Erin B Mee
Biographic Data
| ID | 1708919 |
|---|---|
| NAME | Erin B Mee |
| GIVEN NAMES | Erin B |
| FAMILY NAME | Mee |
| SIGNATURE | MEE E B |
| AFFILIATIONS | Directed First Love at New York Theatre Workshop and the Magic Theatre; The Imperialists at the Club Cage Canem at the Public Theatre and the Market Theatre; Troilus and Cressida and several other productions at the Guthrie Theater (where she was a Resident Director); a workshop of The Oldest Profession at Mabou Mines (where she was a Resident Artist); and two plays by Kavalam Narayana Panikkar with the prestigious Sopanam Theatre Company in Kerala, South India. She is the editor of Drama Contemporary:... |
| VERIFIED | No |
| TOTAL WORKS | 15 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 14 |
| WORKS AS EDITOR | 1 |
| FIRST PUBLICATION YEAR | 2002 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 1 |
Digital Scholarship Roundtable
Born-Digital Scholarship
September 01 2018 Born-Digital Scholarship Erin B. Mee Erin B. Mee Erin B. Mee is the Artistic Director of This Is Not A Theatre Company, author of Theatre of Roots: Redirecting the Modern Indian Stage (Seagull, 2008), editor and coeditor of several books, Contributing Editor to TDR, and Assistant Arts Professor in the Department of Undergraduate Drama at Tisch School of the Arts/NYU. Search for other works by this author on: This Site Google Sch…
Aromatheatre
In Famous Deaths, spectators experience the final moments of a celebrity’s life (John Fitzgerald Kennedy, Whitney Houston, Lady Diana, and Muammar Gaddafi) through only sound and scents — from inside a morgue drawer. The site-specific piece is an example of what I call aromatheatre, which is apprehended through the olfactory system
The Audience Is the Message
“App-drama” is a new theatrical genre that exists in the liminal space between live performance and electronic prerecording. Karen uses the data participants provide to tailor her conversations to the participant in a participatory smartphone theatre production/game/film about the virtual relationships we create by oversharing private information in virtual spaces
Standing Man and the Impromptu Performance of Hope
Erdem Gündüz discusses his “Standing Man” protest-performance on 17 June 2013 in Istanbul, with an analysis of the influence of that performance on the Gezi Park protests
Hearing the Music of the Hemispheres
Music of the Hemispheres is a concert, a film, a portrait, an improv, and a performed (neural) performance analysis that offers new ways of thinking about perception, spectatorship, and the brain. TDR's first born-digital multimodal article incorporates film, video, and audio clips that are integrated in, and central to, the argument
The Cultural Intifada
Three prominent Palestinian theatres use performance as a form of and forum for resistance to occupation. In the words of Juliano Mer Khamis, the murdered artistic director The Freedom Theatre, “We believe that the third intifada, the coming intifada, should be cultural, with poetry, music, theatre, cameras, and magazines.”
