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William C Boles

Biographic Data

ID1708978
NAMEWilliam C Boles
GIVEN NAMESWilliam C
FAMILY NAMEBoles
SIGNATUREBOLES W C
ORCID0009-0001-5822-1629
VERIFIEDYes
TOTAL WORKS10
TOTAL CITATIONS0
WORKS AS AUTHOR10
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1995
LATEST PUBLICATION YEAR2019
H-INDEX0
  • Soft Power by David Hwang

    William C Boles•ARTICLE•Theatre Journal•2019

  • How to Hold your Breath by Zinnie Harris, and

    William C Boles•ARTICLE•Theatre Journal•2016

  • Understanding David Henry Hwang

    William C Boles•BOOK•Understanding David Henry Hwang•2013

    A critical study of the playwright's process and the role of identity in each major theatrical work

  • Fix Up (review)

    William C Boles•ARTICLE•Theatre Journal•2005

    Fix Up. By Kwame Kwei-Armah. Directed by Angus Jackson. Royal National Theatre, Cottesloe Theatre, London. 19 March 2005

  • Where Do We Live (review)

    William C Boles•ARTICLE•Theatre Journal•2003

    Within one week in May of 2002, three London productions premiered that commented directly and indirectly on the September 11 attacks on the World Trade Center Towers and the Pentagon. At the Royal National Theatre Peter Hall's masked production of Euripides's Bacchae stressed the play's East/West conflict between a vengeful Eastern religious figure (Dionysus), worshipped by rabid followers, and the Western leader (Cadmus), who callously and trag…

  • Humble Boy, and

    William C Boles•ARTICLE•Theatre Journal•2002

    During the mid-1990s, newspaper critics trumpeted a second renaissance of British writing because of the critical, commercial, and media generating successes of Sarah Kane, Martin McDonagh, Patrick Marber, Conor McPherson, Joe Penhall, and Mark Ravenhill. While these six received the focus of the media's praise and glare, especially in the case of Kane, theatrical inroads were also being made by more than twenty-five other young writers, includin…

  • Drama on Drama

    William C Boles•ARTICLE•Theatre Journal•1999

  • The Playwright's Art

    William C Boles•ARTICLE•Theatre Journal•1997

    Reviewed by: The Playwright’s Art: Conversations with Contemporary Dramatists, and: One Night Stands: A Critic’s View of British Theatre from 1971 to 1991 William C. Boles The Playwright’s Art: Conversations With Contemporary Dramatists. Jackson R. Bryer. New Brunswick, NJ: Rutgers University Press, 1995; pp. xx + 317. $48.00 cloth, $16.95 paper. One Night Stands: A Critic’s View Of British Theatre From 1971 To 1991. By Michael Billington. London…

  • Stage Right

    William C Boles, John Bull•ARTICLE•South Atlantic Review•1995

  • Twelfth Night

    Felicia Hardison Londré, William C Boles et al.•ARTICLE•Theatre Journal•1995

No prominent works on this page.

  • Stage Right

    William C Boles, John Bull•ARTICLE•South Atlantic Review•1995

  • Twelfth Night

    Felicia Hardison Londré, William C Boles et al.•ARTICLE•Theatre Journal•1995

  • The Playwright's Art

    William C Boles•ARTICLE•Theatre Journal•1997

    Reviewed by: The Playwright’s Art: Conversations with Contemporary Dramatists, and: One Night Stands: A Critic’s View of British Theatre from 1971 to 1991 William C. Boles The Playwright’s Art: Conversations With Contemporary Dramatists. Jackson R. Bryer. New Brunswick, NJ: Rutgers University Press, 1995; pp. xx + 317. $48.00 cloth, $16.95 paper. One Night Stands: A Critic’s View Of British Theatre From 1971 To 1991. By Michael Billington. London…

  • Drama on Drama

    William C Boles•ARTICLE•Theatre Journal•1999

  • Humble Boy, and

    William C Boles•ARTICLE•Theatre Journal•2002

    During the mid-1990s, newspaper critics trumpeted a second renaissance of British writing because of the critical, commercial, and media generating successes of Sarah Kane, Martin McDonagh, Patrick Marber, Conor McPherson, Joe Penhall, and Mark Ravenhill. While these six received the focus of the media's praise and glare, especially in the case of Kane, theatrical inroads were also being made by more than twenty-five other young writers, includin…

  • Where Do We Live (review)

    William C Boles•ARTICLE•Theatre Journal•2003

    Within one week in May of 2002, three London productions premiered that commented directly and indirectly on the September 11 attacks on the World Trade Center Towers and the Pentagon. At the Royal National Theatre Peter Hall's masked production of Euripides's Bacchae stressed the play's East/West conflict between a vengeful Eastern religious figure (Dionysus), worshipped by rabid followers, and the Western leader (Cadmus), who callously and trag…

  • Fix Up (review)

    William C Boles•ARTICLE•Theatre Journal•2005

    Fix Up. By Kwame Kwei-Armah. Directed by Angus Jackson. Royal National Theatre, Cottesloe Theatre, London. 19 March 2005

  • Understanding David Henry Hwang

    William C Boles•BOOK•Understanding David Henry Hwang•2013

    A critical study of the playwright's process and the role of identity in each major theatrical work

  • How to Hold your Breath by Zinnie Harris, and

    William C Boles•ARTICLE•Theatre Journal•2016

  • Soft Power by David Hwang

    William C Boles•ARTICLE•Theatre Journal•2019

Art (9 works) · History (9 works) · History (7 works) · Theatre and Performance Studies (6 works) · Art history (5 works) · Irish and British Studies (4 works) · Literature (4 works) · Law (3 works) · Visual arts (3 works) · Drama (2 works)

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