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Bari Rolfe

Biographic Data

ID1709807
NAMEBari Rolfe
GIVEN NAMESBari
FAMILY NAMERolfe
SIGNATUREROLFE B
AFFILIATIONSSaint Louis College La Union
VERIFIEDNo
TOTAL WORKS11
TOTAL CITATIONS2
AUTHOR COUNT11
EDITOR COUNT0
FIRST PUBLICATION YEAR1969
LATEST PUBLICATION YEAR1991
H-INDEX1
  • Modern and Post-Modern Mime

    Bari Rolfe, Thomas Leabhart•ARTICLE•Theatre Journal•1991•Cited by: 1

  • Uncommon Eloquence

    Bari Rolfe, Dorothy Mandel•ARTICLE•Theatre Journal•1987

  • Movement and Meaning

    Bari Rolfe, Anya Peterson Royce•ARTICLE•Theatre Journal•1986

  • The Actor's Image: Movement Training for Stage and Screen

    Bari Rolfe, Jean Sabatine•ARTICLE•Theatre Journal•1985

  • Principles of Stage Combat

    Bari Rolfe, Felicia Hardison Londré et al.•ARTICLE•Theatre Journal•1984

  • Mimes on Miming

    Craig Turner, Bari Rolfe•ARTICLE•Theatre Journal•1981

  • Mime and Masks

    Bari Rolfe, Roberta Nobleman•ARTICLE•Theatre Journal•1981•Cited by: 1

  • Le Langage du Corps

    Bari Rolfe, Jean-Louis Barrault•ARTICLE•Theatre Journal•1980

  • Milwaukee's Festival of Mime

    Bari Rolfe•ARTICLE•Performing Arts Journal•1979

  • The Mime of Jacques Lecoq

    Open Access•Bari Rolfe•ARTICLE•The Drama Review TDR•1972

    Jacques Lecoq's significance exists in several areas. One is that of Actor Training, for through him run the ripples emanating from Jazques Copeau in the 20's. Long after its brief existence, Copeau's school and its influence operated seminally, as did the Bauhaus experience in architecture and other arts. Copeau affected theatre in Europe and America with his explorations into free, non-naturalistic forms demanding great technical skill in voice…

  • The actor's world of silence

    Bari Rolfe•ARTICLE•Quarterly Journal of Speech•1969

  • Modern and Post-Modern Mime

    Bari Rolfe, Thomas Leabhart•ARTICLE•Theatre Journal•1991•Cited by: 1

  • Mime and Masks

    Bari Rolfe, Roberta Nobleman•ARTICLE•Theatre Journal•1981•Cited by: 1

  • The actor's world of silence

    Bari Rolfe•ARTICLE•Quarterly Journal of Speech•1969

  • The Mime of Jacques Lecoq

    Open Access•Bari Rolfe•ARTICLE•The Drama Review TDR•1972

    Jacques Lecoq's significance exists in several areas. One is that of Actor Training, for through him run the ripples emanating from Jazques Copeau in the 20's. Long after its brief existence, Copeau's school and its influence operated seminally, as did the Bauhaus experience in architecture and other arts. Copeau affected theatre in Europe and America with his explorations into free, non-naturalistic forms demanding great technical skill in voice…

  • Milwaukee's Festival of Mime

    Bari Rolfe•ARTICLE•Performing Arts Journal•1979

  • Le Langage du Corps

    Bari Rolfe, Jean-Louis Barrault•ARTICLE•Theatre Journal•1980

  • Mimes on Miming

    Craig Turner, Bari Rolfe•ARTICLE•Theatre Journal•1981

  • Mime and Masks

    Bari Rolfe, Roberta Nobleman•ARTICLE•Theatre Journal•1981•Cited by: 1

  • Principles of Stage Combat

    Bari Rolfe, Felicia Hardison Londré et al.•ARTICLE•Theatre Journal•1984

  • The Actor's Image: Movement Training for Stage and Screen

    Bari Rolfe, Jean Sabatine•ARTICLE•Theatre Journal•1985

  • Movement and Meaning

    Bari Rolfe, Anya Peterson Royce•ARTICLE•Theatre Journal•1986

  • Uncommon Eloquence

    Bari Rolfe, Dorothy Mandel•ARTICLE•Theatre Journal•1987

  • Modern and Post-Modern Mime

    Bari Rolfe, Thomas Leabhart•ARTICLE•Theatre Journal•1991•Cited by: 1

Art (9 works) · Aesthetics (4 works) · Theatre and Performance Studies (3 works) · Epistemology (2 works) · Movement (music (2 works) · Philosophy (2 works) · Philosophy (2 works) · Psychology (2 works) · Sociology (2 works) · Stage (stratigraphy (2 works)

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