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Emmett G Price

Biographic Data

ID1707565
NAMEEmmett G Price
GIVEN NAMESEmmett G
FAMILY NAMEPrice
SIGNATUREPRICE E G
AFFILIATIONSGordon-Conwell Theological Seminary
VERIFIEDNo
TOTAL WORKS6
TOTAL CITATIONS0
AUTHOR COUNT6
EDITOR COUNT0
FIRST PUBLICATION YEAR2000
LATEST PUBLICATION YEAR2023
H-INDEX0
  • (Special Section, Hymns Beyond the Congregation II): “We’ll Understand it Better By and By:” Nomenclature, Negotiation, and Naming our Neighbors

    Open Access•Emmett G Price•ARTICLE•Yale Journal of Music & Religion•2023

    Hymns, whether composed for religious contexts or as expressions of spiritual reflection, are historically revered for their redemptive nature. For generations, Black Hymnody has cried out for Christological interventions to end shambolic and systemic oppression against Black people. The vicious murder of George Perry Floyd, Jr. on May 25, 2020 reverberated and initiated, as a catalyst, an overdue global awakening that sparked a catalytic moment …

  • The Spirit Of Praise: Music and Worship in Global Pentecostal-Charismatic Christianity, written by Monique M. Ingalls and Amos Yong

    Emmett G Price•ARTICLE•Pneuma•2016

  • Josh White: Society Blues

    Emmett G Price, Elijah Wald•ARTICLE•African American Review•2002

    A gifted and charismatic entertainer, Josh White (1914-1969) was one of the best-known folk-blues artists of his day. In the early 1960s, one survey ranked him as America's third most popular male folksinger, surpassed only by Pete Seeger and Bob Dylan. He appeared on national television, performed at numerous college concerts and club dates, and released several dozen albums - all featuring his distinctive guitar style, supple voice and unique s…

  • California Soul: Music of African Americans in the West

    Emmett G Price Iii, Emmett G Price et al.•ARTICLE•Ethnomusicology•2002

  • The Late Great Johnny Ace and the Transition from R&B to Rock 'n' Roll

    Emmett G Price, James M Salem•ARTICLE•African American Review•2001

    If Elvis Presley was a white man who sang in a predominantly black style, Johnny Ace was a black man who sang in a predominantly white one. His soft, crooning heart ballads took the black record-buying public by storm in the early 1950s, and he was the first postwar solo black male rhythm and blues star signed to an independent label to attract a white audience. His biggest hit, Pledging My Love, was at the top of the R&B charts when he died play…

  • The New Negroes and Their Music: The Success of the Harlem Renaissance

    Emmett G Price Iii, Emmett G Price et al.•ARTICLE•American Music•2000

No prominent works on this page.

  • The New Negroes and Their Music: The Success of the Harlem Renaissance

    Emmett G Price Iii, Emmett G Price et al.•ARTICLE•American Music•2000

  • The Late Great Johnny Ace and the Transition from R&B to Rock 'n' Roll

    Emmett G Price, James M Salem•ARTICLE•African American Review•2001

    If Elvis Presley was a white man who sang in a predominantly black style, Johnny Ace was a black man who sang in a predominantly white one. His soft, crooning heart ballads took the black record-buying public by storm in the early 1950s, and he was the first postwar solo black male rhythm and blues star signed to an independent label to attract a white audience. His biggest hit, Pledging My Love, was at the top of the R&B charts when he died play…

  • Josh White: Society Blues

    Emmett G Price, Elijah Wald•ARTICLE•African American Review•2002

    A gifted and charismatic entertainer, Josh White (1914-1969) was one of the best-known folk-blues artists of his day. In the early 1960s, one survey ranked him as America's third most popular male folksinger, surpassed only by Pete Seeger and Bob Dylan. He appeared on national television, performed at numerous college concerts and club dates, and released several dozen albums - all featuring his distinctive guitar style, supple voice and unique s…

  • California Soul: Music of African Americans in the West

    Emmett G Price Iii, Emmett G Price et al.•ARTICLE•Ethnomusicology•2002

  • The Spirit Of Praise: Music and Worship in Global Pentecostal-Charismatic Christianity, written by Monique M. Ingalls and Amos Yong

    Emmett G Price•ARTICLE•Pneuma•2016

  • (Special Section, Hymns Beyond the Congregation II): “We’ll Understand it Better By and By:” Nomenclature, Negotiation, and Naming our Neighbors

    Open Access•Emmett G Price•ARTICLE•Yale Journal of Music & Religion•2023

    Hymns, whether composed for religious contexts or as expressions of spiritual reflection, are historically revered for their redemptive nature. For generations, Black Hymnody has cried out for Christological interventions to end shambolic and systemic oppression against Black people. The vicious murder of George Perry Floyd, Jr. on May 25, 2020 reverberated and initiated, as a catalyst, an overdue global awakening that sparked a catalytic moment …

Art (5 works) · History (4 works) · Music History and Culture (4 works) · Philosophy (3 works) · Art history (2 works) · History (2 works) · Pentecostalism and Christianity Studies (2 works) · Race, History, and American Society (2 works) · Theater, Performance, and Music History (2 works) · Theology (2 works)

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