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Paulina Aroch-Fugellie

Biographic Data

ID170657
NAMEPaulina Aroch-Fugellie
GIVEN NAMESPaulina
FAMILY NAMEAroch-Fugellie
SIGNATUREAROCH-FUGELLIE P
AFFILIATIONSUniversidad Autónoma Metropolitana-Cuajimalpa, Mexico City, Mexico
ORCID0000-0003-1060-4927
VERIFIEDYes
TOTAL WORKS3
TOTAL CITATIONS1
WORKS AS AUTHOR3
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2013
LATEST PUBLICATION YEAR2024
H-INDEX1
  • Negation as Condition of Possibility for Imagining Anew

    Paulina Aroch-Fugellie, Michaelle Villaseñor•ARTICLE•Performance Research•2024

    The capitalist machinery colonizes our unconscious, shaping our imaginations. Its simulacrum of social interaction defers genuine experiences of ‘being-with’. Rather than negate these realities, we want to negate the negations that shape the capitalist machinery itself by engaging with the amorphous preverbal states of our performance-as-research practices.By opposing gravity, I stand up; by negating qualitative differences, I define concepts. By…

  • Neoliberal Leveraging of the Colonial Imagination

    Paulina Aroch-Fugellie•ARTICLE•African Studies•2023•References: 12

    Africa's portrayal in the hegemonic imagination has been subjected to critical analysis for many decades. Three features stand out in my analysis. First, I focus on how that hegemonic imagination produces and correlates whiteness to progress through cigarette marketing. Second, I am concerned with the specifically neoliberal leveraging of the imaginary repertoire of classic European colonialism. Neoliberal colonialism repurposes old phantasmagori…

  • Leverage

    Paulina Aroch-Fugellie•ARTICLE•Journal of Latin American…•2013•Cited by: 1•References: 7

    Leverage’ is an inquiry into the work of Artistas Aliados, the artistic branch of the #YoSoy132 student movement that burst out in Mexico on May 11th, 2012. Excluded from the usual circuits of aesthetic and economic value production, the work of Artistas Aliados provides an opportunity to explore contemporary geopolitics of value from a position of relative exteriority. The author departs from the thesis that neoliberalism has appropriated the fo…

  • Leverage

    Paulina Aroch-Fugellie•ARTICLE•Journal of Latin American…•2013•Cited by: 1•References: 7

    Leverage’ is an inquiry into the work of Artistas Aliados, the artistic branch of the #YoSoy132 student movement that burst out in Mexico on May 11th, 2012. Excluded from the usual circuits of aesthetic and economic value production, the work of Artistas Aliados provides an opportunity to explore contemporary geopolitics of value from a position of relative exteriority. The author departs from the thesis that neoliberalism has appropriated the fo…

  • Leverage

    Paulina Aroch-Fugellie•ARTICLE•Journal of Latin American…•2013•Cited by: 1•References: 7

    Leverage’ is an inquiry into the work of Artistas Aliados, the artistic branch of the #YoSoy132 student movement that burst out in Mexico on May 11th, 2012. Excluded from the usual circuits of aesthetic and economic value production, the work of Artistas Aliados provides an opportunity to explore contemporary geopolitics of value from a position of relative exteriority. The author departs from the thesis that neoliberalism has appropriated the fo…

  • Neoliberal Leveraging of the Colonial Imagination

    Paulina Aroch-Fugellie•ARTICLE•African Studies•2023•References: 12

    Africa's portrayal in the hegemonic imagination has been subjected to critical analysis for many decades. Three features stand out in my analysis. First, I focus on how that hegemonic imagination produces and correlates whiteness to progress through cigarette marketing. Second, I am concerned with the specifically neoliberal leveraging of the imaginary repertoire of classic European colonialism. Neoliberal colonialism repurposes old phantasmagori…

  • Negation as Condition of Possibility for Imagining Anew

    Paulina Aroch-Fugellie, Michaelle Villaseñor•ARTICLE•Performance Research•2024

    The capitalist machinery colonizes our unconscious, shaping our imaginations. Its simulacrum of social interaction defers genuine experiences of ‘being-with’. Rather than negate these realities, we want to negate the negations that shape the capitalist machinery itself by engaging with the amorphous preverbal states of our performance-as-research practices.By opposing gravity, I stand up; by negating qualitative differences, I define concepts. By…

Aesthetics (2 works) · Art (2 works) · Hegemony (2 works) · Law (2 works) · Law (2 works) · Political science (2 works) · Sociology (2 works) · Visual arts (2 works) · African history and culture studies (1 work) · Colonialism (1 work)

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