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Bryan Reynolds

Biographic Data

ID1710753
NAMEBryan Reynolds
GIVEN NAMESBryan
FAMILY NAMEReynolds
SIGNATUREREYNOLDS B
AFFILIATIONSUniversity of California, Irvine
ORCID0009-0004-3459-4019
VERIFIEDYes
TOTAL WORKS16
TOTAL CITATIONS5
AUTHOR COUNT12
EDITOR COUNT4
FIRST PUBLICATION YEAR1997
LATEST PUBLICATION YEAR2019
H-INDEX1
  • A strange lobster tale of self-sacrificial transversality

    Bryan Reynolds, Guy Zimmerman•ARTICLE•Journal for Cultural Research•2019

    Written from the perspective of Transversal Poetics, this essay involves an exploration of the theory’s various selves in the context of a self-immolating spectacle staged at London’s New Globe Theatre by the theory’s progenitor, Dr. Bryan Reynolds. The essay outlines the history of this scandalous affair, which was inspired by the work of Rodrigo Garcia (Accidens: Matar Para Comer), Deleuze and Guattari, and George Bataille. Transversal Poetics …

  • Performing Transversally

    Bryan Reynolds•BOOK•Performing Transversally•2016

  • When the attraction of Ta’ziyeh is diminished, the community should inevitably find a suitable replacement for it

    Open Access•Farideh Alizadeh, Mohd Nasir Hashim et al.•ARTICLE•Cogent Arts and Humanities•2016

    This article studies the influence of form and content of Ta’ziyeh on theatre alongside replacement of Ta’ziyeh in modern theatre by eclectic theatre. In order to investigate and critic the character of Ta’ziyeh on modern theatre, Ta’ziyeh and its influence of artists works are analysed. This raises the question, Is Ta’ziyeh only a traditional, symbolic and unrealistic form of theatre, incomparable to other theatrical styles, or it needs to be fo…

  • Performance Studies

    Bryan Reynolds•BOOK•Performance Studies•2015

  • Performance Studies

    Open Access•Bryan Reynolds•BOOK•Performance Studies•2014

  • Theatre of Immediacy, Transversal Poetics

    Open Access•Mark Levine, Bryan Reynolds•CHAPTER•Performance Studies•2014

  • Go Fractalactic! A Brief Guide through Subjectivity in the Philosophy of Félix Guattari and Transversal Poetics

    Open Access•Adam Bryx, Bryan Reynolds•ARTICLE•Deleuze Studies•2012

    We adventure becomings-Merry Pranksters with Félix Guattari on Ken Kesey's magic bus to resonate the group's transversality that we already affect subjunctively, individually and plurally from which our subjectivities crystallise collectively and independently with intensive-extensions to go viscerallectric and fractalactic. Yet in-process, before our consciousnesses go motored, we swim with jet streams of both Guattari and transversal poetics to…

  • The Return of Theory in Early Modern English Studies

    Open Access•Paul Cefalu, Bryan Reynolds•BOOK•Return of Theory in Early Modern…•2011

    This collection looks at the growing rapprochement between contemporary theory and early modern English literary-cultural studies. With sections on posthumanism and cognitive science, political theolo

  • Transversal Enterprises in the Drama of Shakespeare and his Contemporaries

    Open Access•Bryan Reynolds•BOOK•Transversal Enterprises in the…•2006

    This study expands on Reynolds' 'transversal poetics' - the theory, methodology, and aesthetics developed in response to the need for an approach that fosters agency, creativity and conscientious scho

  • Viewing Antitheatricality

    Open Access•Bryan Reynolds, Ayanna Thompson•CHAPTER•Transversal Enterprises in the…•2006

    Metatheatricality is a term often applied to Marlowe’s 1587 play Tamburlaine. Critics reference the costuming and language of Marlowe’s lead character and argue that he was constructed through metatheatrical and metapoetic self-fashioning. 1 Alternatively, we see Tamburlaine as an extraordinary example of antitheatricality, one that offers its own theory of theater, what we call “post-theater,” that is radically different from the naturalistic mo…

  • Rematerializing Shakespeare

    Open Access•Bryan Reynolds, William N West•BOOK•Rematerializing Shakespeare•2005

    To 'rematerialize' in the sense of Rematerializing Shakespeare: Authority and Representation on the Early Modern English Stage is not to recover a lost material infrastructure, as Marx spoke of, nor i

