Jurgen E Grandt
Biographic Data
| ID | 1707634 |
|---|---|
| NAME | Jurgen E Grandt |
| GIVEN NAMES | Jurgen E |
| FAMILY NAME | Grandt |
| SIGNATURE | GRANDT J E |
| AFFILIATIONS | University of North Georgia |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2004 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 0 |
“… And Other Bodies”
“The Negro Speaks of Rivers” is not commonly considered one of Langston Hughes's jazz poems, but saxophonist Gary Bartz's appropriation, “I've Known Rivers,” the title track of a live double album recorded in 1973, reveals how Hughes's poetics were jazz-shaped from the very beginning. Not really a musical transposition of poetic script, “I've Known Rivers” instead improvises modalities of transaction with and in new-old sonic topographies, and in…
Kinds of Blue
Play it, jazz band! You've got seven languages to speak in And then some ... (Langston Hughes, Band in a Parisian Cabaret) In 1951, James Baldwin wrote ... it is only in his music ... that Negro of America has been able to tell his story' (24). But that same year, British jazz critic Leonard Feather published in pages of Down Beat magazine a blindfold test with jazz trumpeter Roy Eldridge. Throughout his distinguished career, Eldridge had repeate…
No prominent works on this page.
Kinds of Blue
Play it, jazz band! You've got seven languages to speak in And then some ... (Langston Hughes, Band in a Parisian Cabaret) In 1951, James Baldwin wrote ... it is only in his music ... that Negro of America has been able to tell his story' (24). But that same year, British jazz critic Leonard Feather published in pages of Down Beat magazine a blindfold test with jazz trumpeter Roy Eldridge. Throughout his distinguished career, Eldridge had repeate…
“… And Other Bodies”
“The Negro Speaks of Rivers” is not commonly considered one of Langston Hughes's jazz poems, but saxophonist Gary Bartz's appropriation, “I've Known Rivers,” the title track of a live double album recorded in 1973, reveals how Hughes's poetics were jazz-shaped from the very beginning. Not really a musical transposition of poetic script, “I've Known Rivers” instead improvises modalities of transaction with and in new-old sonic topographies, and in…
Art (2 works) · Art history (2 works) · Jazz (2 works) · Music History and Culture (2 works) · Musicology and Musical Analysis (2 works) · Appropriation (1 work) · Blues (1 work) · History (1 work) · History (1 work) · Improvisation (1 work)