Al Evangelista
Biographic Data
| ID | 1710348 |
|---|---|
| NAME | Al Evangelista |
| FAMILY NAME | Al Evangelista |
| SIGNATURE | AL EVANGELISTA |
| AFFILIATIONS | Oberlin College |
| ORCID | 0000-0003-1729-8870 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 2 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2021 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 1 |
Bringing Autoethnography to Undergraduates
The label “autoethnography” has been applied to a wide range of knowledge-producing practices, from what might be considered “normal” science to narrative-driven writing to performance. These debates highlight some of the most fundamental tensions about legitimate ways of knowing/knowledge production in the contemporary world. Further, one strength of autoethnography as a method lies in situating personal experience within broader political, soci…
Choreographing in Color
Reviewed by: Choreographing in Color: Filipinos, Hip-Hop, and The Cultural Politics of Euphemism by J. Lorenzo Perillo Al Evangelista CHOREOGRAPHING IN COLOR: FILIPINOS, HIP-HOP, AND THE CULTURAL POLITICS OF EUPHEMISM. By J. Lorenzo Perillo. New York: Oxford University Press, 2020; pp. 272. The first peoples from the Philippines to arrive in what is now called the United States landed on October 18, 1587. This was thirty-three years before the Pi…
Six Illuminated Videos
Angela Viora, “Phenomenology of big hair caught up in the wind at night” (2:25); Al Evangelista, “How to dance with Filipinx ancestors?” (4:42); Sonia York-Pryce, “Sôma” (4:48); Claire Vionnet and André Dramé, “Dereskina” (5:39); W. Donnie Scally, “Reconfiguring sensory experience: The sounds of 100 rounds of karate shadowboxing” (6:00); Alen Agaronov, “Meeting the definition of human subjects research: A case study” (7:00)
Bringing Autoethnography to Undergraduates
The label “autoethnography” has been applied to a wide range of knowledge-producing practices, from what might be considered “normal” science to narrative-driven writing to performance. These debates highlight some of the most fundamental tensions about legitimate ways of knowing/knowledge production in the contemporary world. Further, one strength of autoethnography as a method lies in situating personal experience within broader political, soci…
Six Illuminated Videos
Angela Viora, “Phenomenology of big hair caught up in the wind at night” (2:25); Al Evangelista, “How to dance with Filipinx ancestors?” (4:42); Sonia York-Pryce, “Sôma” (4:48); Claire Vionnet and André Dramé, “Dereskina” (5:39); W. Donnie Scally, “Reconfiguring sensory experience: The sounds of 100 rounds of karate shadowboxing” (6:00); Alen Agaronov, “Meeting the definition of human subjects research: A case study” (7:00)
Choreographing in Color
Reviewed by: Choreographing in Color: Filipinos, Hip-Hop, and The Cultural Politics of Euphemism by J. Lorenzo Perillo Al Evangelista CHOREOGRAPHING IN COLOR: FILIPINOS, HIP-HOP, AND THE CULTURAL POLITICS OF EUPHEMISM. By J. Lorenzo Perillo. New York: Oxford University Press, 2020; pp. 272. The first peoples from the Philippines to arrive in what is now called the United States landed on October 18, 1587. This was thirty-three years before the Pi…
Bringing Autoethnography to Undergraduates
The label “autoethnography” has been applied to a wide range of knowledge-producing practices, from what might be considered “normal” science to narrative-driven writing to performance. These debates highlight some of the most fundamental tensions about legitimate ways of knowing/knowledge production in the contemporary world. Further, one strength of autoethnography as a method lies in situating personal experience within broader political, soci…
Art (3 works) · Dance (2 works) · History (2 works) · Literature (2 works) · Sociology (2 works) · Aesthetics (1 work) · Anthropology (1 work) · Art history (1 work) · Asian Culture and Media Studies (1 work) · Autoethnography (1 work)