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Amelia Howe Kritzer

Biographic Data

ID1709306
NAMEAmelia Howe Kritzer
GIVEN NAMESAmelia Howe
FAMILY NAMEKritzer
SIGNATUREKRITZER A H
VERIFIEDNo
TOTAL WORKS9
TOTAL CITATIONS6
AUTHOR COUNT9
EDITOR COUNT0
FIRST PUBLICATION YEAR1987
LATEST PUBLICATION YEAR2010
H-INDEX1
  • Enough! Women Playwrights Confront the Israeli-Palestinian Conflict

    Amelia Howe Kritzer•ARTICLE•Theatre Journal•2010•Cited by: 1

    Seven women playwrights, including Caryl Churchill, have recently confronted audiences with the unique conditions inherent in the ongoing Israeli-Palestinian conflict. Their plays highlight the suffering brought on by the war that has been continuous since the beginning of the Second Intifada in 2000, presenting characters and scenes that urge an end to the violence. As a group, these plays provide a compelling view of the conflict and its opposi…

  • Political Theatre in Post-Thatcher Britain: New Writing, 1995-2005

    Open Access•Amelia Howe Kritzer, A Kritzer•BOOK•Political Theatre in Post-Thatcher…•2008•Cited by: 4

  • Drunk Enough to Say I Love You? (review)

    Amelia Howe Kritzer•ARTICLE•Theatre Journal•2007

  • A Dream Play (review)

    Amelia Howe Kritzer•ARTICLE•Theatre Journal•2005

  • The Permanent Way (review)

    Amelia Howe Kritzer•ARTICLE•Theatre Journal•2004

  • A Number (review)

    Amelia Howe Kritzer•ARTICLE•Theatre Journal•2003

    In her sparely written new one-act play, A Number, Caryl Churchill engages with profound issues of human power and identity. The issues of exploring power relations and questions of identity—which have formed a major element of Churchill's work—first appeared in her early plays, many of which were written for radio. Appropriately, in connection with its premiere production of A Number, the Royal Court Theatre has mounted a series of rehearsed rea…

  • After Brecht: British Epic Theater (review)

    Amelia Howe Kritzer•ARTICLE•Theatre Journal•1996

    Reviewed by: After Brecht: British Epic Theater by Janelle Reinelt Amelia Howe Kritzer After Brecht: British Epic Theater. By Janelle Reinelt. Ann Arbor: The University of Michigan Press, 1994; pp. 237. $39.50 cloth. The Berliner Ensemble’s 1956 visit to London inaugurated an era of Brechtian influence in English theatre. The effect on playwriting was immediate, and many plays of the “angry young men” came to be identified as examples of Brechtia…

  • The Plays of Caryl Churchill: Theatre of Empowerment

    Laura Doan, Amelia Howe Kritzer•ARTICLE•Theatre Journal•1993•Cited by: 1

  • Serious Money

    Amelia Howe Kritzer, Caryl Churchill•ARTICLE•Theatre Journal•1987

  • Political Theatre in Post-Thatcher Britain: New Writing, 1995-2005

    Open Access•Amelia Howe Kritzer, A Kritzer•BOOK•Political Theatre in Post-Thatcher…•2008•Cited by: 4

  • Enough! Women Playwrights Confront the Israeli-Palestinian Conflict

    Amelia Howe Kritzer•ARTICLE•Theatre Journal•2010•Cited by: 1

    Seven women playwrights, including Caryl Churchill, have recently confronted audiences with the unique conditions inherent in the ongoing Israeli-Palestinian conflict. Their plays highlight the suffering brought on by the war that has been continuous since the beginning of the Second Intifada in 2000, presenting characters and scenes that urge an end to the violence. As a group, these plays provide a compelling view of the conflict and its opposi…

  • The Plays of Caryl Churchill: Theatre of Empowerment

    Laura Doan, Amelia Howe Kritzer•ARTICLE•Theatre Journal•1993•Cited by: 1

  • Serious Money

    Amelia Howe Kritzer, Caryl Churchill•ARTICLE•Theatre Journal•1987

  • The Plays of Caryl Churchill: Theatre of Empowerment

    Laura Doan, Amelia Howe Kritzer•ARTICLE•Theatre Journal•1993•Cited by: 1

  • After Brecht: British Epic Theater (review)

    Amelia Howe Kritzer•ARTICLE•Theatre Journal•1996

    Reviewed by: After Brecht: British Epic Theater by Janelle Reinelt Amelia Howe Kritzer After Brecht: British Epic Theater. By Janelle Reinelt. Ann Arbor: The University of Michigan Press, 1994; pp. 237. $39.50 cloth. The Berliner Ensemble’s 1956 visit to London inaugurated an era of Brechtian influence in English theatre. The effect on playwriting was immediate, and many plays of the “angry young men” came to be identified as examples of Brechtia…

  • A Number (review)

    Amelia Howe Kritzer•ARTICLE•Theatre Journal•2003

    In her sparely written new one-act play, A Number, Caryl Churchill engages with profound issues of human power and identity. The issues of exploring power relations and questions of identity—which have formed a major element of Churchill's work—first appeared in her early plays, many of which were written for radio. Appropriately, in connection with its premiere production of A Number, the Royal Court Theatre has mounted a series of rehearsed rea…

  • The Permanent Way (review)

    Amelia Howe Kritzer•ARTICLE•Theatre Journal•2004

  • A Dream Play (review)

    Amelia Howe Kritzer•ARTICLE•Theatre Journal•2005

  • Drunk Enough to Say I Love You? (review)

    Amelia Howe Kritzer•ARTICLE•Theatre Journal•2007

  • Political Theatre in Post-Thatcher Britain: New Writing, 1995-2005

    Open Access•Amelia Howe Kritzer, A Kritzer•BOOK•Political Theatre in Post-Thatcher…•2008•Cited by: 4

  • Enough! Women Playwrights Confront the Israeli-Palestinian Conflict

    Amelia Howe Kritzer•ARTICLE•Theatre Journal•2010•Cited by: 1

    Seven women playwrights, including Caryl Churchill, have recently confronted audiences with the unique conditions inherent in the ongoing Israeli-Palestinian conflict. Their plays highlight the suffering brought on by the war that has been continuous since the beginning of the Second Intifada in 2000, presenting characters and scenes that urge an end to the violence. As a group, these plays provide a compelling view of the conflict and its opposi…

Art (7 works) · History (5 works) · History (5 works) · Theatre and Performance Studies (4 works) · Aesthetics (2 works) · Cinema and Media Studies (2 works) · Criminology (2 works) · Irish and British Studies (2 works) · Law (2 works) · Law (2 works)

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