Nghana Tamu Lewis
Biographic Data
| ID | 1707606 |
|---|---|
| NAME | Nghana Tamu Lewis |
| GIVEN NAMES | Nghana Tamu |
| FAMILY NAME | Lewis |
| SIGNATURE | LEWIS N T |
| AFFILIATIONS | Tulane University |
| VERIFIED | No |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 2 |
| AUTHOR COUNT | 5 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1999 |
| LATEST PUBLICATION YEAR | 2011 |
| H-INDEX | 1 |
Womanism, Literature, and the Transformation of the Black Community, 1965–1980 , and
Reviewed by: Womanism, Literature, and the Transformation of the Black Community, 1965–1980, and: Parodies of Ownership: Hip-Hop Aesthetics and Intellectual Property Law Nghana Lewis Eaton, Kalenda C. Womanism, Literature, and the Transformation of the Black Community, 1965–1980. New York: Routledge, 2008. 107 pp. $105.00. Schur, Richard L. Parodies of Ownership: Hip-Hop Aesthetics and Intellectual Property Law. Ann Arbor: U of Michigan P, 2009. …
Truth, lies, and racial consequences in Ernest Hemingway'sTrue at First Light
This article examines Ernest Hemingway's posthumously published novel True at First Light: A Fictional Memoir, by relating the author's vision of the role of Africa in the literary imagination to issues the novel raises for postcolonial cultural and historical criticism. Analyzing the novel's narrative, which draws upon Hemingway's second safari to Kenya in 1953–4, offers insight into Hemingway's 'African American' consciousness, and the new awar…
The Rhetoric of Mobility, the Politics of Consciousness
Nghana tamu Lewis, The Rhetoric of Mobility, the Politics of Consciousness: Julia Mood Peterkin and the Case of a White Black Writer, African American Review, Vol. 38, No. 4 (Winter, 2004), pp. 589-608
In a Different Chord
Sometimes the lyrics mock and signify even as they pretend to weep. (Albert Murray, Stomping the Blues) Black feminism is not a monolithic enterprise. But it starts to look that way critical treatment of the intercourse among the blues, black female sexuality, and cultural agency. Angela Davis, for example, drawing from the lyrics of Ma Rainey, Bessie Smith, and Billie Holiday, theorizes that the blues has helped to construct an aesthetic communi…
Toni Morrison and the American Tradition
Widely recognized as one of the most significant writers America has produced, Toni Morrison has consistently confounded critics. As she says herself, she seeks to avoid being like Joyce, Hardy, and Faulkner. In this work, Rice explores the ways Morrison is like and unlike writers such as Faulkner. He uncovers a complex tension at the core of her work that at once connects her to and separates her from the American tradition
The Rhetoric of Mobility, the Politics of Consciousness
Nghana tamu Lewis, The Rhetoric of Mobility, the Politics of Consciousness: Julia Mood Peterkin and the Case of a White Black Writer, African American Review, Vol. 38, No. 4 (Winter, 2004), pp. 589-608
In a Different Chord
Sometimes the lyrics mock and signify even as they pretend to weep. (Albert Murray, Stomping the Blues) Black feminism is not a monolithic enterprise. But it starts to look that way critical treatment of the intercourse among the blues, black female sexuality, and cultural agency. Angela Davis, for example, drawing from the lyrics of Ma Rainey, Bessie Smith, and Billie Holiday, theorizes that the blues has helped to construct an aesthetic communi…
Toni Morrison and the American Tradition
Widely recognized as one of the most significant writers America has produced, Toni Morrison has consistently confounded critics. As she says herself, she seeks to avoid being like Joyce, Hardy, and Faulkner. In this work, Rice explores the ways Morrison is like and unlike writers such as Faulkner. He uncovers a complex tension at the core of her work that at once connects her to and separates her from the American tradition
In a Different Chord
Sometimes the lyrics mock and signify even as they pretend to weep. (Albert Murray, Stomping the Blues) Black feminism is not a monolithic enterprise. But it starts to look that way critical treatment of the intercourse among the blues, black female sexuality, and cultural agency. Angela Davis, for example, drawing from the lyrics of Ma Rainey, Bessie Smith, and Billie Holiday, theorizes that the blues has helped to construct an aesthetic communi…
The Rhetoric of Mobility, the Politics of Consciousness
Nghana tamu Lewis, The Rhetoric of Mobility, the Politics of Consciousness: Julia Mood Peterkin and the Case of a White Black Writer, African American Review, Vol. 38, No. 4 (Winter, 2004), pp. 589-608
Truth, lies, and racial consequences in Ernest Hemingway'sTrue at First Light
This article examines Ernest Hemingway's posthumously published novel True at First Light: A Fictional Memoir, by relating the author's vision of the role of Africa in the literary imagination to issues the novel raises for postcolonial cultural and historical criticism. Analyzing the novel's narrative, which draws upon Hemingway's second safari to Kenya in 1953–4, offers insight into Hemingway's 'African American' consciousness, and the new awar…
Womanism, Literature, and the Transformation of the Black Community, 1965–1980 , and
Reviewed by: Womanism, Literature, and the Transformation of the Black Community, 1965–1980, and: Parodies of Ownership: Hip-Hop Aesthetics and Intellectual Property Law Nghana Lewis Eaton, Kalenda C. Womanism, Literature, and the Transformation of the Black Community, 1965–1980. New York: Routledge, 2008. 107 pp. $105.00. Schur, Richard L. Parodies of Ownership: Hip-Hop Aesthetics and Intellectual Property Law. Ann Arbor: U of Michigan P, 2009. …
Art (4 works) · History (4 works) · Literature (4 works) · History (3 works) · Law (3 works) · Philosophy (3 works) · Political science (3 works) · Race, History, and American Society (3 works) · Sociology (3 works) · American and British Literature Analysis (2 works)