  • Transversal Performance

    Open Access•Bryan Reynolds•CHAPTER•Performing Transversally•2003

    The United States of America's immediate response to the September 11, 2001 attacks on the World Trade Center and the Pentagon was multifarious, but mainly it was horrific astonishment. The people of this country wanted to know who was responsible and why the attacks were perpetrated. They also wanted to know what the damage was and how to fix it. We know now that approximately 3000 people were murdered, yet the answers to the rest of these quest…

  • Inspriteful Ariels

    Open Access•Bryan Reynolds, Ayanna Thompson•CHAPTER•Performing Transversally•2003

    The Tempest has been a homage to art, an autobiographical farewell to theater, a colonialist celebration of English expansion, an exhortation on early modern (mis)understandings of racial differences, and an expression of patriarchal power, to name just some of the diverse interpretations that have marked its progress through "Shakespace."1 Debates over the play's meaning have spanned topics ranging from geographical determinations to identifying…

  • The Transversality of Michel de Certeau

    Bryan Reynolds, Joseph P Fitzpatrick et al.•ARTICLE•diacritics•1999

    Diacritics - Volume 29, Number 3, Fall 1999

  • Untimely ripped

    Bryan Reynolds•ARTICLE•Social Semiotics•1997•References: 1

    In this essay, through an examination of its cultural situation, narrative style, and cinematic structure, I hope to explain the controversy that surrounded Roman Polanski's 1971 film version of Macbeth. With both complex cinematic semiology and poignant sociohistorical mediation, Macbeth brings to a critical juncture the philosophies of the 1960s’ peace‐love—revolution hippies, Vietnam war protestors and civil rights activists, the reified mains…

  • "The Devil's House, "or worse

    Bryan Reynolds•ARTICLE•Theatre Journal•1997•Cited by: 5•References: 7

    The Devil's House, "or worse": Transversal Power and Antitheatrical Discourse in Early Modern England Bryan Reynolds (bio) Globes make my head spin. By the time I locate the place, they've changed the boundaries. —Marshall McLuhan 1 Recent work on early modern England's public theatre has been preoccupied with the politics of the drama. 2 Central to this preoccupation is whether particular plays were either critical, subversive or supportive of t…

  • "The Devil's House, "or worse

    Bryan Reynolds•ARTICLE•Theatre Journal•1997•Cited by: 5•References: 7

    The Devil's House, "or worse": Transversal Power and Antitheatrical Discourse in Early Modern England Bryan Reynolds (bio) Globes make my head spin. By the time I locate the place, they've changed the boundaries. —Marshall McLuhan 1 Recent work on early modern England's public theatre has been preoccupied with the politics of the drama. 2 Central to this preoccupation is whether particular plays were either critical, subversive or supportive of t…

  • Untimely ripped

    Bryan Reynolds•ARTICLE•Social Semiotics•1997•References: 1

    In this essay, through an examination of its cultural situation, narrative style, and cinematic structure, I hope to explain the controversy that surrounded Roman Polanski's 1971 film version of Macbeth. With both complex cinematic semiology and poignant sociohistorical mediation, Macbeth brings to a critical juncture the philosophies of the 1960s’ peace‐love—revolution hippies, Vietnam war protestors and civil rights activists, the reified mains…

  • "The Devil's House, "or worse

    Bryan Reynolds•ARTICLE•Theatre Journal•1997•Cited by: 5•References: 7

    The Devil's House, "or worse": Transversal Power and Antitheatrical Discourse in Early Modern England Bryan Reynolds (bio) Globes make my head spin. By the time I locate the place, they've changed the boundaries. —Marshall McLuhan 1 Recent work on early modern England's public theatre has been preoccupied with the politics of the drama. 2 Central to this preoccupation is whether particular plays were either critical, subversive or supportive of t…

  • The Transversality of Michel de Certeau

    Bryan Reynolds, Joseph P Fitzpatrick et al.•ARTICLE•diacritics•1999

    Diacritics - Volume 29, Number 3, Fall 1999

  • Transversal Performance

    Open Access•Bryan Reynolds•CHAPTER•Performing Transversally•2003

    The United States of America's immediate response to the September 11, 2001 attacks on the World Trade Center and the Pentagon was multifarious, but mainly it was horrific astonishment. The people of this country wanted to know who was responsible and why the attacks were perpetrated. They also wanted to know what the damage was and how to fix it. We know now that approximately 3000 people were murdered, yet the answers to the rest of these quest…