Antigone on the contemporary world stage
Juliano Mer Khamis
September 01 2011 Juliano Mer Khamis: Murder, Theatre, Freedom, Going Forward Erin B. Mee, Erin B. Mee Erin B. Mee is author of The Theatre of Roots: Redirecting the Modern Indian Stage (Seagull, 2009), and coeditor of Antigone on the Contemporary World Stage (Oxford University Press, 2011). Her articles have appeared in TDR, Theater Journal, Performing Arts Journal, and several edited books. She has directed at the Public Theater, New York Theat…
Classics in Post-Colonial Worlds , and
Chapter 7
CHAPTER 7: CLASSICS, CULTURAL POLITICS, AND THE ROLE OF ANTIGONE IN MANIPUR, NORTH-EAST INDIA Get access Erin Mee Erin Mee Search for other works by this author on: Oxford Academic Google Scholar Bulletin of the Institute of Classical Studies, Volume 53, Issue Supplement_108, June 2010, Pages 131–142, https://doi.org/10.1111/j.2041-5370.2010.tb00032.x Published: 24 March 2015
Gentlemen Volunteers, and
World Trade Centre, and
All Wear Bowlers (Review)
all wear bowlers. Created and performed by Trey Lyford and Geoff Sobelle. Directed by Aleksandra Wolska. HERE Arts Center, New York City. 27 May 2005
Shattered and Fucked Up and Full of Wreckage
Charles L. Mee is a major American writer whose plays—collages/montages for the theatre—are widely produced and very influential. This is the first overview of Mee's work, edited and with writings by Erin B. Mee. Included in this section are an analytic introduction, an interview, a manifesto, a chronology, and a play
Shattered and Fucked Up and Full of Wreckage
Charles L. Mee is a major American writer whose plays—collages/montages for the theatre—are widely produced and very influential. This is the first overview of Mee's work, edited and with writings by Erin B. Mee. Included in this section are an analytic introduction, an interview, a manifesto, a chronology, and a play
World Trade Centre, and
All Wear Bowlers (Review)
all wear bowlers. Created and performed by Trey Lyford and Geoff Sobelle. Directed by Aleksandra Wolska. HERE Arts Center, New York City. 27 May 2005
Gentlemen Volunteers, and
Classics in Post-Colonial Worlds , and
Chapter 7
CHAPTER 7: CLASSICS, CULTURAL POLITICS, AND THE ROLE OF ANTIGONE IN MANIPUR, NORTH-EAST INDIA Get access Erin Mee Erin Mee Search for other works by this author on: Oxford Academic Google Scholar Bulletin of the Institute of Classical Studies, Volume 53, Issue Supplement_108, June 2010, Pages 131–142, https://doi.org/10.1111/j.2041-5370.2010.tb00032.x Published: 24 March 2015
Antigone on the contemporary world stage
Juliano Mer Khamis
September 01 2011 Juliano Mer Khamis: Murder, Theatre, Freedom, Going Forward Erin B. Mee, Erin B. Mee Erin B. Mee is author of The Theatre of Roots: Redirecting the Modern Indian Stage (Seagull, 2009), and coeditor of Antigone on the Contemporary World Stage (Oxford University Press, 2011). Her articles have appeared in TDR, Theater Journal, Performing Arts Journal, and several edited books. She has directed at the Public Theater, New York Theat…
The Cultural Intifada
Three prominent Palestinian theatres use performance as a form of and forum for resistance to occupation. In the words of Juliano Mer Khamis, the murdered artistic director The Freedom Theatre, “We believe that the third intifada, the coming intifada, should be cultural, with poetry, music, theatre, cameras, and magazines.”
Hearing the Music of the Hemispheres
Music of the Hemispheres is a concert, a film, a portrait, an improv, and a performed (neural) performance analysis that offers new ways of thinking about perception, spectatorship, and the brain. TDR's first born-digital multimodal article incorporates film, video, and audio clips that are integrated in, and central to, the argument
Standing Man and the Impromptu Performance of Hope
Erdem Gündüz discusses his “Standing Man” protest-performance on 17 June 2013 in Istanbul, with an analysis of the influence of that performance on the Gezi Park protests
The Audience Is the Message
“App-drama” is a new theatrical genre that exists in the liminal space between live performance and electronic prerecording. Karen uses the data participants provide to tailor her conversations to the participant in a participatory smartphone theatre production/game/film about the virtual relationships we create by oversharing private information in virtual spaces
Born-Digital Scholarship
September 01 2018 Born-Digital Scholarship Erin B. Mee Erin B. Mee Erin B. Mee is the Artistic Director of This Is Not A Theatre Company, author of Theatre of Roots: Redirecting the Modern Indian Stage (Seagull, 2008), editor and coeditor of several books, Contributing Editor to TDR, and Assistant Arts Professor in the Department of Undergraduate Drama at Tisch School of the Arts/NYU. Search for other works by this author on: This Site Google Sch…
Aromatheatre
In Famous Deaths, spectators experience the final moments of a celebrity’s life (John Fitzgerald Kennedy, Whitney Houston, Lady Diana, and Muammar Gaddafi) through only sound and scents — from inside a morgue drawer. The site-specific piece is an example of what I call aromatheatre, which is apprehended through the olfactory system
Digital Scholarship Roundtable
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