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Donna Soto-Morettini

Biographic Data

ID1710306
NAMEDonna Soto-Morettini
GIVEN NAMESDonna
FAMILY NAMESoto-Morettini
SIGNATURESOTO-MORETTINI D
ORCID0000-0001-9163-3601
VERIFIEDYes
TOTAL WORKS3
TOTAL CITATIONS1
WORKS AS AUTHOR3
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1984
LATEST PUBLICATION YEAR2010
H-INDEX1
  • The philosophical actor

    Donna Soto-Morettini•BOOK•The philosophical actor•2010

    There have been many books published on acting, actor training, and practical theories for preparing for a role, but none of these books have ever looked philosophically at the language and the concepts that we use when we talk about acting. The Philosophical Actor is the first attempt to grapple with the fundamental questions of truth, art, and human nature unexamined in past treatments, from the first great essay by Diderot to the exhaustive sy…

  • Disrupting the Spectacle

    Donna Soto-Morettini•ARTICLE•Theatre Journal•1986

    The last scene of Magnificence sets in motion a recurring exploration in Howard Brenton's work: the fragile distinction between the revolutionary and the terrorist in any attempt to get to the political real. In the play's final moments, the young radical, Jed, threatens Alice, an aging, homosexual, Tory MP, with an explosive gelignite mask which fails to ignite. With an utterly helpless glance, Jed takes in the simultaneous vision of both the bo…

  • The Visions of Simone Machard

    Donna Soto-Morettini, Helen M Whall et al.•ARTICLE•Theatre Journal•1984•Cited by: 1

  • The Visions of Simone Machard

    Donna Soto-Morettini, Helen M Whall et al.•ARTICLE•Theatre Journal•1984•Cited by: 1

  • The Visions of Simone Machard

    Donna Soto-Morettini, Helen M Whall et al.•ARTICLE•Theatre Journal•1984•Cited by: 1

  • Disrupting the Spectacle

    Donna Soto-Morettini•ARTICLE•Theatre Journal•1986

    The last scene of Magnificence sets in motion a recurring exploration in Howard Brenton's work: the fragile distinction between the revolutionary and the terrorist in any attempt to get to the political real. In the play's final moments, the young radical, Jed, threatens Alice, an aging, homosexual, Tory MP, with an explosive gelignite mask which fails to ignite. With an utterly helpless glance, Jed takes in the simultaneous vision of both the bo…

  • The philosophical actor

    Donna Soto-Morettini•BOOK•The philosophical actor•2010

    There have been many books published on acting, actor training, and practical theories for preparing for a role, but none of these books have ever looked philosophically at the language and the concepts that we use when we talk about acting. The Philosophical Actor is the first attempt to grapple with the fundamental questions of truth, art, and human nature unexamined in past treatments, from the first great essay by Diderot to the exhaustive sy…

Art (2 works) · Philosophy (2 works) · Act (philosophy) (1 work) · Acting (1 work) · Acting (1 work) · Acting & Auditioning (1 work) · Acting & Auditioning (1 work) · Aesthetics (1 work) · Hermeneutics and Narrative Identity (1 work) · Performing arts (1 work)

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