Phillip Zarrilli
Biographic Data
| ID | 1709438 |
|---|---|
| NAME | Phillip Zarrilli |
| GIVEN NAMES | Phillip |
| FAMILY NAME | Zarrilli |
| SIGNATURE | ZARRILLI P |
| AFFILIATIONS | Professor of Performance Practice, Exeter University |
| VERIFIED | No |
| TOTAL WORKS | 18 |
| TOTAL CITATIONS | 6 |
| AUTHOR COUNT | 18 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1979 |
| LATEST PUBLICATION YEAR | 2016 |
| H-INDEX | 2 |
Special issue on ‘intercultural’ acting and actor/performer training
Concerning Theory for Performance Studies
In 2007, Routledge published Theory for Performance Studies as part of its Theory 4 series, listing Philip Auslander as author. When, in August, The Chronicle of Higher Education revealed that much of the book was lifted word-for-word from the template for the series, Theory for Religious Studies by Timothy K. Beal and William E. Deal, TDR editor Richard Schechner convened via email and phone conversations a “TDR Forum,” asking leaders in the fie…
To the Editor
June 01 2004 To the Editor Phillip Zarrilli Phillip Zarrilli Search for other works by this author on: This Site Google Scholar Author and Article Information Phillip Zarrilli Online ISSN: 1531-4715 Print ISSN: 1054-2043 © 2004 Massachusetts Institute of Technology2004 TDR/The Drama Review (2004) 48 (2 (182)): 9. https://doi.org/10.1162/105420404323063355 Cite Icon Cite Permissions Share Icon Share Facebook Twitter LinkedIn Email Views Icon Views…
Contested Narratives on and off the Kathakali Dance-Drama Stage
Folklorist Richard Bauman noted long ago that traditions of performance like Kerala, India's kathakali dance-drama, have always stood available to participants and spectators "as a set of conventional expectations and associations" which can be "manipulated in innovative ways, by fashioning novel performances outside the conventional system, or working various transfonnations and adaptations which tum performance into something else" A system of …
Eugenio Barba to Phillip Zarrilli
Here are my reactions to your article Whom Is the 'Invisible' Not Visible? (TDR 32, no. I:95-Io6) concerning the International School of Theatre Anthropology (ISTA) Congress on The Female Role as Represented on the Stage in Various Cultures, Holstebro, Denmark, 17-22 September 1986. In our culture, knowledge of the actor has often been blocked by the presumption of knowledge. Critics, theatrologists, theoreticians, and even philosophers such as H…
Collaborating on Odissi
According to Kapila Vatsyayan, Orissi [odissi] may well claim to be the earliest classical Indian dance style on the basis of archaeological evidence, the most outstanding being the Rani Gumpha caves of the 2nd century B.C. in Orissa. [. ..] Certainly these caves are the first specimens of a dance scene with full orchestration found in sculptures (1974:34). Thus the dance style of which Sanjukta Panigrahi and her teacher-partner Kelucharan Mahapa…
More Aftermath after Peter Brook
For Whom Is the "Invisible" Not Visible
From 17-22 September 1986 I attended the International School for Theatre Anthropology (ISTA) Congress on The Female Role As Represented on the Stage in Various Cultures organized by Eugenio Barba in Holstebro, Denmark. At this particular ISTA, a great deal of controversy arose among a number of participants. Erika Munk (1986) recently severely criticized the organizational and representational aspects of this ISTA. I will focus on larger issues …
Performing Arts in India
Beyond the Kathakali Mystique
The Aftermath
Traditional Indian Theatre
A Microanalysis of Performance Structure and Time inKathakaliDance-Drama
"Performance in "America's Little Switzerland
"Richard Schechner's "Richard's Lear
Sanskrit Drama in Performance
Waiting for Godot
From Destruction to Consecration
Jerome Taylor, in his Dramatic Structure of the Corpus Christi, or Cycle, Plays, establishes an for the Cycle Plays by which he concludes that the Feast of Corpus Christi and the drama of the same name bear correspondences rooted in a common intention to commemorate the wonders by which the divine King reintegrates the creaturely kingdom disobedient to his law ... [and that] the history of these wonders can be considered as the unifying action of…
