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Katherine H Burkman

Biographic Data

ID1709909
NAMEKatherine H Burkman
GIVEN NAMESKatherine H
FAMILY NAMEBurkman
SIGNATUREBURKMAN K H
VERIFIEDNo
TOTAL WORKS8
TOTAL CITATIONS0
AUTHOR COUNT8
EDITOR COUNT0
FIRST PUBLICATION YEAR1981
LATEST PUBLICATION YEAR2016
H-INDEX0
  • The Drama of the Double

    Open Access•Katherine H Burkman•BOOK•Drama of the Double•2016

    This book explores the way in which doubling takes place in several novels, films, and dramas, primarily focusing on modern drama and exploring how five Greek myths – Oedipus, Narcissus, Dionysus, Ore

  • Old Times

    Katherine H Burkman, Harold Pinter•ARTICLE•Theatre Journal•1994

  • The Plays of Pam Gems

    Katherine H Burkman•CHAPTER•British and Irish Drama Since 1960•1993

    Emerging as a dramatic presence on the British stage in the 1970s, Pam Gems has contributed her many talents to that scene and beyond ever since.1Lyn Gardner even calls her 'the grand dame of British Theatre',2 partly because, despite Caryl Churchill's successes in America, Gems is the one who found her way onto the West End stages of the British establishment and has been a prolific contributor to that scene since, writing some twenty plays in t…

  • Waiting for Godot

    Katherine H Burkman, Samuel Beckett•ARTICLE•Theatre Journal•1993

  • Harold Pinter

    Katherine H Burkman, Bernard F Dukore•ARTICLE•Theatre Journal•1990

  • The Arrival of Godot

    James W Flannery, Katherine H Burkman•ARTICLE•Theatre Journal•1987

    A critical analysis of the ritual quest for renewal that revolves around the arrival, or nonarrival, of Godot/savior figures in the plays of Beckett, Pinter, Ionesco, Albee, Grass, and Genet. The discussion leads to a consideration of modern man's fate as an exile and his own possibilities for coming home

  • "Harold Pinter's "Betrayal

    Katherine H Burkman•ARTICLE•Theatre Journal•1982

  • The Fool as Hero

    Katherine H Burkman•ARTICLE•Theatre Journal•1981

    The uneasy critical response that has greeted Simon Gray's Butley (1971) and Otherwise Engaged (1975) seems to stem from a distaste for their central characters, the aggressively cynical Ben Butley and the ostentatiously passive Simon Hench. John Russell Taylor, for example, may admit that he harbors some sympathy for Butley as an outcast, but only because Butley gets what he deserves.' And Simon Hench, Taylor suspects, may have achieved philosop…

No prominent works on this page.

  • The Fool as Hero

    Katherine H Burkman•ARTICLE•Theatre Journal•1981

    The uneasy critical response that has greeted Simon Gray's Butley (1971) and Otherwise Engaged (1975) seems to stem from a distaste for their central characters, the aggressively cynical Ben Butley and the ostentatiously passive Simon Hench. John Russell Taylor, for example, may admit that he harbors some sympathy for Butley as an outcast, but only because Butley gets what he deserves.' And Simon Hench, Taylor suspects, may have achieved philosop…

  • "Harold Pinter's "Betrayal

    Katherine H Burkman•ARTICLE•Theatre Journal•1982

  • The Arrival of Godot

    James W Flannery, Katherine H Burkman•ARTICLE•Theatre Journal•1987

    A critical analysis of the ritual quest for renewal that revolves around the arrival, or nonarrival, of Godot/savior figures in the plays of Beckett, Pinter, Ionesco, Albee, Grass, and Genet. The discussion leads to a consideration of modern man's fate as an exile and his own possibilities for coming home

  • Harold Pinter

    Katherine H Burkman, Bernard F Dukore•ARTICLE•Theatre Journal•1990

  • The Plays of Pam Gems

    Katherine H Burkman•CHAPTER•British and Irish Drama Since 1960•1993

    Emerging as a dramatic presence on the British stage in the 1970s, Pam Gems has contributed her many talents to that scene and beyond ever since.1Lyn Gardner even calls her 'the grand dame of British Theatre',2 partly because, despite Caryl Churchill's successes in America, Gems is the one who found her way onto the West End stages of the British establishment and has been a prolific contributor to that scene since, writing some twenty plays in t…

  • Waiting for Godot

    Katherine H Burkman, Samuel Beckett•ARTICLE•Theatre Journal•1993

  • Old Times

    Katherine H Burkman, Harold Pinter•ARTICLE•Theatre Journal•1994

  • The Drama of the Double

    Open Access•Katherine H Burkman•BOOK•Drama of the Double•2016

    This book explores the way in which doubling takes place in several novels, films, and dramas, primarily focusing on modern drama and exploring how five Greek myths – Oedipus, Narcissus, Dionysus, Ore

Art (7 works) · History (4 works) · History (4 works) · Shakespeare, Adaptation, and Literary Criticism (4 works) · Literature (3 works) · Theatre and Performance Studies (3 works) · Computer Science (2 works) · Contemporary Literature and Criticism (2 works) · Drama (2 works) · Psychology (2 works)

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