Elizabeth W Son
Biographic Data
| ID | 1709488 |
|---|---|
| NAME | Elizabeth W Son |
| GIVEN NAMES | Elizabeth W |
| FAMILY NAME | Son |
| SIGNATURE | SON E W |
| VERIFIED | No |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 1 |
| AUTHOR COUNT | 5 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2013 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 1 |
Stitching Korea Back Together: Jogakbo Aesthetics of Care in Peace Advocacy
This article examines the peace advocacy of Women Cross DMZ, a Korean diasporicled collective of feminist activists who are calling for a formal end to the Korean War and the centering of women in peacebuilding processes. During peace symposia in North Korea and South Korea and walks in 2015, Women Cross DMZ utilized objects-scarves, banners, and quilts-inspired by jogakbo , a Korean patchwork-style cloth that originated during the Joseon Dynasty…
Choreographing Time Travel: Rethinking Ritual Through Korean Diasporic Performance
Embodied Reckonings: “Comfort Women,” Performance, and Transpacific Redress
Embodied Reckonings examines the political and cultural aspects of contemporary performances that have grappled with the history of the "comfort women," the Japanese military's euphemism for the sexual enslavement of girls and young women—mostly Korean—in the years before and during World War II. Long silent, in the early 1990s these women and their supporters initiated varied performance practices—protests, tribunals, theater, and memorial-build…
Korean Trojan Women: Performing Wartime Sexual Violence
Aida Karic’s The Trojan Women: An Asian Story (2007), an international collaboration between a Bosnian-born director and a Korean choreographer, a Korean composer, and a Korean theatre company, was first produced at the Schauspielhaus Wien in Austria and then toured to the United States and South Korea. Karic’s The Trojan Women interweaves the history of Japanese military sexual slavery, particularly of Korean survivors, with Euripides’s The Troj…
Performed Otherwise: The Political and Social Possibilities of Asian/American Performance
For this special edition of “Critical Stages,” Chambers-Letson and Son meditate on the following questions: What are the exigencies that animate your entry into the field of theatre and performance studies? How does a shared project in Asian American performance offer a range of possibilities for thinking through pressing political questions and crises that seem otherwise insurmountable
Performed Otherwise: The Political and Social Possibilities of Asian/American Performance
For this special edition of “Critical Stages,” Chambers-Letson and Son meditate on the following questions: What are the exigencies that animate your entry into the field of theatre and performance studies? How does a shared project in Asian American performance offer a range of possibilities for thinking through pressing political questions and crises that seem otherwise insurmountable
Performed Otherwise: The Political and Social Possibilities of Asian/American Performance
For this special edition of “Critical Stages,” Chambers-Letson and Son meditate on the following questions: What are the exigencies that animate your entry into the field of theatre and performance studies? How does a shared project in Asian American performance offer a range of possibilities for thinking through pressing political questions and crises that seem otherwise insurmountable
Korean Trojan Women: Performing Wartime Sexual Violence
Aida Karic’s The Trojan Women: An Asian Story (2007), an international collaboration between a Bosnian-born director and a Korean choreographer, a Korean composer, and a Korean theatre company, was first produced at the Schauspielhaus Wien in Austria and then toured to the United States and South Korea. Karic’s The Trojan Women interweaves the history of Japanese military sexual slavery, particularly of Korean survivors, with Euripides’s The Troj…
Embodied Reckonings: “Comfort Women,” Performance, and Transpacific Redress
Embodied Reckonings examines the political and cultural aspects of contemporary performances that have grappled with the history of the "comfort women," the Japanese military's euphemism for the sexual enslavement of girls and young women—mostly Korean—in the years before and during World War II. Long silent, in the early 1990s these women and their supporters initiated varied performance practices—protests, tribunals, theater, and memorial-build…
Choreographing Time Travel: Rethinking Ritual Through Korean Diasporic Performance
Stitching Korea Back Together: Jogakbo Aesthetics of Care in Peace Advocacy
This article examines the peace advocacy of Women Cross DMZ, a Korean diasporicled collective of feminist activists who are calling for a formal end to the Korean War and the centering of women in peacebuilding processes. During peace symposia in North Korea and South Korea and walks in 2015, Women Cross DMZ utilized objects-scarves, banners, and quilts-inspired by jogakbo , a Korean patchwork-style cloth that originated during the Joseon Dynasty…
Political science (4 works) · Art (3 works) · Asian Culture and Media Studies (3 works) · Japanese History and Culture (3 works) · Law (3 works) · Sociology (3 works) · Aesthetics (2 works) · Computer Science (2 works) · Gender Studies (2 works) · History (2 works)