Waiting for Godot
From Destruction to Consecration
Jerome Taylor, in his Dramatic Structure of the Corpus Christi, or Cycle, Plays, establishes an for the Cycle Plays by which he concludes that the Feast of Corpus Christi and the drama of the same name bear correspondences rooted in a common intention to commemorate the wonders by which the divine King reintegrates the creaturely kingdom disobedient to his law ... [and that] the history of these wonders can be considered as the unifying action of…
"Richard Schechner's "Richard's Lear
Sanskrit Drama in Performance
"Performance in "America's Little Switzerland
A Microanalysis of Performance Structure and Time inKathakaliDance-Drama
Traditional Indian Theatre
Performing Arts in India
Beyond the Kathakali Mystique
The Aftermath
Eugenio Barba to Phillip Zarrilli
Here are my reactions to your article Whom Is the 'Invisible' Not Visible? (TDR 32, no. I:95-Io6) concerning the International School of Theatre Anthropology (ISTA) Congress on The Female Role as Represented on the Stage in Various Cultures, Holstebro, Denmark, 17-22 September 1986. In our culture, knowledge of the actor has often been blocked by the presumption of knowledge. Critics, theatrologists, theoreticians, and even philosophers such as H…
Collaborating on Odissi
According to Kapila Vatsyayan, Orissi [odissi] may well claim to be the earliest classical Indian dance style on the basis of archaeological evidence, the most outstanding being the Rani Gumpha caves of the 2nd century B.C. in Orissa. [. ..] Certainly these caves are the first specimens of a dance scene with full orchestration found in sculptures (1974:34). Thus the dance style of which Sanjukta Panigrahi and her teacher-partner Kelucharan Mahapa…
More Aftermath after Peter Brook
For Whom Is the "Invisible" Not Visible
From 17-22 September 1986 I attended the International School for Theatre Anthropology (ISTA) Congress on The Female Role As Represented on the Stage in Various Cultures organized by Eugenio Barba in Holstebro, Denmark. At this particular ISTA, a great deal of controversy arose among a number of participants. Erika Munk (1986) recently severely criticized the organizational and representational aspects of this ISTA. I will focus on larger issues …
Contested Narratives on and off the Kathakali Dance-Drama Stage
Folklorist Richard Bauman noted long ago that traditions of performance like Kerala, India's kathakali dance-drama, have always stood available to participants and spectators "as a set of conventional expectations and associations" which can be "manipulated in innovative ways, by fashioning novel performances outside the conventional system, or working various transfonnations and adaptations which tum performance into something else" A system of …
To the Editor
June 01 2004 To the Editor Phillip Zarrilli Phillip Zarrilli Search for other works by this author on: This Site Google Scholar Author and Article Information Phillip Zarrilli Online ISSN: 1531-4715 Print ISSN: 1054-2043 © 2004 Massachusetts Institute of Technology2004 TDR/The Drama Review (2004) 48 (2 (182)): 9. https://doi.org/10.1162/105420404323063355 Cite Icon Cite Permissions Share Icon Share Facebook Twitter LinkedIn Email Views Icon Views…
Concerning Theory for Performance Studies
In 2007, Routledge published Theory for Performance Studies as part of its Theory 4 series, listing Philip Auslander as author. When, in August, The Chronicle of Higher Education revealed that much of the book was lifted word-for-word from the template for the series, Theory for Religious Studies by Timothy K. Beal and William E. Deal, TDR editor Richard Schechner convened via email and phone conversations a “TDR Forum,” asking leaders in the fie…
Special issue on ‘intercultural’ acting and actor/performer training
Art (14 works) · Theatre and Performance Studies (12 works) · History (9 works) · History (7 works) · Visual arts (6 works) · Drama (5 works) · Literature (5 works) · Sociology (5 works) · Dance (4 works) · Diversity and Impact of Dance (4 works)