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Janelle G Reinelt

Biographic Data

ID1709125
NAMEJanelle G Reinelt
GIVEN NAMESJanelle G
FAMILY NAMEReinelt
SIGNATUREREINELT J G
VERIFIEDNo
TOTAL WORKS11
TOTAL CITATIONS74
AUTHOR COUNT10
EDITOR COUNT1
FIRST PUBLICATION YEAR1991
LATEST PUBLICATION YEAR2009
H-INDEX3
  • The Cambridge Companion to Caryl Churchill

    Dan Rebellato, Janelle G Reinelt et al.•BOOK•The Cambridge Companion to Caryl…•2009

    "Caryl Churchill's plays are internationally performed, studied and acclaimed by practitioners, theatre scholars, critics and audiences alike. With fierce imagination the plays dramatise the anxieties and terrors of contemporary life. This Companion presents new scholarship on Churchill's extraordinary and ground-breaking work. Chapters explore a cluster of major plays in relation to pressing social topics - ecological crisis, sexual politics, re…

  • Critical Theory and Performance

    Ann Pellegrini, Bert Olen States et al.•BOOK•Critical Theory and Performance•2007•Cited by: 48

  • Stuff Happens (review)

    Janelle Reinelt, Janelle G Reinelt•ARTICLE•Theatre Journal•2005

  • The Theatre Journal Auto Archive

    Janelle Reinelt, Janelle G Reinelt•ARTICLE•Theatre Journal•2003

    Theatre Journal's invitation to write about my personal intellectual history and the decisions leading to my career path triggered that old, familiar tune—"There's no business like show business." But one day late last fall, after a particularly prickly day juggling my associate dean job with obligations to professional organizations and several publication deadlines, I posed myself this more sober, if rhetorical, question. "How did I ever get in…

  • A Forum on Theatre and Tragedy

    Diana Taylor, Una Chaudhuri et al.•ARTICLE•Theatre Journal•2002•Cited by: 1

    In the immediate aftermath of September 11th, I invited a number of theatre and performance scholars to respond to the concept of tragedy in the context of these world-changing events. The following forum showcases the generosity of a wide range of scholars who signed on to this project with enthusiasm and conviction. More than ever, I believe that our intellectual labor can make a difference. The forum demonstrates much more than the vitality of…

  • The Politics of Discourse

    Janelle Reinelt, Janelle G Reinelt•ARTICLE•SubStance•2002•Cited by: 15•References: 2

    When discourses are in flux (of course from one point of view they always are in flux), in periods of unsettled meanings, political struggles exist at various sites of contestation. This productive dissonance is currently the state of play within discourses of performativity and theatricality. Their relationship to each other, and their meanings and uses within their own terms are equally in question. In this essay, I will argue that volatility w…

  • Performing Europe

    Janelle Reinelt, Janelle G Reinelt•ARTICLE•Theatre Journal•2001•Cited by: 10•References: 3

    In this essay, I will take up a kind of national formation, but one which is itself troubled when subject to scrutiny: the idea of a "New Europe." The quotation marks indicate the imagination of an entity that might become, replace, or perhaps parasitically inhabit the older Europe. This "Europe" is in the process of emerging--some think sufficient momentum now makes it inevitable--but it is to date an unfilled signifier, an almost-empty term cap…

  • Mnemonic (review)

    Janelle G Reinelt•ARTICLE•Theatre Journal•2000

    This will be a very conflicted performance review. Without a doubt, Theatre de Complicite is one of a handful of truly creative and productive theatre companies working in Britain. Without a doubt, their latest production, Mnemonic, is visually stunning, inventive, engaging, and highly skilled. And yet, I was torn between avid appreciation and deep annoyance when I viewed the play (which I saw twice)

  • Mourning Sex

    Janelle Reinelt, Janelle G Reinelt•ARTICLE•Theatre Journal•1998

    Reviewed by: Mourning Sex: Performing Public Memories Janelle Reinelt Mourning Sex: Performing Public Memories. By Peggy Phelan. London and New York: Routledge, 1997; pp. x + 187. $17.95 paper. Mourning Sex in many ways follows Phelan's earlier book Unmarked: The Politics of Performance (Routledge, 1993), as is clear from her opening introduction. Phelan recalls that, as a child, she snatched a model of human anatomy out of her science book to cr…

