Jean-Claude Van Itallie

Biographic Data

ID1710447
NAMEJean-Claude Van Itallie
GIVEN NAMESJean-Claude
FAMILY NAMEVan Itallie
SIGNATUREVAN ITALLIE J
VERIFIEDNo
TOTAL WORKS10
TOTAL CITATIONS0
WORKS AS AUTHOR10
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1977
LATEST PUBLICATION YEAR1994
H-INDEX0

  • Ages of the Avant-Garde

    Bonnie Marranca, Meredith Monk et al.ARTICLEPerforming Arts Journal1994

    Bonnie Marranca, Meredith Monk, Richard Foreman, Carolee Schneemann, Maria Irene Fornes, Deborah Jowitt, Deborah Hay, Rachel Rosenthal, Jill Johnston, Kenneth Bernard, Yvonne Rainer, Jean-Claude van Itallie, Dick Higgins, Richard Kostelanetz, Judith Malina, Joyce Aaron, Herbert Blau, Anna Halprin, Barbara Hammer, Rosalyn Drexler, Rochelle Owens, Allan Kaprow, Ages of the Avant-Garde, Performing Arts Journal, Vol. 16, No. 1, Bodies of Work (Jan., …

  • Speaking from the Heart

    Jean-Claude Van ItallieARTICLEPerforming Arts Journal1993

  • The Three Sisters

    David Bergman, Anton Chekhov et al.ARTICLETheatre Journal1989

  • The Seagull

    Sam Abel, Anton Chekhov et al.ARTICLETheatre Journal1984

  • Three Sisters

    Arthur Holmberg, Anton Chekhov et al.ARTICLEPerforming Arts Journal1983

  • The Open Theatre [1963-1973]

    William Coco, Gordon Rogoff et al.ARTICLEPerforming Arts Journal1983

    William Coco, Gordon Rogoff, Jean-Claude van Itallie, Joyce Aaron, Susan Yankowitz, Paul Zimet, Richard Gilman, Joseph Chaikin, The Open Theatre [1963-1973]: Looking Back, Performing Arts Journal, Vol. 7, No. 3 (1983), pp. 25-48

  • Portraits in Words

    Maria Irene Fornes, Joe Papp et al.ARTICLEPerforming Arts Journal1982

  • America Hurrah and Other Plays

    Bonnie Marranca, Bonnie G Marranca et al.ARTICLEPerforming Arts Journal1978

  • Play

    Jean-Claude Van ItallieARTICLEPerforming Arts Journal1977

  • A Reinvention of Form

    Open AccessJean-Claude Van Itallie, Bill SimmerARTICLEThe Drama Review TDR1977

    When I write a play there's no single sure track to run on. It's different each time I start. Each time is starting from scratch, a reinvention of form. There may be easier ways to do it, but for me, that's how it is. There are no rules that always apply. If I teach a playwriting class, I set up exercises, so people can learn some possible different approaches. I would be loathe to prescribe one single approach. As you catch me just about to star…