Beverly Whitaker Long
Biographic Data
| ID | 1710346 |
|---|---|
| NAME | Beverly Whitaker Long |
| GIVEN NAMES | Beverly Whitaker |
| FAMILY NAME | Long |
| SIGNATURE | LONG B W |
| AFFILIATIONS | University of North Carolina at Chapel Hill |
| VERIFIED | No |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 11 |
| WORKS AS AUTHOR | 6 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1983 |
| LATEST PUBLICATION YEAR | 1994 |
| H-INDEX | 2 |
Persistence and change
THEATRE CRITICISM. By Irving Wardle. London & New York: Routledge, 1992; pp. vii‐142; $39.95; paper $12.95. PINTER IN PLAY: CRITICAL STRATEGIES AND THE PLAYS OF HAROLD PINTER. By Susan Hollis Merritt. Durham: Duke University Press, 1990; pp. xv‐343; $39.95. UPSTAGING BIG DADDY: DIRECTING THEATRE AS IF GENDER AND RACE MATTER. Edited by Ellen Donkin and Susan Clement. Ann Arbor: University of Michigan Press, 1993; $42.50; paper $16.95
Performing against time
Performance criticism and questions of value
Barbara Hernstein Smith's theory of contingent values questions the discourse that valorizes any entity as intrinsically valuable. All values, Smith claims, are inevitably ascribed by percenters based on their own interests, which are never stable, much less universal. This essay examines the defining characteristics of Smith's theory and applies them in a redescription of performance criticism as a multidimensional process of valuing
Contemporary American ekphrastic poetry
This bibliography serves as a companion piece to the essay on ekphrastic poetry by Cage and Rosenfeld which appeared in the July 1989 issue of TPQ
Reading intertextually
DOCUMENTING AMERICA, 1935–1943. Edited by Carl Fleischhauer and Beverly W. Brannan. Berkeley: University of California Press, 1988; pp. 361. $60.00; paper $24.95. IMAGE AND WORD: THE INTERACTION OF TWENTIETH‐CENTURY PHOTOGRAPHS AND TEXTS. By Jefferson Hunter. Cambridge, MA: Harvard University Press, 1987; pp. 233. $25.00. IN VISIBLE LIGHT: PHOTOGRAPHY AND THE AMERICAN WRITER: 1840–1940. By Carol Shloss. New York: Oxford University Press, 1987; pp…
Performing Literature
Performing Literature
Performance criticism and questions of value
Barbara Hernstein Smith's theory of contingent values questions the discourse that valorizes any entity as intrinsically valuable. All values, Smith claims, are inevitably ascribed by percenters based on their own interests, which are never stable, much less universal. This essay examines the defining characteristics of Smith's theory and applies them in a redescription of performance criticism as a multidimensional process of valuing
Performing Literature
Contemporary American ekphrastic poetry
This bibliography serves as a companion piece to the essay on ekphrastic poetry by Cage and Rosenfeld which appeared in the July 1989 issue of TPQ
Reading intertextually
DOCUMENTING AMERICA, 1935–1943. Edited by Carl Fleischhauer and Beverly W. Brannan. Berkeley: University of California Press, 1988; pp. 361. $60.00; paper $24.95. IMAGE AND WORD: THE INTERACTION OF TWENTIETH‐CENTURY PHOTOGRAPHS AND TEXTS. By Jefferson Hunter. Cambridge, MA: Harvard University Press, 1987; pp. 233. $25.00. IN VISIBLE LIGHT: PHOTOGRAPHY AND THE AMERICAN WRITER: 1840–1940. By Carol Shloss. New York: Oxford University Press, 1987; pp…
Performance criticism and questions of value
Barbara Hernstein Smith's theory of contingent values questions the discourse that valorizes any entity as intrinsically valuable. All values, Smith claims, are inevitably ascribed by percenters based on their own interests, which are never stable, much less universal. This essay examines the defining characteristics of Smith's theory and applies them in a redescription of performance criticism as a multidimensional process of valuing
Performing against time
Persistence and change
THEATRE CRITICISM. By Irving Wardle. London & New York: Routledge, 1992; pp. vii‐142; $39.95; paper $12.95. PINTER IN PLAY: CRITICAL STRATEGIES AND THE PLAYS OF HAROLD PINTER. By Susan Hollis Merritt. Durham: Duke University Press, 1990; pp. xv‐343; $39.95. UPSTAGING BIG DADDY: DIRECTING THEATRE AS IF GENDER AND RACE MATTER. Edited by Ellen Donkin and Susan Clement. Ann Arbor: University of Michigan Press, 1993; $42.50; paper $16.95
Art (4 works) · Art history (4 works) · History (4 works) · Philosophy (4 works) · History (3 works) · Literature (3 works) · Philosophy (3 works) · Criticism (2 works) · Epistemology (2 works) · Law (2 works)