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Anne-Marie Paquet-Deyris

Biographic Data

ID1707762
NAMEAnne-Marie Paquet-Deyris
GIVEN NAMESAnne-Marie
FAMILY NAMEPaquet-Deyris
SIGNATUREPAQUET-DEYRIS A
AFFILIATIONSUniversité Paris Nanterre
VERIFIEDNo
TOTAL WORKS5
TOTAL CITATIONS0
WORKS AS AUTHOR5
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2001
LATEST PUBLICATION YEAR2021
H-INDEX0
  • Max Steiner’s Musical Pictures

    Open Access•Anne-Marie Paquet-Deyris•ARTICLE•Miranda•2021

    By devising a “geography of the soundscape” (Stilwell), Max Steiner used the scores he composed and directed to generate maximum effect and affect. Balancing the dynamic relation between music and image, he was one of the first Hollywood composers to use sections of the score as mnemonic devices

  • Ariane Hudelet The Wire. Les règles du jeu. Paris

    Anne-Marie Paquet-Deyris•ARTICLE•Revue française d’études…•2016

    Article disponible en ligne l'adresse https://shs.cairn.info/revue-francaise-d-etudes-americaines-2016-2-page-122d?lang=fr Dcouvrir le sommaire de ce numro, suivre la revue par email, s'abonner... Scannez ce QR Code pour accder la page de ce numro sur Cairn.info. Distribution lectronique Cairn.info pour Belin.Vous avez l'autorisation de reproduire cet article dans les limites des conditions d'utilisation de Cairn.infoou, le cas chant, des conditi…

  • From “Plain Abe” to Mythical Mr. Lincoln. Constructing various representational modes of a screen icon

    Open Access•Anne-Marie Paquet-Deyris•ARTICLE•IdeAs•2016•References: 4

    The first exercises in Lincoln screen iconography started in the early 1900s, most notably with the tableau shot at the close of Edwin Porter’s 1903 Uncle Tom’s Cabin produced by the Edison Film Company and representing Lincoln freeing a slave, and with Essanay Studios’ 1908 The Life of Abraham Lincoln, a lost print likely to have been the first work featuring Abraham Lincoln’s entire life. These early movies, quite a few of which were never retr…

  • Scènes d'esprit

    Anne-Marie Paquet-Deyris•ARTICLE•Revue française d’études…•2004

    In 1998, Jonathan Demme adapted for screen Toni Morrison’s critically acclaimed novel Beloved. This new cinematographic itinerary proves complex and problematic as the director chooses to reconfigure the heroine’s agonizing journey through memory and to freedom in times of slavery in a violent and non linear manner. His incursion into a haunted territory of African American history leads him to make radical choices such as selecting at once the f…

  • Toni Morrison's Jazz and the City

    Anne-Marie Paquet-Deyris•ARTICLE•African American Review•2001

    Out of three volumes of Toni Morrison's trilogy starting with Beloved (1987) and ending with Paradise (1997), Jazz (1992) may very well be most vocal. narrative's deliberately ungendered, unspecific voice and its avatars take center stage against a Harlem backdrop. But what consistently calls the with a capital C only indirectly functions as historical background. It seems to be doing much more than encoding Afro-American place. metropolis in 192…

No prominent works on this page.

  • Toni Morrison's Jazz and the City

    Anne-Marie Paquet-Deyris•ARTICLE•African American Review•2001

    Out of three volumes of Toni Morrison's trilogy starting with Beloved (1987) and ending with Paradise (1997), Jazz (1992) may very well be most vocal. narrative's deliberately ungendered, unspecific voice and its avatars take center stage against a Harlem backdrop. But what consistently calls the with a capital C only indirectly functions as historical background. It seems to be doing much more than encoding Afro-American place. metropolis in 192…

  • Scènes d'esprit

    Anne-Marie Paquet-Deyris•ARTICLE•Revue française d’études…•2004

    In 1998, Jonathan Demme adapted for screen Toni Morrison’s critically acclaimed novel Beloved. This new cinematographic itinerary proves complex and problematic as the director chooses to reconfigure the heroine’s agonizing journey through memory and to freedom in times of slavery in a violent and non linear manner. His incursion into a haunted territory of African American history leads him to make radical choices such as selecting at once the f…

  • Ariane Hudelet The Wire. Les règles du jeu. Paris

    Anne-Marie Paquet-Deyris•ARTICLE•Revue française d’études…•2016

    Article disponible en ligne l'adresse https://shs.cairn.info/revue-francaise-d-etudes-americaines-2016-2-page-122d?lang=fr Dcouvrir le sommaire de ce numro, suivre la revue par email, s'abonner... Scannez ce QR Code pour accder la page de ce numro sur Cairn.info. Distribution lectronique Cairn.info pour Belin.Vous avez l'autorisation de reproduire cet article dans les limites des conditions d'utilisation de Cairn.infoou, le cas chant, des conditi…

  • From “Plain Abe” to Mythical Mr. Lincoln. Constructing various representational modes of a screen icon

    Open Access•Anne-Marie Paquet-Deyris•ARTICLE•IdeAs•2016•References: 4

    The first exercises in Lincoln screen iconography started in the early 1900s, most notably with the tableau shot at the close of Edwin Porter’s 1903 Uncle Tom’s Cabin produced by the Edison Film Company and representing Lincoln freeing a slave, and with Essanay Studios’ 1908 The Life of Abraham Lincoln, a lost print likely to have been the first work featuring Abraham Lincoln’s entire life. These early movies, quite a few of which were never retr…

  • Max Steiner’s Musical Pictures

    Open Access•Anne-Marie Paquet-Deyris•ARTICLE•Miranda•2021

    By devising a “geography of the soundscape” (Stilwell), Max Steiner used the scores he composed and directed to generate maximum effect and affect. Balancing the dynamic relation between music and image, he was one of the first Hollywood composers to use sections of the score as mnemonic devices

Art (4 works) · Art history (3 works) · Computer Science (2 works) · History (2 works) · History (2 works) · Law (2 works) · Music History and Culture (2 works) · Political science (2 works) · Psychology (2 works) · Visual arts (2 works)

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