Brandi Wilkins Catanese
Biographic Data
| ID | 1710007 |
|---|---|
| NAME | Brandi Wilkins Catanese |
| GIVEN NAMES | Brandi Wilkins |
| FAMILY NAME | Catanese |
| SIGNATURE | CATANESE B W |
| AFFILIATIONS | Schlumberger (Ireland) |
| VERIFIED | No |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 6 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2005 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
Methods Dialogue
To ask ‘how do you do what you do?’ is both a technical and personal question. Brandi Wilkins Cantanese, Nicola Mārie Hyland, and Ben Spatz complicate the idea that methods are separable from researchers’ lives, while advocating for decolonizing research. Methods implicate both what and when: they are immanent in everything the scholar does. Exploring methods that gather information in relational and communal ways, the conversants reflect on how …
Michael Jackson in/as U.S. Popular Culture
Amalgamation Schemes
Remembering Saartjie Baartman
Since the end of the twentieth century, international interest in the story of Saartjie Baartman, a South African woman taken to Europe and displayed as the Venus Hottentot at the beginning of the nineteenth century, has increased. This essay examines the unique function of artistic remembrances of Baartman, particularly the choreography of South African performer Nelisiwe Xaba and the dramaturgy of US playwright Suzan-Lori Parks, who employ crea…
Taking the Long View
How Do I Rent a Negro
This essay is an examination of conceptual artist damali ayo's Web-art performance, www.rent-a-negro.com, and the function of race within the interactive features of the site. By employing and subverting the normative racial tropes of cyberculture, ayo's project also exposes the ethical and performative dimensions of race in material practice. Ultimately, the spaces of confessional and dark play that are created online with digital performance ar…
No prominent works on this page.
How Do I Rent a Negro
This essay is an examination of conceptual artist damali ayo's Web-art performance, www.rent-a-negro.com, and the function of race within the interactive features of the site. By employing and subverting the normative racial tropes of cyberculture, ayo's project also exposes the ethical and performative dimensions of race in material practice. Ultimately, the spaces of confessional and dark play that are created online with digital performance ar…
Remembering Saartjie Baartman
Since the end of the twentieth century, international interest in the story of Saartjie Baartman, a South African woman taken to Europe and displayed as the Venus Hottentot at the beginning of the nineteenth century, has increased. This essay examines the unique function of artistic remembrances of Baartman, particularly the choreography of South African performer Nelisiwe Xaba and the dramaturgy of US playwright Suzan-Lori Parks, who employ crea…
Taking the Long View
Michael Jackson in/as U.S. Popular Culture
Amalgamation Schemes
Methods Dialogue
To ask ‘how do you do what you do?’ is both a technical and personal question. Brandi Wilkins Cantanese, Nicola Mārie Hyland, and Ben Spatz complicate the idea that methods are separable from researchers’ lives, while advocating for decolonizing research. Methods implicate both what and when: they are immanent in everything the scholar does. Exploring methods that gather information in relational and communal ways, the conversants reflect on how …
Computer Science (4 works) · Sociology (3 works) · Aesthetics (2 works) · Art (2 works) · History (2 works) · Law (2 works) · Law (2 works) · Philosophy (2 works) · Philosophy (2 works) · Political science (2 works)