Enoch Brater
Biographic Data
| ID | 1710179 |
|---|---|
| NAME | Enoch Brater |
| GIVEN NAMES | Enoch |
| FAMILY NAME | Brater |
| SIGNATURE | BRATER E |
| VERIFIED | No |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 6 |
| AUTHOR COUNT | 6 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1976 |
| LATEST PUBLICATION YEAR | 1995 |
| H-INDEX | 2 |
The Drama in the Text
Around the Absurd
Feminine Focus
Introduction, Enoch Brater images of women in modern English theatre, Katherine Worth stereotype and prototype, Austin Quigley Ariane Mnouchkine - playwright of a collective, Ruby Cohn Benmussa's adaptations, Elin Diamond the reverse side of a portrait or donnez-moi de mes nouvelles, Rosette C.Lamont staging sexual differences, Sharon R. Willis from split subject to split britches, Sue Ellen case the play of letters, Timothy Murray still playing …
Why Beckett
Beyond Minimalism
Beckett's later dramatic works defy generic classification as pure theatre, poetry, or prose. Instead, Brater argues, they forge a new aesthetic for themselves. Analysing Beckett's use of disjointed body imagery; mask; abstract monologue; and the experimentation in film and video in the 1980s, Brater demonstrates Beckett's truly avant-garde departure from our concepts of the 'theatrical
Chance and Choice in Beckett's Lessness
The Drama in the Text
Feminine Focus
Introduction, Enoch Brater images of women in modern English theatre, Katherine Worth stereotype and prototype, Austin Quigley Ariane Mnouchkine - playwright of a collective, Ruby Cohn Benmussa's adaptations, Elin Diamond the reverse side of a portrait or donnez-moi de mes nouvelles, Rosette C.Lamont staging sexual differences, Sharon R. Willis from split subject to split britches, Sue Ellen case the play of letters, Timothy Murray still playing …
Beyond Minimalism
Beckett's later dramatic works defy generic classification as pure theatre, poetry, or prose. Instead, Brater argues, they forge a new aesthetic for themselves. Analysing Beckett's use of disjointed body imagery; mask; abstract monologue; and the experimentation in film and video in the 1980s, Brater demonstrates Beckett's truly avant-garde departure from our concepts of the 'theatrical
Chance and Choice in Beckett's Lessness
Beyond Minimalism
Beckett's later dramatic works defy generic classification as pure theatre, poetry, or prose. Instead, Brater argues, they forge a new aesthetic for themselves. Analysing Beckett's use of disjointed body imagery; mask; abstract monologue; and the experimentation in film and video in the 1980s, Brater demonstrates Beckett's truly avant-garde departure from our concepts of the 'theatrical
Why Beckett
Feminine Focus
Introduction, Enoch Brater images of women in modern English theatre, Katherine Worth stereotype and prototype, Austin Quigley Ariane Mnouchkine - playwright of a collective, Ruby Cohn Benmussa's adaptations, Elin Diamond the reverse side of a portrait or donnez-moi de mes nouvelles, Rosette C.Lamont staging sexual differences, Sharon R. Willis from split subject to split britches, Sue Ellen case the play of letters, Timothy Murray still playing …
Around the Absurd
The Drama in the Text
Art (6 works) · Aesthetics (4 works) · Philosophy, Ethics, and Existentialism (4 works) · Samuel Beckett and Modernism (4 works) · Literature (3 works) · Theatre and Performance Studies (3 works) · Drama (2 works) · Kierkegaardian Philosophy and Influence (2 works) · Absurdism (1 works) · Computer Science (1 works)