Heidi Łucja Liedke
Biographic Data
| ID | 1709620 |
|---|---|
| NAME | Heidi Łucja Liedke |
| GIVEN NAMES | Heidi Łucja |
| FAMILY NAME | Liedke |
| SIGNATURE | LIEDKE H Ł |
| AFFILIATIONS | Goethe University Frankfurt |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2021 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
Introduction
In the last couple of decades Decadence studies, perched between the demarcation lines of Victorianism and Modernist studies, have evolved as an independent field of research. This special issue directs its attention to late-Victorian Decadence as mode, theory and attitude in literary texts. The introduction surveys the latest applications of the term to denominate literary research spanning from ecological to feminist issues. The special issue g…
Therapy-as-Theatre
This article examines how theatre works as a form of therapy using Duncan Macmillan’s Every Brilliant Thing and Branden Jacobs-Jenkins’s An Octoroon . Both depict fictional representations of psychotherapy but also use concepts from narrative therapy as developed by White and Epston (1990), such as the audience as witnesses and creators of their own story. We argue that therapy-as-theatre exerts a pull on the audience, which invites them to empat…
Last Gasp (WFH) by Peggy Shaw and Lois Weaver
Reviewed by: Last Gasp (WFH) by Peggy Shaw and Lois Weaver Heidi Łucja Liedke LAST GASP (WFH). Written and performed by Peggy Shaw and Lois Weaver. Directed by Lois Weaver. Movement by Morgan Thorson. Video design and editing by Nao Nagai. Sound design by Vivian Stoll. La MaMa Experimental Theatre Club, New York City. Streamed, December 6, 2020. When a global pandemic brings most areas of life to a halt, it is perhaps not surprising that self-ref…
No prominent works on this page.
Last Gasp (WFH) by Peggy Shaw and Lois Weaver
Reviewed by: Last Gasp (WFH) by Peggy Shaw and Lois Weaver Heidi Łucja Liedke LAST GASP (WFH). Written and performed by Peggy Shaw and Lois Weaver. Directed by Lois Weaver. Movement by Morgan Thorson. Video design and editing by Nao Nagai. Sound design by Vivian Stoll. La MaMa Experimental Theatre Club, New York City. Streamed, December 6, 2020. When a global pandemic brings most areas of life to a halt, it is perhaps not surprising that self-ref…
Therapy-as-Theatre
This article examines how theatre works as a form of therapy using Duncan Macmillan’s Every Brilliant Thing and Branden Jacobs-Jenkins’s An Octoroon . Both depict fictional representations of psychotherapy but also use concepts from narrative therapy as developed by White and Epston (1990), such as the audience as witnesses and creators of their own story. We argue that therapy-as-theatre exerts a pull on the audience, which invites them to empat…
Introduction
In the last couple of decades Decadence studies, perched between the demarcation lines of Victorianism and Modernist studies, have evolved as an independent field of research. This special issue directs its attention to late-Victorian Decadence as mode, theory and attitude in literary texts. The introduction surveys the latest applications of the term to denominate literary research spanning from ecological to feminist issues. The special issue g…
Art (2 works) · Literature (2 works) · Narrative (2 works) · Theatre and Performance Studies (2 works) · Aesthetics (1 work) · Art history (1 work) · Art Therapy and Mental Health (1 work) · Diversity and Impact of Dance (1 work) · Feeling (1 work) · History (1 work)