Clare Finburgh
Biographic Data
| ID | 1709362 |
|---|---|
| NAME | Clare Finburgh |
| GIVEN NAMES | Clare |
| FAMILY NAME | Finburgh |
| SIGNATURE | FINBURGH C |
| AFFILIATIONS | University of Essex |
| VERIFIED | No |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 7 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2002 |
| LATEST PUBLICATION YEAR | 2017 |
| H-INDEX | 0 |
Watching War on the Twenty-First Century Stage
Les Fruits de la passion. Le Théâtre de Yasmina Reza
The Politics of Jean Genet's Late Theatre
The Politics of Jean Genet's Late Theatre: Spaces of Revolution." Modern & Contemporary France, 20(1), pp. 127–128
The Tragedy of Optimism
This essay examines in detail Kateb Yacine's two tragedies, Le cadavre encerclé (1954) and Les ancêtres redoublent de férocité (1959), both of which treat Algeria's violent struggle for independence from France. I demonstrate how Kateb inflects classical tragedy's emphasis on eternal and universal suffering, with historicization and politicization. I locate Kateb's tragedies between Nietzsche's acceptance of suffering and death as the natural ord…
Speech Without Acts
Unveiling the Void
This essay explores in detail the scenography--visual aesthetic--of Jean Genet's The Screens. With reference both to the play-text and to various productions of the work from 1961 to 2004, the essay suggests that the set, costumes, and make-up of The Screens pose as a spatial metaphor for the dynamic between the void and the image that pervades Genet's oeuvre. The void constitutes an absence of absolute truth or meaning that solicits the inscript…
Jean Genet and the Poetics of Palestinian Politics
This study of Jean Genet's ‘Quatre heures à Chatila’ explores the relationship between the writer's literary ouvre and his political action, both of which constitute part of his same endeavour to define our socialized reality. It draws upon other Genetian works, notably Un captif amoureux for which 'Quatre heures' might be seen as a prologue, to describe how Genet's reality, or réel, originates essentially in his féerie-the dissemination of mask,…
No prominent works on this page.
Jean Genet and the Poetics of Palestinian Politics
This study of Jean Genet's ‘Quatre heures à Chatila’ explores the relationship between the writer's literary ouvre and his political action, both of which constitute part of his same endeavour to define our socialized reality. It draws upon other Genetian works, notably Un captif amoureux for which 'Quatre heures' might be seen as a prologue, to describe how Genet's reality, or réel, originates essentially in his féerie-the dissemination of mask,…
Speech Without Acts
Unveiling the Void
This essay explores in detail the scenography--visual aesthetic--of Jean Genet's The Screens. With reference both to the play-text and to various productions of the work from 1961 to 2004, the essay suggests that the set, costumes, and make-up of The Screens pose as a spatial metaphor for the dynamic between the void and the image that pervades Genet's oeuvre. The void constitutes an absence of absolute truth or meaning that solicits the inscript…
The Tragedy of Optimism
This essay examines in detail Kateb Yacine's two tragedies, Le cadavre encerclé (1954) and Les ancêtres redoublent de férocité (1959), both of which treat Algeria's violent struggle for independence from France. I demonstrate how Kateb inflects classical tragedy's emphasis on eternal and universal suffering, with historicization and politicization. I locate Kateb's tragedies between Nietzsche's acceptance of suffering and death as the natural ord…
The Politics of Jean Genet's Late Theatre
The Politics of Jean Genet's Late Theatre: Spaces of Revolution." Modern & Contemporary France, 20(1), pp. 127–128
Les Fruits de la passion. Le Théâtre de Yasmina Reza
Watching War on the Twenty-First Century Stage
Art (5 works) · Literature (4 works) · Law (3 works) · Philosophy (3 works) · Political science (3 works) · Politics (3 works) · Art history (2 works) · Epistemology (2 works) · French Historical and Cultural Studies (2 works) · French Literature and Criticism (2 works)