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Gautam Ghosh

Biographic Data

ID170888
NAMEGautam Ghosh
GIVEN NAMESGautam
FAMILY NAMEGhosh
SIGNATUREGHOSH G
AFFILIATIONSUniversity of Chicago
ORCID0000-0003-1448-407X
VERIFIEDYes
TOTAL WORKS5
TOTAL CITATIONS9
AUTHOR COUNT5
EDITOR COUNT0
FIRST PUBLICATION YEAR1997
LATEST PUBLICATION YEAR2020
H-INDEX2
  • Understanding Why There Is Skepticism on Covid-19 Precautionary Norms in India

    Open Access•Gautam Ghosh, Gautam Kr Ghosh•ARTICLE•Global Journal of Archaeology &…•2020

    In midst of dreaded Coronavirus infection surge, reports in the media indicated people in droves, with scant respect for distancing rules, thronged the markets, shops, malls and eateries. Many ventured without mask in public places. Large number of crowded public transport, and two and more people travelling in two-wheelers became a common site across Indian major cities. More and more, young and middle-aged, people reportedly fell prey to the in…

  • Nobility or Utility?Zamindars, businessmen, andbhadralokas curators of the Indian nation in Satyajit Ray'sJalsaghar (The Music Room)

    Open Access•Gautam Ghosh•ARTICLE•Modern Asian Studies•2018•Cited by: 1•References: 11

    The Bengalibhadralokhave had an important impact on Indian nationalism in Bengal and in India more broadly. Their commitment to narratives of national progress has been noted. However, little attention has been given to how 'earthly paradise', 'garden of delights', and related ideas of refinement and nobility also informed their nationalism. This article excavates the idea of earthly paradise as it is portrayed in Satyajit Ray's 1958 Bengali film…

  • Civilization, Vulnerability and Translation

    Gautam Ghosh, Lori Grinker et al.•ARTICLE•Anthropological Quarterly•2002

    Anthropological Quarterly - Volume 75, Number 1, Winter 2002

  • Camera Indica

    Open Access•Gautam Ghosh•ARTICLE•American Ethnologist•2000•Cited by: 5

    Camera Indica: The Social Life of Indian Photographs. Christopher Pinney. Chicago: University of Chicago Press, 1997. 240 pp., glossary, references, bibliography, illustrations, index

  • Purity and Exile

    Open Access•Gautam Ghosh•ARTICLE•American Ethnologist•1997•Cited by: 3

    Purity and Exile: Violence, Memory and National Cosmology Among Hutu Refugees in Tanzania. LIISA MALKKI. Chicago: University of Chicago Press, 1995. xiv + 352 pp., maps, notes, references, index

  • Camera Indica

    Open Access•Gautam Ghosh•ARTICLE•American Ethnologist•2000•Cited by: 5

    Camera Indica: The Social Life of Indian Photographs. Christopher Pinney. Chicago: University of Chicago Press, 1997. 240 pp., glossary, references, bibliography, illustrations, index

  • Purity and Exile

    Open Access•Gautam Ghosh•ARTICLE•American Ethnologist•1997•Cited by: 3

    Purity and Exile: Violence, Memory and National Cosmology Among Hutu Refugees in Tanzania. LIISA MALKKI. Chicago: University of Chicago Press, 1995. xiv + 352 pp., maps, notes, references, index

  • Nobility or Utility?Zamindars, businessmen, andbhadralokas curators of the Indian nation in Satyajit Ray'sJalsaghar (The Music Room)

    Open Access•Gautam Ghosh•ARTICLE•Modern Asian Studies•2018•Cited by: 1•References: 11

    The Bengalibhadralokhave had an important impact on Indian nationalism in Bengal and in India more broadly. Their commitment to narratives of national progress has been noted. However, little attention has been given to how 'earthly paradise', 'garden of delights', and related ideas of refinement and nobility also informed their nationalism. This article excavates the idea of earthly paradise as it is portrayed in Satyajit Ray's 1958 Bengali film…

  • Purity and Exile

    Open Access•Gautam Ghosh•ARTICLE•American Ethnologist•1997•Cited by: 3

    Purity and Exile: Violence, Memory and National Cosmology Among Hutu Refugees in Tanzania. LIISA MALKKI. Chicago: University of Chicago Press, 1995. xiv + 352 pp., maps, notes, references, index

  • Camera Indica

    Open Access•Gautam Ghosh•ARTICLE•American Ethnologist•2000•Cited by: 5

    Camera Indica: The Social Life of Indian Photographs. Christopher Pinney. Chicago: University of Chicago Press, 1997. 240 pp., glossary, references, bibliography, illustrations, index

  • Civilization, Vulnerability and Translation

    Gautam Ghosh, Lori Grinker et al.•ARTICLE•Anthropological Quarterly•2002

    Anthropological Quarterly - Volume 75, Number 1, Winter 2002

  • Nobility or Utility?Zamindars, businessmen, andbhadralokas curators of the Indian nation in Satyajit Ray'sJalsaghar (The Music Room)

    Open Access•Gautam Ghosh•ARTICLE•Modern Asian Studies•2018•Cited by: 1•References: 11

    The Bengalibhadralokhave had an important impact on Indian nationalism in Bengal and in India more broadly. Their commitment to narratives of national progress has been noted. However, little attention has been given to how 'earthly paradise', 'garden of delights', and related ideas of refinement and nobility also informed their nationalism. This article excavates the idea of earthly paradise as it is portrayed in Satyajit Ray's 1958 Bengali film…

  • Understanding Why There Is Skepticism on Covid-19 Precautionary Norms in India

    Open Access•Gautam Ghosh, Gautam Kr Ghosh•ARTICLE•Global Journal of Archaeology &…•2020

    In midst of dreaded Coronavirus infection surge, reports in the media indicated people in droves, with scant respect for distancing rules, thronged the markets, shops, malls and eateries. Many ventured without mask in public places. Large number of crowded public transport, and two and more people travelling in two-wheelers became a common site across Indian major cities. More and more, young and middle-aged, people reportedly fell prey to the in…

Philosophy (4 works) · Political science (3 works) · Sociology (3 works) · Art (2 works) · Art history (2 works) · Computer Science (2 works) · History (2 works) · Law (2 works) · Law (2 works) · Philosophy (2 works)

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