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Sarah J Rudolph

Biographic Data

ID1709327
NAMESarah J Rudolph
GIVEN NAMESSarah J
FAMILY NAMERudolph
SIGNATURERUDOLPH S J
VERIFIEDNo
TOTAL WORKS5
TOTAL CITATIONS0
AUTHOR COUNT5
EDITOR COUNT0
FIRST PUBLICATION YEAR1989
LATEST PUBLICATION YEAR2003
H-INDEX0
  • Resurrection Blues, and: Good Boys (review)

    Sarah J Rudolph•ARTICLE•Theatre Journal•2003

    Resurrection Blues, Arthur Miller's take on sensationalism in the media, premiered at the Guthrie Theatre on August 9, 2002. Across town at the Guthrie Lab, the premiere of Good Boys, Jane Martin's consideration of school violence opened on August 23. The overlap of these productions provided a snapshot of American theatre: ambitious, eclectic, socially conscious, at once beholden to tradition and dedicated to innovation, capable of brilliant per…

  • The Bomb-Itty of Errors (review)

    Sarah J Rudolph•ARTICLE•Theatre Journal•2002

    At the end of the lively prologue for The Bomb-itty of Errors, a rap adaptation of Shakespeare's Comedy of Errors, the troupe asks, "Is it drama? Is it tragedy?" In response, they proclaim, "It's whatever we want it to be." How very apt this definition is becomes increasingly clear in the verbal gymnastics, physical zeal, and parody that follow

  • Force of Nature (review)

    Sarah J Rudolph•ARTICLE•Theatre Journal•2000

    Tensions between head and heart, between nature's rhythms and human attempts to orchestrate them, and between the written word and live performance may never lose their appeal for artists. Based on Goethe's Elective Affinities (1809), Steven Dietz's Force of Nature engages all three tensions. In its premiere at the Milwaukee Repertory Theatre, the effort seemed to lose sight of the most compelling dynamics of Goethe: a study of destructive passio…

  • Hamlet (review)

    Sarah J Rudolph•ARTICLE•Theatre Journal•1998

    Reviewed by: Hamlet Sarah J. Rudolph Hamlet. By William Shakespeare. Royal Shakespeare Company. Royal Shakespeare Theatre, Stratford-upon-Avon. 7 June 1997. Click for larger view View full resolution Figure 1. Ophelia (Derbhle Crotty) and Polonius (David Ryall) in the Royal Shakespeare Company’s production of William Shakespeare’s Hamlet, directed by Matthew Warchus. Royal Shakespeare Theatre, Stratford-upon-Avon. Photo: Ivan Kyncl. Click for lar…

  • Bernhardt, Terry, Duse: The Actress in Her Time

    Sarah J Rudolph, John Stokes et al.•ARTICLE•Theatre Journal•1989

No prominent works on this page.

  • Bernhardt, Terry, Duse: The Actress in Her Time

    Sarah J Rudolph, John Stokes et al.•ARTICLE•Theatre Journal•1989

  • Hamlet (review)

    Sarah J Rudolph•ARTICLE•Theatre Journal•1998

    Reviewed by: Hamlet Sarah J. Rudolph Hamlet. By William Shakespeare. Royal Shakespeare Company. Royal Shakespeare Theatre, Stratford-upon-Avon. 7 June 1997. Click for larger view View full resolution Figure 1. Ophelia (Derbhle Crotty) and Polonius (David Ryall) in the Royal Shakespeare Company’s production of William Shakespeare’s Hamlet, directed by Matthew Warchus. Royal Shakespeare Theatre, Stratford-upon-Avon. Photo: Ivan Kyncl. Click for lar…

  • Force of Nature (review)

    Sarah J Rudolph•ARTICLE•Theatre Journal•2000

    Tensions between head and heart, between nature's rhythms and human attempts to orchestrate them, and between the written word and live performance may never lose their appeal for artists. Based on Goethe's Elective Affinities (1809), Steven Dietz's Force of Nature engages all three tensions. In its premiere at the Milwaukee Repertory Theatre, the effort seemed to lose sight of the most compelling dynamics of Goethe: a study of destructive passio…

  • The Bomb-Itty of Errors (review)

    Sarah J Rudolph•ARTICLE•Theatre Journal•2002

    At the end of the lively prologue for The Bomb-itty of Errors, a rap adaptation of Shakespeare's Comedy of Errors, the troupe asks, "Is it drama? Is it tragedy?" In response, they proclaim, "It's whatever we want it to be." How very apt this definition is becomes increasingly clear in the verbal gymnastics, physical zeal, and parody that follow

  • Resurrection Blues, and: Good Boys (review)

    Sarah J Rudolph•ARTICLE•Theatre Journal•2003

    Resurrection Blues, Arthur Miller's take on sensationalism in the media, premiered at the Guthrie Theatre on August 9, 2002. Across town at the Guthrie Lab, the premiere of Good Boys, Jane Martin's consideration of school violence opened on August 23. The overlap of these productions provided a snapshot of American theatre: ambitious, eclectic, socially conscious, at once beholden to tradition and dedicated to innovation, capable of brilliant per…

Art (5 works) · Art history (3 works) · Literature (3 works) · Aesthetics (2 works) · Cultural Studies and Interdisciplinary Research (2 works) · Law (2 works) · Law (2 works) · Psychology (2 works) · Theatre and Performance Studies (2 works) · Adaptation (eye (1 works)

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