  • Performativity and Performance, and

    Janelle Reinelt, Janelle G Reinelt•ARTICLE•Theatre Journal•1997

    Reviewed by: Performativity and Performance, and: Performance and Cultural Politics Janelle Reinelt Performativity and Performance. Edited by Andrew Parker and Eve Kosofsky Sedgwick. Essays From the English Institute. New York: Routledge, 1995; pp. 239. $16.95, paper. Performance and Cultural Politics. Edited by Elin Diamond. London: Routledge, 1996; pp. 282. $18.95, paper. Routledge has published two collections of essays that illustrate, in the…

  • The Performance of Power

    Janelle G Reinelt, Sue-Ellen Case et al.•BOOK•Performance of Power•1991

    Throughout the development of anthropological thought, the concept of ‘power’ has dynamically evolved theoretically and ethnographically. As preliminary explored within works of anthropologists such as; Radcliffe-Brown, Fortes and Evans-Pritchard in predominately the 1940s, anthropologists have consequently debated the origins and foundational context of power in society. As suggested by Radcliffe-Brown (1940); ‘the State, in this sense, does not…

  • Critical Theory and Performance

    Ann Pellegrini, Bert Olen States et al.•BOOK•Critical Theory and Performance•2007•Cited by: 48

  • The Politics of Discourse

    Janelle Reinelt, Janelle G Reinelt•ARTICLE•SubStance•2002•Cited by: 15•References: 2

    When discourses are in flux (of course from one point of view they always are in flux), in periods of unsettled meanings, political struggles exist at various sites of contestation. This productive dissonance is currently the state of play within discourses of performativity and theatricality. Their relationship to each other, and their meanings and uses within their own terms are equally in question. In this essay, I will argue that volatility w…

  • Performing Europe

    Janelle Reinelt, Janelle G Reinelt•ARTICLE•Theatre Journal•2001•Cited by: 10•References: 3

    In this essay, I will take up a kind of national formation, but one which is itself troubled when subject to scrutiny: the idea of a "New Europe." The quotation marks indicate the imagination of an entity that might become, replace, or perhaps parasitically inhabit the older Europe. This "Europe" is in the process of emerging--some think sufficient momentum now makes it inevitable--but it is to date an unfilled signifier, an almost-empty term cap…

  • A Forum on Theatre and Tragedy

    Diana Taylor, Una Chaudhuri et al.•ARTICLE•Theatre Journal•2002•Cited by: 1

    In the immediate aftermath of September 11th, I invited a number of theatre and performance scholars to respond to the concept of tragedy in the context of these world-changing events. The following forum showcases the generosity of a wide range of scholars who signed on to this project with enthusiasm and conviction. More than ever, I believe that our intellectual labor can make a difference. The forum demonstrates much more than the vitality of…

  • The Performance of Power

    Janelle G Reinelt, Sue-Ellen Case et al.•BOOK•Performance of Power•1991

    Throughout the development of anthropological thought, the concept of ‘power’ has dynamically evolved theoretically and ethnographically. As preliminary explored within works of anthropologists such as; Radcliffe-Brown, Fortes and Evans-Pritchard in predominately the 1940s, anthropologists have consequently debated the origins and foundational context of power in society. As suggested by Radcliffe-Brown (1940); ‘the State, in this sense, does not…

  • Performativity and Performance, and

    Janelle Reinelt, Janelle G Reinelt•ARTICLE•Theatre Journal•1997

    Reviewed by: Performativity and Performance, and: Performance and Cultural Politics Janelle Reinelt Performativity and Performance. Edited by Andrew Parker and Eve Kosofsky Sedgwick. Essays From the English Institute. New York: Routledge, 1995; pp. 239. $16.95, paper. Performance and Cultural Politics. Edited by Elin Diamond. London: Routledge, 1996; pp. 282. $18.95, paper. Routledge has published two collections of essays that illustrate, in the…

