David Kornhaber
Biographic Data
| ID | 1710099 |
|---|---|
| NAME | David Kornhaber |
| GIVEN NAMES | David |
| FAMILY NAME | Kornhaber |
| SIGNATURE | KORNHABER D |
| AFFILIATIONS | Columbia University |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 1 |
| FIRST PUBLICATION YEAR | 2004 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 1 |
Tom Stoppard in Context
Acts
Reviewed by: Acts: Theater, Philosophy, and the Performing Self by Tzachi Zamir David Kornhaber ACTS: THEATER, PHILOSOPHY, AND THE PERFORMING SELF. By Tzachi Zamir. Ann Arbor: University of Michigan Press, 2014; pp. 288. It is common to regard studies of the intersections of theatre and philosophy as interdisciplinary, but Tzachi Zamir argues that this perspective is imprecise. “Disciplines are aspects of knowledge, not of being, and acting is no…
The Philosopher, the Playwright, and the Actor
This essay explores the impact of Friedrich Nietzsche's The Birth of Tragedy and The Case of Wagner on conceptualizations of the theatrical event during the emergence of modern drama, focusing specifically on the writings of August Strindberg, George Bernard Shaw, and Eugene O'Neill-all avowed devotees of Nietzsche's work. to these playwrights, Nietzsche offered a particular vision of theatrical creation as a coequal marriage of the representatio…
Presenting the Past, Performing the Future
The ten-year anniversary of the end of apartheid brought a wave of South African theater to New York. A city that had not seen a major production from that country since Athol Fugard's Sorrows and Rejoicings in early 2002 suddenly had a surfeit of drama new and old by the beginning months of 2004. At Lincoln Center's Vivian Beaumont Theater in December, John Kani's Nothing But the Truth told of apartheid's lingering specter even after a decade of…
The Philosopher, the Playwright, and the Actor
This essay explores the impact of Friedrich Nietzsche's The Birth of Tragedy and The Case of Wagner on conceptualizations of the theatrical event during the emergence of modern drama, focusing specifically on the writings of August Strindberg, George Bernard Shaw, and Eugene O'Neill-all avowed devotees of Nietzsche's work. to these playwrights, Nietzsche offered a particular vision of theatrical creation as a coequal marriage of the representatio…
Presenting the Past, Performing the Future
The ten-year anniversary of the end of apartheid brought a wave of South African theater to New York. A city that had not seen a major production from that country since Athol Fugard's Sorrows and Rejoicings in early 2002 suddenly had a surfeit of drama new and old by the beginning months of 2004. At Lincoln Center's Vivian Beaumont Theater in December, John Kani's Nothing But the Truth told of apartheid's lingering specter even after a decade of…
The Philosopher, the Playwright, and the Actor
This essay explores the impact of Friedrich Nietzsche's The Birth of Tragedy and The Case of Wagner on conceptualizations of the theatrical event during the emergence of modern drama, focusing specifically on the writings of August Strindberg, George Bernard Shaw, and Eugene O'Neill-all avowed devotees of Nietzsche's work. to these playwrights, Nietzsche offered a particular vision of theatrical creation as a coequal marriage of the representatio…
Acts
Reviewed by: Acts: Theater, Philosophy, and the Performing Self by Tzachi Zamir David Kornhaber ACTS: THEATER, PHILOSOPHY, AND THE PERFORMING SELF. By Tzachi Zamir. Ann Arbor: University of Michigan Press, 2014; pp. 288. It is common to regard studies of the intersections of theatre and philosophy as interdisciplinary, but Tzachi Zamir argues that this perspective is imprecise. “Disciplines are aspects of knowledge, not of being, and acting is no…
Tom Stoppard in Context
Art (4 works) · Visual arts (4 works) · Literature (3 works) · Theatre and Performance Studies (3 works) · Aesthetics (2 works) · Art history (2 works) · Drama (2 works) · Embodied cognition (2 works) · Epistemology (2 works) · History (2 works)