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Karen Finley

Biographic Data

ID1710746
NAMEKaren Finley
GIVEN NAMESKaren
FAMILY NAMEFinley
SIGNATUREFINLEY K
AFFILIATIONSKaren Finley is a New York-based artist whose raw and personal performances, literature, installations, and visual art have long provoked controversy and debate. Her performances include I'm an Ass Man, focusing on sexual abuse and violence (1985); The Constant State of Desire (1989); A Suggestion of Madness, honoring the 10th anniversary of her father's death (1988); A Certain Level of Denial, a response to the AIDS epidemic (1992); and The American Chestnut, a parallel between the illnesses of nature...
VERIFIEDNo
TOTAL WORKS7
TOTAL CITATIONS0
AUTHOR COUNT7
EDITOR COUNT0
FIRST PUBLICATION YEAR1987
LATEST PUBLICATION YEAR2016
H-INDEX0
  • For Randy

    Open Access•Karen Finley•ARTICLE•Dance Research Journal•2016

    In this personal essay, artist and professor Karen Finley reflects on her relationship with her colleague and mentor, Randy Martin

  • Make Love

    Karen Finley•ARTICLE•TDR/The Drama Review•2003

    Finley's newest performance piece begins in a lounge where spectators are gathered for an evening of soft music. “It was such a beautiful day for a tragedy,” intones Finley. Then: “Don't you wish for the time when the problem was who is sucking Clinton's dick!!” From there, in her inimitable way, Finley invokes post—9/11 America, fusing her personal with our collective political

  • The Constant State of Frustration

    Karen Finley, Catherine Schuler•ARTICLE•TDR/The Drama Review•1990

  • We Keep Our Victims Ready

    Kent Neely, Karen Finley et al.•ARTICLE•Theatre Journal•1990

  • The Constant State of Desire

    Karen Finley•ARTICLE•TDR/The Drama Review•1988

    She dreams. She dreams of falling out of a fifth-story window. But she catches her fall by holding on to the window ledge. It's January and the ledge is made of stone and icy cold. The stone, the ice, the cold cuts through her flesh, her fingers, her bone. It doesn't matter though, for she has ugly fingers. And she sees the blood gush out of her limbs, the harder she holds on to the ledge. She can hear her own death. And her husband walks below a…

  • Karen Finley

    R Schechner, Karen Finley•ARTICLE•TDR/The Drama Review•1988

    FINLEY: I don't have a letter, I can't really prove it, but sponsors are really scared that their funding is going to be taken away from them. The first place [in London] I was asked to stop was at the ICA [Institute of Contemporary Art] and next was AIR [Artists in Residence], a gallery. People say, Oh, we can't really put you on here, but maybe we could set something up in a loft, not announce it publicly. I could go on performing underground, …

  • Performance Strategies

    Marc Robinson, Ishmael Houston-Jones et al.•ARTICLE•Performing Arts Journal•1987

No prominent works on this page.

  • Performance Strategies

    Marc Robinson, Ishmael Houston-Jones et al.•ARTICLE•Performing Arts Journal•1987

  • The Constant State of Desire

    Karen Finley•ARTICLE•TDR/The Drama Review•1988

    She dreams. She dreams of falling out of a fifth-story window. But she catches her fall by holding on to the window ledge. It's January and the ledge is made of stone and icy cold. The stone, the ice, the cold cuts through her flesh, her fingers, her bone. It doesn't matter though, for she has ugly fingers. And she sees the blood gush out of her limbs, the harder she holds on to the ledge. She can hear her own death. And her husband walks below a…

  • Karen Finley

    R Schechner, Karen Finley•ARTICLE•TDR/The Drama Review•1988

    FINLEY: I don't have a letter, I can't really prove it, but sponsors are really scared that their funding is going to be taken away from them. The first place [in London] I was asked to stop was at the ICA [Institute of Contemporary Art] and next was AIR [Artists in Residence], a gallery. People say, Oh, we can't really put you on here, but maybe we could set something up in a loft, not announce it publicly. I could go on performing underground, …

  • The Constant State of Frustration

    Karen Finley, Catherine Schuler•ARTICLE•TDR/The Drama Review•1990

  • We Keep Our Victims Ready

    Kent Neely, Karen Finley et al.•ARTICLE•Theatre Journal•1990

  • Make Love

    Karen Finley•ARTICLE•TDR/The Drama Review•2003

    Finley's newest performance piece begins in a lounge where spectators are gathered for an evening of soft music. “It was such a beautiful day for a tragedy,” intones Finley. Then: “Don't you wish for the time when the problem was who is sucking Clinton's dick!!” From there, in her inimitable way, Finley invokes post—9/11 America, fusing her personal with our collective political

  • For Randy

    Open Access•Karen Finley•ARTICLE•Dance Research Journal•2016

    In this personal essay, artist and professor Karen Finley reflects on her relationship with her colleague and mentor, Randy Martin

Art (5 works) · Art history (3 works) · History (3 works) · History (3 works) · Algorithm (2 works) · Computer Science (2 works) · Constant (computer programming (2 works) · Educational Leadership and Practices (2 works) · Law (2 works) · Law (2 works)

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