Jen Harvie
Biographic Data
| ID | 1709457 |
|---|---|
| NAME | Jen Harvie |
| GIVEN NAMES | Jen |
| FAMILY NAME | Harvie |
| SIGNATURE | HARVIE J |
| AFFILIATIONS | Queen Mary University of London |
| ORCID | 0000-0001-8188-4888 |
| VERIFIED | Yes |
| TOTAL WORKS | 8 |
| TOTAL CITATIONS | 11 |
| AUTHOR COUNT | 8 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1999 |
| LATEST PUBLICATION YEAR | 2015 |
| H-INDEX | 2 |
Funding, philanthropy, structural inequality and decline in England's theatre ecology
“This is an Accepted Manuscript of an article published by Taylor & Francis in Cultural Trends on Jan 26 2015, available online:http://www.tandfonline.com/doi/abs/10.1080/09548963.2014.1000586
Neoliberalism and Global Theatres: Performance Permutations ed. by Lara D. Nielsen and Patricia Ybarra, and: Performance in the Blockades of Neoliberalism: Thinking the Political Anew by Maurya Wickst…
Reviewed by: Neoliberalism and Global Theatres: Performance Permutations ed. by Lara D. Nielsen and Patricia Ybarra, and: Performance in the Blockades of Neoliberalism: Thinking the Political Anew by Maurya Wickstrom Jen Harvie NEOLIBERALISM AND GLOBAL THEATRES: PERFORMANCE PERMUTATIONS. Edited by Lara D. Nielsen and Patricia Ybarra. Studies in International Performance series. Basingstoke, UK: Palgrave Macmillan, 2012; pp. 328. PERFORMANCE IN TH…
Fair Play — Art, Performance and Neoliberalism
This book asks what is the quality of participation in contemporary art and performance? Has it been damaged by cultural policies which have 'entrepreneurialized' artists, cut arts funding and cultiva
Social Works: Performing Art, Supporting Publics
Social Works: Performing Art, Supporting Publics by Shannon Jackson New York and London: Routledge, 2011, x + 299 pp, ISBN 9780415486019 (paperback) Jen Harvie Queen Mary University of London Socia...
Publications
Casa, and: Metapolis Project 972 (review)
It is widely agreed that critical theory has taken a "spatial turn" in the last couple of decades, concentrating increasingly on how meanings are produced by spatial relationships rather than—the former pre-occupation—temporal ones. As a performance mode fundamentally structured around movement, time, and space, dance may not seem like it needed to take such a "turn." But contemporary dance companies including Brazil's Companhia de Dança Deborah …
Mother Clap's Molly House (review)
Mark Ravenhill's new play is in many respects fun and impressive. This may sound like ample achievement for a play that many--including Ravenhill--present as camp and playful. Ravenhill bills Mother Clap as a "play with songs" and sets it largely in a Molly house--or prototypical gay club--in eighteenth-century London and at a gay men's underwear party in twenty-first century London. The National Theatre's publicity posters (pictured) show a heav…
States of Play: Locating Quebec in the Performances of Robert Lepage, Ex Machina, and the Cirque du Soleil
States of Play: Locating Québec in the Performances of Robert Lepage, Ex Machina, and the Cirque du Soleil* Jennifer Harvie (bio) and Erin Hurley (bio) The Guardian “What objects do you always carry with you?” Robert Lepage: “My passport.” The Guardian “What is your greatest fear?” Robert Lepage: “Losing my passport.” 1 But what exactly was this “reinvented circus”? Just what it said it was: A circus that came from nowhere but was looking for its…
States of Play: Locating Quebec in the Performances of Robert Lepage, Ex Machina, and the Cirque du Soleil
States of Play: Locating Québec in the Performances of Robert Lepage, Ex Machina, and the Cirque du Soleil* Jennifer Harvie (bio) and Erin Hurley (bio) The Guardian “What objects do you always carry with you?” Robert Lepage: “My passport.” The Guardian “What is your greatest fear?” Robert Lepage: “Losing my passport.” 1 But what exactly was this “reinvented circus”? Just what it said it was: A circus that came from nowhere but was looking for its…
Funding, philanthropy, structural inequality and decline in England's theatre ecology
“This is an Accepted Manuscript of an article published by Taylor & Francis in Cultural Trends on Jan 26 2015, available online:http://www.tandfonline.com/doi/abs/10.1080/09548963.2014.1000586
States of Play: Locating Quebec in the Performances of Robert Lepage, Ex Machina, and the Cirque du Soleil
States of Play: Locating Québec in the Performances of Robert Lepage, Ex Machina, and the Cirque du Soleil* Jennifer Harvie (bio) and Erin Hurley (bio) The Guardian “What objects do you always carry with you?” Robert Lepage: “My passport.” The Guardian “What is your greatest fear?” Robert Lepage: “Losing my passport.” 1 But what exactly was this “reinvented circus”? Just what it said it was: A circus that came from nowhere but was looking for its…
Mother Clap's Molly House (review)
Mark Ravenhill's new play is in many respects fun and impressive. This may sound like ample achievement for a play that many--including Ravenhill--present as camp and playful. Ravenhill bills Mother Clap as a "play with songs" and sets it largely in a Molly house--or prototypical gay club--in eighteenth-century London and at a gay men's underwear party in twenty-first century London. The National Theatre's publicity posters (pictured) show a heav…
Casa, and: Metapolis Project 972 (review)
It is widely agreed that critical theory has taken a "spatial turn" in the last couple of decades, concentrating increasingly on how meanings are produced by spatial relationships rather than—the former pre-occupation—temporal ones. As a performance mode fundamentally structured around movement, time, and space, dance may not seem like it needed to take such a "turn." But contemporary dance companies including Brazil's Companhia de Dança Deborah …
Publications
Social Works: Performing Art, Supporting Publics
Social Works: Performing Art, Supporting Publics by Shannon Jackson New York and London: Routledge, 2011, x + 299 pp, ISBN 9780415486019 (paperback) Jen Harvie Queen Mary University of London Socia...
Fair Play — Art, Performance and Neoliberalism
This book asks what is the quality of participation in contemporary art and performance? Has it been damaged by cultural policies which have 'entrepreneurialized' artists, cut arts funding and cultiva
Neoliberalism and Global Theatres: Performance Permutations ed. by Lara D. Nielsen and Patricia Ybarra, and: Performance in the Blockades of Neoliberalism: Thinking the Political Anew by Maurya Wickst…
Reviewed by: Neoliberalism and Global Theatres: Performance Permutations ed. by Lara D. Nielsen and Patricia Ybarra, and: Performance in the Blockades of Neoliberalism: Thinking the Political Anew by Maurya Wickstrom Jen Harvie NEOLIBERALISM AND GLOBAL THEATRES: PERFORMANCE PERMUTATIONS. Edited by Lara D. Nielsen and Patricia Ybarra. Studies in International Performance series. Basingstoke, UK: Palgrave Macmillan, 2012; pp. 328. PERFORMANCE IN TH…
Funding, philanthropy, structural inequality and decline in England's theatre ecology
“This is an Accepted Manuscript of an article published by Taylor & Francis in Cultural Trends on Jan 26 2015, available online:http://www.tandfonline.com/doi/abs/10.1080/09548963.2014.1000586
Political science (6 works) · Sociology (6 works) · Theatre and Performance Studies (5 works) · Art (4 works) · Law (4 works) · Visual arts (4 works) · Law (3 works) · Politics (3 works) · Aesthetics (2 works) · Art history (2 works)