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Robert W Bethune

Biographic Data

ID1709317
NAMERobert W Bethune
GIVEN NAMESRobert W
FAMILY NAMEBethune
SIGNATUREBETHUNE R W
VERIFIEDNo
TOTAL WORKS8
TOTAL CITATIONS2
AUTHOR COUNT8
EDITOR COUNT0
FIRST PUBLICATION YEAR1989
LATEST PUBLICATION YEAR1995
H-INDEX1
  • Learning by Performing Arts

    Robert W Bethune, Robert Bethune et al.•ARTICLE•Asian Theatre Journal•1995

  • Alternative Japanese Drama

    Robert W Bethune, Robert Bethune et al.•ARTICLE•Asian Theatre Journal•1994

  • Le Théâtre du Soleil's Les Atrides

    Robert W Bethune, Robert Bethune•ARTICLE•Asian Theatre Journal•1993

    It is hubris, hubris unmistakable, hubris of the highest order, yet the gods hurl no thunderbolts, the seas do not rise, and indeed, like the plowman in Brueghel's famous painting of the fall of Icarus, much of the world goes on as it always has, paying little regard to astonishing theatrical audacity. Ariane Mnouchkine and her Theatre du Soleil do not merely attempt the Oresteia of Aeschylus. Unsatisfied with such mundane daring, they add the Ip…

  • Masterworks of the Nō Theater

    Robert W Bethune, Robert Bethune et al.•ARTICLE•Asian Theatre Journal•1992

  • The Theatre of the Mahabharata

    Robert W Bethune, Richard Armando Frasca et al.•ARTICLE•Theatre Journal•1992•Cited by: 1

  • Les Liasons Dangereuses

    Robert W Bethune, Christopher Hampton et al.•ARTICLE•Theatre Journal•1991•Cited by: 1

  • Cartas de Jenny

    Robert W Bethune, Gustavo Meza•ARTICLE•Theatre Journal•1991

    L'histoire se deroule a Santiago, au Chili, entre 1927 et 1958. La quete d'un equilibre entre l'amour de sa mere et celui de la femme qu'il a choisie, telle est l'epreuve de Kevin, qui finit par en mourir. Les deux femmes se dechirent sa memoire et ses restes jusqu'a la scene finale ou Jenny offre, a la pluie et a la mer, les cendres de son fils. Un theâtre d'influence brechtienne, minimaliste et plein de charme

  • Describing Performance in the Theatre

    Robert W Bethune•ARTICLE•TDR/The Drama Review•1989

    From September 1978 to April I979, the University of Hawaii at Manoa conducted a special program in kabuki theatre known as Kabuki-Hawaii I978-1979. Either Nakamura Matagoro II, Chief Instructor in kabuki at the National Theatre ofJapan, or his assistant, Nakamura Matashiro, was in residence from September to March to teach kabuki acting techniques. Other well-known Japanese artists came to Hawaii for varying lengths of time to teach kabuki music…

  • The Theatre of the Mahabharata

    Robert W Bethune, Richard Armando Frasca et al.•ARTICLE•Theatre Journal•1992•Cited by: 1

  • Les Liasons Dangereuses

    Robert W Bethune, Christopher Hampton et al.•ARTICLE•Theatre Journal•1991•Cited by: 1

  • Describing Performance in the Theatre

    Robert W Bethune•ARTICLE•TDR/The Drama Review•1989

    From September 1978 to April I979, the University of Hawaii at Manoa conducted a special program in kabuki theatre known as Kabuki-Hawaii I978-1979. Either Nakamura Matagoro II, Chief Instructor in kabuki at the National Theatre ofJapan, or his assistant, Nakamura Matashiro, was in residence from September to March to teach kabuki acting techniques. Other well-known Japanese artists came to Hawaii for varying lengths of time to teach kabuki music…

  • Les Liasons Dangereuses

    Robert W Bethune, Christopher Hampton et al.•ARTICLE•Theatre Journal•1991•Cited by: 1

  • Cartas de Jenny

    Robert W Bethune, Gustavo Meza•ARTICLE•Theatre Journal•1991

    L'histoire se deroule a Santiago, au Chili, entre 1927 et 1958. La quete d'un equilibre entre l'amour de sa mere et celui de la femme qu'il a choisie, telle est l'epreuve de Kevin, qui finit par en mourir. Les deux femmes se dechirent sa memoire et ses restes jusqu'a la scene finale ou Jenny offre, a la pluie et a la mer, les cendres de son fils. Un theâtre d'influence brechtienne, minimaliste et plein de charme

  • Masterworks of the Nō Theater

    Robert W Bethune, Robert Bethune et al.•ARTICLE•Asian Theatre Journal•1992

  • The Theatre of the Mahabharata

    Robert W Bethune, Richard Armando Frasca et al.•ARTICLE•Theatre Journal•1992•Cited by: 1

  • Le Théâtre du Soleil's Les Atrides

    Robert W Bethune, Robert Bethune•ARTICLE•Asian Theatre Journal•1993

    It is hubris, hubris unmistakable, hubris of the highest order, yet the gods hurl no thunderbolts, the seas do not rise, and indeed, like the plowman in Brueghel's famous painting of the fall of Icarus, much of the world goes on as it always has, paying little regard to astonishing theatrical audacity. Ariane Mnouchkine and her Theatre du Soleil do not merely attempt the Oresteia of Aeschylus. Unsatisfied with such mundane daring, they add the Ip…

  • Alternative Japanese Drama

    Robert W Bethune, Robert Bethune et al.•ARTICLE•Asian Theatre Journal•1994

  • Learning by Performing Arts

    Robert W Bethune, Robert Bethune et al.•ARTICLE•Asian Theatre Journal•1995

Art (8 works) · History (5 works) · Visual arts (4 works) · Japanese History and Culture (3 works) · Drama (2 works) · History (2 works) · Literature (2 works) · Ancient history (1 works) · Art Education and Development (1 works) · Art history (1 works)

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