Anthony Graham-White
Biographic Data
| ID | 1709697 |
|---|---|
| NAME | Anthony Graham-White |
| GIVEN NAMES | Anthony |
| FAMILY NAME | Graham-White |
| SIGNATURE | GRAHAM-WHITE A |
| VERIFIED | No |
| TOTAL WORKS | 19 |
| TOTAL CITATIONS | 2 |
| AUTHOR COUNT | 19 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1973 |
| LATEST PUBLICATION YEAR | 2001 |
| H-INDEX | 1 |
Rethinking Folk Drama (review)
The first step in rethinking folk drama is to define it carefully. Only then can meaningful comparisons between kinds of drama and across cultures be made. Steve Tillis's book is a ground-clearing exercise concerned with questions of terminology and definition
The Acoustic World of Early Modern England: Attending to the O-Factor (review)
Bruce R. Smith is also the author of the interesting Ancient Scripts and Modern Experience on the English Stage, 1500-1700 (1988), but anyone who expects this book to be focused on the theatre is in for a surprise. There is a forty-page chapter on the theatre, dramatic entertainments of various kinds are discussed elsewhere in the book, and plays are a source for comments on many customs and behaviors. Yet this book, which might more clearly have…
Recovering Shakespeare's Theatrical Vocabulary, and: Shakespeare, Theory, and Performance (review)
Reviewed by: Recovering Shakespeare’s Theatrical Vocabulary by Alan C. Dessen, and: Shakespeare, Theory, and Performance ed. by James C. Bulman Anthony Graham-White Recovering Shakespeare’s Theatrical Vocabulary. By Alan C. Dessen. Cambridge: Cambridge University Press, 1995; pp. xii + 283. $49.95 cloth. Shakespeare, Theory, and Performance. Edited by James C. Bulman. London: Routledge, 1996; pp. vi + 218. $17.95 paper. Both these books deal with…
Shakespeare's Dramatic Transactions
Shakespearean Sentences: A Study in Style and Syntax
Form and the Art of Theatre
A Midsummer Night's Dream
Holy Theatre: Ritual and the Avant Garde
The Languages of Theatre: Problems in the Translation and Transposition of Drama
The Semiotics of Theatre and Drama
Elizabethan Punctuation and the Actor: "Gammer Gurton's Needle" as a Case Study
Punctuation changed rapidly with the development of printing. Most immediately, printers needed rules to work by; these grammar could supply, whereas rhetorical punctuation must always vary with the context and the authorial intention. More generally, printing developed eye readers, who looked to punctuation as a guide to the meaning of the text on the page, not to its speaking or imagined sound. The rate of change was such that the punctuation o…
The Marriage
Theories of Literature in the Twentieth Century: Structuralism, Marxism, Aesthetics of Reception, Semiotics
The Nationalization of Culture: The Development of State Subsidies to the Arts in Great Britain
The Characteristics of Traditional Drama
The Drama of Black Africa
It does not derive from a personal observation of dramatic performances, but is clearly the product of most extensive library reading. Its utility cannot derive from the novelty of the information it provides, but that it brings together in a competent and sensible way a great amount of material previously scattered throughout many sources not readily obtainable. It has all the virtues and vices of the thesis form which most clearly lies behind i…
The Drama of Black Africa
The Ritual Process: Structure and Anti-Structure
The Birth of Theatre in Madagascar
The Birth of Theatre in Madagascar
The Drama of Black Africa
The Ritual Process: Structure and Anti-Structure
The Characteristics of Traditional Drama
The Drama of Black Africa
It does not derive from a personal observation of dramatic performances, but is clearly the product of most extensive library reading. Its utility cannot derive from the novelty of the information it provides, but that it brings together in a competent and sensible way a great amount of material previously scattered throughout many sources not readily obtainable. It has all the virtues and vices of the thesis form which most clearly lies behind i…
The Nationalization of Culture: The Development of State Subsidies to the Arts in Great Britain
The Marriage
Theories of Literature in the Twentieth Century: Structuralism, Marxism, Aesthetics of Reception, Semiotics
The Languages of Theatre: Problems in the Translation and Transposition of Drama
The Semiotics of Theatre and Drama
Elizabethan Punctuation and the Actor: "Gammer Gurton's Needle" as a Case Study
Punctuation changed rapidly with the development of printing. Most immediately, printers needed rules to work by; these grammar could supply, whereas rhetorical punctuation must always vary with the context and the authorial intention. More generally, printing developed eye readers, who looked to punctuation as a guide to the meaning of the text on the page, not to its speaking or imagined sound. The rate of change was such that the punctuation o…
A Midsummer Night's Dream
Holy Theatre: Ritual and the Avant Garde
Form and the Art of Theatre
Shakespearean Sentences: A Study in Style and Syntax
Shakespeare's Dramatic Transactions
Recovering Shakespeare's Theatrical Vocabulary, and: Shakespeare, Theory, and Performance (review)
Reviewed by: Recovering Shakespeare’s Theatrical Vocabulary by Alan C. Dessen, and: Shakespeare, Theory, and Performance ed. by James C. Bulman Anthony Graham-White Recovering Shakespeare’s Theatrical Vocabulary. By Alan C. Dessen. Cambridge: Cambridge University Press, 1995; pp. xii + 283. $49.95 cloth. Shakespeare, Theory, and Performance. Edited by James C. Bulman. London: Routledge, 1996; pp. vi + 218. $17.95 paper. Both these books deal with…
The Acoustic World of Early Modern England: Attending to the O-Factor (review)
Bruce R. Smith is also the author of the interesting Ancient Scripts and Modern Experience on the English Stage, 1500-1700 (1988), but anyone who expects this book to be focused on the theatre is in for a surprise. There is a forty-page chapter on the theatre, dramatic entertainments of various kinds are discussed elsewhere in the book, and plays are a source for comments on many customs and behaviors. Yet this book, which might more clearly have…
Rethinking Folk Drama (review)
The first step in rethinking folk drama is to define it carefully. Only then can meaningful comparisons between kinds of drama and across cultures be made. Steve Tillis's book is a ground-clearing exercise concerned with questions of terminology and definition
Art (16 works) · History (9 works) · History (9 works) · Literature (9 works) · Philosophy (8 works) · Philosophy (8 works) · Visual arts (8 works) · Drama (6 works) · Linguistics (6 works) · Sociology (4 works)