Robert F Gro
Biographic Data
| ID | 1708991 |
|---|---|
| NAME | Robert F Gro |
| GIVEN NAMES | Robert F |
| FAMILY NAME | Gro |
| SIGNATURE | GRO R F |
| VERIFIED | No |
| TOTAL WORKS | 10 |
| TOTAL CITATIONS | 11 |
| AUTHOR COUNT | 10 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1983 |
| LATEST PUBLICATION YEAR | 1998 |
| H-INDEX | 2 |
Fuhrmann Henschel and the Ruins of Realism
Fuhrmann Henschel and the Ruins of Realism* Robert F. Gross (bio) I The title of Gerhart Hauptmann’s 1899 Fuhrmann Henschel resists translation into English. 1 The protagonist, Henschel, is described through his occupation as Fuhrmann, which denotes a carter, teamster, drayman, or wagoner. But none of these English equivalents capture the overtones of Fuhrmann, with its compound composed of a form of the German verb fahren, which means among othe…
I've Got the Shakes
Consuming Hart
Of all Tennessee Williams's plays, few appear more straightforward in performance than Suddenly Last Summer.' This illusion of dramaturgical forthrightness stems, in large part, from the fact that the play is easily identified as an example of Gothic melodrama. Its very setting-an exotic, tropical garden within a Victorian Gothic mansion (9), looking like a well-groomed jungle (11)-establishes the familiar Gothic dialectics of overrefinement and …
Titus Andronicus
Not in Front of the Audience
Noel Coward
Engineers of the Imagination
The Henrys Project
Languages of the Stage
Danton's Death
Not in Front of the Audience
Engineers of the Imagination
Consuming Hart
Of all Tennessee Williams's plays, few appear more straightforward in performance than Suddenly Last Summer.' This illusion of dramaturgical forthrightness stems, in large part, from the fact that the play is easily identified as an example of Gothic melodrama. Its very setting-an exotic, tropical garden within a Victorian Gothic mansion (9), looking like a well-groomed jungle (11)-establishes the familiar Gothic dialectics of overrefinement and …
Languages of the Stage
Languages of the Stage
Danton's Death
Engineers of the Imagination
The Henrys Project
Noel Coward
Not in Front of the Audience
Titus Andronicus
I've Got the Shakes
Consuming Hart
Of all Tennessee Williams's plays, few appear more straightforward in performance than Suddenly Last Summer.' This illusion of dramaturgical forthrightness stems, in large part, from the fact that the play is easily identified as an example of Gothic melodrama. Its very setting-an exotic, tropical garden within a Victorian Gothic mansion (9), looking like a well-groomed jungle (11)-establishes the familiar Gothic dialectics of overrefinement and …
Fuhrmann Henschel and the Ruins of Realism
Fuhrmann Henschel and the Ruins of Realism* Robert F. Gross (bio) I The title of Gerhart Hauptmann’s 1899 Fuhrmann Henschel resists translation into English. 1 The protagonist, Henschel, is described through his occupation as Fuhrmann, which denotes a carter, teamster, drayman, or wagoner. But none of these English equivalents capture the overtones of Fuhrmann, with its compound composed of a form of the German verb fahren, which means among othe…
Art (10 works) · Art history (3 works) · History (3 works) · History (3 works) · Literature (3 works) · Philosophy (3 works) · Philosophy (3 works) · Psychology (3 works) · Geology (2 works) · Linguistics (2 works)