERIFIED | No |
| TOTAL WORKS | 11 |
| TOTAL CITATIONS | 48 |
| AUTHOR COUNT | 11 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1975 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 3 |
An Achaemenid God in Color
A limestone relief fragment with a figure in a winged disk from the fifth-century BCE Hall of 100 Columns at Persepolis in southwestern Iran that entered the Harvard Art Museums’ collections in 1943 preserves significant traces of its original coloration and has played a key role in the rediscovery of polychromy at the Achaemenid Persian capital. After tracing the fragment’s journey to Cambridge, MA, this article presents the results of recent te…
A prolegomenon to the study of pottery stamps from Mes Aynak
That Afghanistan has been a cultural crossroads is no better demonstrated than by its glyptic art. The designs and styles of the seals used to sign, authenticate and secure documents and packages reflect the artistic and religious traditions of the Hellenistic, Iranian, and Indian worlds. A particular category of seal design is, to my knowledge, known only from impressions on the exterior of clay vessels; they occur at a number of sites in Afghan…
CHAPTER 1 The Visual Culture of Greater Iran
Coinage of the Iranian Huns and their Successors from Bactria to Ganhara (4th to 8th century CE)
The fourth volume in the series of Studies in the Aman ur Rahman Collection (SARC) covers the coinage of the Iranian Huns and their Successors. At about 2.450 pieces this is probably the most complete assemblage of coins from this period, and also includes a substantial number of hitherto unpublished coin-types. Still the collection is further augmented by reference material from all major museums of the world, so that almost every known type is …
Seals, Sealings, and Tokens from Bactria to Gandhara (4th to 8th century CE)
Boris Il'ich Marshak, 1933-2006
The Seal of a Eunuch in the Sasanian Court
Central Asians in Sixth-Century China
L'A. etudie les pratiques funeraires liees au feu dans la religion zoroastrienne au 6°Siecle apres J.C. en Chine et en Asie Centrale. Cette religion est originaire d'Iran. L'A. fait des rapprochements avec les sanctuaires et les ceremonies dedies au feu dans l'Empire Perse. Des panneaux de marbre en relief sont utilises comme source de reflexion
Some So-Called Achaemenid Objects From Pazyryk
Sasanian Seals in the Department of Medieval and Later Antiquities of the British Museum
A Note on Sasanian Harpies
Seals, Sealings, and Tokens from Bactria to Gandhara (4th to 8th century CE)
Central Asians in Sixth-Century China
L'A. etudie les pratiques funeraires liees au feu dans la religion zoroastrienne au 6°Siecle apres J.C. en Chine et en Asie Centrale. Cette religion est originaire d'Iran. L'A. fait des rapprochements avec les sanctuaires et les ceremonies dedies au feu dans l'Empire Perse. Des panneaux de marbre en relief sont utilises comme source de reflexion
Some So-Called Achaemenid Objects From Pazyryk
Coinage of the Iranian Huns and their Successors from Bactria to Ganhara (4th to 8th century CE)
The fourth volume in the series of Studies in the Aman ur Rahman Collection (SARC) covers the coinage of the Iranian Huns and their Successors. At about 2.450 pieces this is probably the most complete assemblage of coins from this period, and also includes a substantial number of hitherto unpublished coin-types. Still the collection is further augmented by reference material from all major museums of the world, so that almost every known type is …
An Achaemenid God in Color
A limestone relief fragment with a figure in a winged disk from the fifth-century BCE Hall of 100 Columns at Persepolis in southwestern Iran that entered the Harvard Art Museums’ collections in 1943 preserves significant traces of its original coloration and has played a key role in the rediscovery of polychromy at the Achaemenid Persian capital. After tracing the fragment’s journey to Cambridge, MA, this article presents the results of recent te…
A prolegomenon to the study of pottery stamps from Mes Aynak
That Afghanistan has been a cultural crossroads is no better demonstrated than by its glyptic art. The designs and styles of the seals used to sign, authenticate and secure documents and packages reflect the artistic and religious traditions of the Hellenistic, Iranian, and Indian worlds. A particular category of seal design is, to my knowledge, known only from impressions on the exterior of clay vessels; they occur at a number of sites in Afghan…
The Seal of a Eunuch in the Sasanian Court
Sasanian Seals in the Department of Medieval and Later Antiquities of the British Museum
A Note on Sasanian Harpies
Sasanian Seals in the Department of Medieval and Later Antiquities of the British Museum
Some So-Called Achaemenid Objects From Pazyryk
Central Asians in Sixth-Century China
L'A. etudie les pratiques funeraires liees au feu dans la religion zoroastrienne au 6°Siecle apres J.C. en Chine et en Asie Centrale. Cette religion est originaire d'Iran. L'A. fait des rapprochements avec les sanctuaires et les ceremonies dedies au feu dans l'Empire Perse. Des panneaux de marbre en relief sont utilises comme source de reflexion
The Seal of a Eunuch in the Sasanian Court
Boris Il'ich Marshak, 1933-2006
Seals, Sealings, and Tokens from Bactria to Gandhara (4th to 8th century CE)
Coinage of the Iranian Huns and their Successors from Bactria to Ganhara (4th to 8th century CE)
The fourth volume in the series of Studies in the Aman ur Rahman Collection (SARC) covers the coinage of the Iranian Huns and their Successors. At about 2.450 pieces this is probably the most complete assemblage of coins from this period, and also includes a substantial number of hitherto unpublished coin-types. Still the collection is further augmented by reference material from all major museums of the world, so that almost every known type is …
CHAPTER 1 The Visual Culture of Greater Iran
A prolegomenon to the study of pottery stamps from Mes Aynak
That Afghanistan has been a cultural crossroads is no better demonstrated than by its glyptic art. The designs and styles of the seals used to sign, authenticate and secure documents and packages reflect the artistic and religious traditions of the Hellenistic, Iranian, and Indian worlds. A particular category of seal design is, to my knowledge, known only from impressions on the exterior of clay vessels; they occur at a number of sites in Afghan…
An Achaemenid God in Color
A limestone relief fragment with a figure in a winged disk from the fifth-century BCE Hall of 100 Columns at Persepolis in southwestern Iran that entered the Harvard Art Museums’ collections in 1943 preserves significant traces of its original coloration and has played a key role in the rediscovery of polychromy at the Achaemenid Persian capital. After tracing the fragment’s journey to Cambridge, MA, this article presents the results of recent te…
Eurasian Exchange Networks (9 works) · History (9 works) · Art (8 works) · History (8 works) · Ancient history (7 works) · Archaeology (5 works) · Byzantine Studies and History (4 works) · Ancient Near East History (3 works) · Computer Science (3 works) · Geography (3 works)