Peter Grego
Biographic Data
| ID | 1709476 |
|---|---|
| NAME | Peter Grego |
| GIVEN NAMES | Peter |
| FAMILY NAME | Grego |
| SIGNATURE | GREGO P |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 2 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1982 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 1 |
ONO Epistemologies—Resounding the “Bleeding Haints”
To resound means not only to make a loud, prolonged sound but also to send the soundings back—whether to their source(s) or other listeners, as if in a kind of dialogical loop. In this article, P. Michael, travis, and Shannon Rose Riley engage in a resounding conversation on the performance practices of the sonic subaltern as exemplified in their work as ONO. They discuss “bleeding haints,” “ghosted tracks,” and how their work resounds/re-members…
The Moon and How to Observe It (Astronomers' Observing Guides)
ASTRONOMERS’ OBSERVING GUIDES provide up-to-date information for amateur astronomers who want to know all about what it is they are observing. This is the basis of the first part of the book. The second part details observing techniques for practical astronomers, working with a range of different instruments. The Moon is the most commonly observed of all astronomical objects. Here, Peter Grego provides a concise, readable description of the lates…
American Dreams
American Dreams
The Moon and How to Observe It (Astronomers' Observing Guides)
ASTRONOMERS’ OBSERVING GUIDES provide up-to-date information for amateur astronomers who want to know all about what it is they are observing. This is the basis of the first part of the book. The second part details observing techniques for practical astronomers, working with a range of different instruments. The Moon is the most commonly observed of all astronomical objects. Here, Peter Grego provides a concise, readable description of the lates…
ONO Epistemologies—Resounding the “Bleeding Haints”
To resound means not only to make a loud, prolonged sound but also to send the soundings back—whether to their source(s) or other listeners, as if in a kind of dialogical loop. In this article, P. Michael, travis, and Shannon Rose Riley engage in a resounding conversation on the performance practices of the sonic subaltern as exemplified in their work as ONO. They discuss “bleeding haints,” “ghosted tracks,” and how their work resounds/re-members…
Aesthetics (2 works) · Art (2 works) · Psychology (2 works) · Theatre and Performance Studies (2 works) · Acoustics (1 work) · American and British Literature Analysis (1 work) · Astronomy (1 work) · Astronomy - General (1 work) · Astronomy - Solar System (1 work) · Astrophysics & Space Science (1 work)