  • Mourning Sex

    Janelle Reinelt, Janelle G Reinelt•ARTICLE•Theatre Journal•1998

    Reviewed by: Mourning Sex: Performing Public Memories Janelle Reinelt Mourning Sex: Performing Public Memories. By Peggy Phelan. London and New York: Routledge, 1997; pp. x + 187. $17.95 paper. Mourning Sex in many ways follows Phelan's earlier book Unmarked: The Politics of Performance (Routledge, 1993), as is clear from her opening introduction. Phelan recalls that, as a child, she snatched a model of human anatomy out of her science book to cr…

  • Mnemonic (review)

    Janelle G Reinelt•ARTICLE•Theatre Journal•2000

    This will be a very conflicted performance review. Without a doubt, Theatre de Complicite is one of a handful of truly creative and productive theatre companies working in Britain. Without a doubt, their latest production, Mnemonic, is visually stunning, inventive, engaging, and highly skilled. And yet, I was torn between avid appreciation and deep annoyance when I viewed the play (which I saw twice)

  • Performing Europe

    Janelle Reinelt, Janelle G Reinelt•ARTICLE•Theatre Journal•2001•Cited by: 10•References: 3

    In this essay, I will take up a kind of national formation, but one which is itself troubled when subject to scrutiny: the idea of a "New Europe." The quotation marks indicate the imagination of an entity that might become, replace, or perhaps parasitically inhabit the older Europe. This "Europe" is in the process of emerging--some think sufficient momentum now makes it inevitable--but it is to date an unfilled signifier, an almost-empty term cap…

  • A Forum on Theatre and Tragedy

    Diana Taylor, Una Chaudhuri et al.•ARTICLE•Theatre Journal•2002•Cited by: 1

    In the immediate aftermath of September 11th, I invited a number of theatre and performance scholars to respond to the concept of tragedy in the context of these world-changing events. The following forum showcases the generosity of a wide range of scholars who signed on to this project with enthusiasm and conviction. More than ever, I believe that our intellectual labor can make a difference. The forum demonstrates much more than the vitality of…

  • The Politics of Discourse

    Janelle Reinelt, Janelle G Reinelt•ARTICLE•SubStance•2002•Cited by: 15•References: 2

    When discourses are in flux (of course from one point of view they always are in flux), in periods of unsettled meanings, political struggles exist at various sites of contestation. This productive dissonance is currently the state of play within discourses of performativity and theatricality. Their relationship to each other, and their meanings and uses within their own terms are equally in question. In this essay, I will argue that volatility w…

  • The Theatre Journal Auto Archive

    Janelle Reinelt, Janelle G Reinelt•ARTICLE•Theatre Journal•2003

    Theatre Journal's invitation to write about my personal intellectual history and the decisions leading to my career path triggered that old, familiar tune—"There's no business like show business." But one day late last fall, after a particularly prickly day juggling my associate dean job with obligations to professional organizations and several publication deadlines, I posed myself this more sober, if rhetorical, question. "How did I ever get in…

  • Stuff Happens (review)

    Janelle Reinelt, Janelle G Reinelt•ARTICLE•Theatre Journal•2005

  • Critical Theory and Performance

    Ann Pellegrini, Bert Olen States et al.•BOOK•Critical Theory and Performance•2007•Cited by: 48

  • The Cambridge Companion to Caryl Churchill

    Dan Rebellato, Janelle G Reinelt et al.•BOOK•The Cambridge Companion to Caryl…•2009

    "Caryl Churchill's plays are internationally performed, studied and acclaimed by practitioners, theatre scholars, critics and audiences alike. With fierce imagination the plays dramatise the anxieties and terrors of contemporary life. This Companion presents new scholarship on Churchill's extraordinary and ground-breaking work. Chapters explore a cluster of major plays in relation to pressing social topics - ecological crisis, sexual politics, re…

Sociology (7 works) · Art (6 works) · History (6 works) · Theatre and Performance Studies (6 works) · History (5 works) · Law (5 works) · Political science (5 works) · Aesthetics (4 works) · Politics (4 works) · Gender Studies (3 works)

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