Philip Watkinson
Biographic Data
| ID | 1709998 |
|---|---|
| NAME | Philip Watkinson |
| GIVEN NAMES | Philip |
| FAMILY NAME | Watkinson |
| SIGNATURE | WATKINSON P |
| ORCID | 0009-0007-2648-0777 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2016 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 0 |
Fracturing Patriarchal Objectivity through Electro-Pop
This article examines the deviated modes of seeing in the work of Canadian electro-pop band Purity Ring. Bringing their recent music into conversation with the theory of Tim Ingold and Eugenie Brinkema, I suggest that Megan James and Corin Roddick perform seeing as a granular, augmented act that continually shapes the boundaries between our bodies and the world around us. Particular attention is paid to James and Roddick’s creative engagement wit…
Staging Money
This essay examines the use of money in contemporary theatre, and the recent trend of spectators being encouraged by practitioners to interact with physical currency during performances. It analyzes Clare Duffy's MONEY the game show (2013) as an indicative example, in which spectators play with 10,000 pound coins via a series of games modeled on the speculative financial practices of hedge-fund managers. Placing this work within the context of th…
On Dialectics
No prominent works on this page.
On Dialectics
Staging Money
This essay examines the use of money in contemporary theatre, and the recent trend of spectators being encouraged by practitioners to interact with physical currency during performances. It analyzes Clare Duffy's MONEY the game show (2013) as an indicative example, in which spectators play with 10,000 pound coins via a series of games modeled on the speculative financial practices of hedge-fund managers. Placing this work within the context of th…
Fracturing Patriarchal Objectivity through Electro-Pop
This article examines the deviated modes of seeing in the work of Canadian electro-pop band Purity Ring. Bringing their recent music into conversation with the theory of Tim Ingold and Eugenie Brinkema, I suggest that Megan James and Corin Roddick perform seeing as a granular, augmented act that continually shapes the boundaries between our bodies and the world around us. Particular attention is paid to James and Roddick’s creative engagement wit…
Art (3 works) · Aesthetics (2 works) · Epistemology (2 works) · Visual arts (2 works) · Cinema and Media Studies (1 work) · Context (archaeology (1 work) · Conversation (1 work) · Critical Theory and Philosophy (1 work) · Currency (1 work) · Dialectic (1 work)