  • Inspriteful Ariels

    Open Access•Bryan Reynolds, Ayanna Thompson•CHAPTER•Performing Transversally•2003

    The Tempest has been a homage to art, an autobiographical farewell to theater, a colonialist celebration of English expansion, an exhortation on early modern (mis)understandings of racial differences, and an expression of patriarchal power, to name just some of the diverse interpretations that have marked its progress through "Shakespace."1 Debates over the play's meaning have spanned topics ranging from geographical determinations to identifying…

  • Rematerializing Shakespeare

    Open Access•Bryan Reynolds, William N West•BOOK•Rematerializing Shakespeare•2005

    To 'rematerialize' in the sense of Rematerializing Shakespeare: Authority and Representation on the Early Modern English Stage is not to recover a lost material infrastructure, as Marx spoke of, nor i

  • Transversal Enterprises in the Drama of Shakespeare and his Contemporaries

    Open Access•Bryan Reynolds•BOOK•Transversal Enterprises in the…•2006

    This study expands on Reynolds' 'transversal poetics' - the theory, methodology, and aesthetics developed in response to the need for an approach that fosters agency, creativity and conscientious scho

  • Viewing Antitheatricality

    Open Access•Bryan Reynolds, Ayanna Thompson•CHAPTER•Transversal Enterprises in the…•2006

    Metatheatricality is a term often applied to Marlowe’s 1587 play Tamburlaine. Critics reference the costuming and language of Marlowe’s lead character and argue that he was constructed through metatheatrical and metapoetic self-fashioning. 1 Alternatively, we see Tamburlaine as an extraordinary example of antitheatricality, one that offers its own theory of theater, what we call “post-theater,” that is radically different from the naturalistic mo…

  • The Return of Theory in Early Modern English Studies

    Open Access•Paul Cefalu, Bryan Reynolds•BOOK•Return of Theory in Early Modern…•2011

    This collection looks at the growing rapprochement between contemporary theory and early modern English literary-cultural studies. With sections on posthumanism and cognitive science, political theolo

  • Go Fractalactic! A Brief Guide through Subjectivity in the Philosophy of Félix Guattari and Transversal Poetics

    Open Access•Adam Bryx, Bryan Reynolds•ARTICLE•Deleuze Studies•2012

    We adventure becomings-Merry Pranksters with Félix Guattari on Ken Kesey's magic bus to resonate the group's transversality that we already affect subjunctively, individually and plurally from which our subjectivities crystallise collectively and independently with intensive-extensions to go viscerallectric and fractalactic. Yet in-process, before our consciousnesses go motored, we swim with jet streams of both Guattari and transversal poetics to…

  • Performance Studies

    Open Access•Bryan Reynolds•BOOK•Performance Studies•2014

  • Theatre of Immediacy, Transversal Poetics

    Open Access•Mark Levine, Bryan Reynolds•CHAPTER•Performance Studies•2014

  • Performance Studies

    Bryan Reynolds•BOOK•Performance Studies•2015

  • Performing Transversally

    Bryan Reynolds•BOOK•Performing Transversally•2016

  • When the attraction of Ta’ziyeh is diminished, the community should inevitably find a suitable replacement for it

    Open Access•Farideh Alizadeh, Mohd Nasir Hashim et al.•ARTICLE•Cogent Arts and Humanities•2016

    This article studies the influence of form and content of Ta’ziyeh on theatre alongside replacement of Ta’ziyeh in modern theatre by eclectic theatre. In order to investigate and critic the character of Ta’ziyeh on modern theatre, Ta’ziyeh and its influence of artists works are analysed. This raises the question, Is Ta’ziyeh only a traditional, symbolic and unrealistic form of theatre, incomparable to other theatrical styles, or it needs to be fo…

  • A strange lobster tale of self-sacrificial transversality

    Bryan Reynolds, Guy Zimmerman•ARTICLE•Journal for Cultural Research•2019

    Written from the perspective of Transversal Poetics, this essay involves an exploration of the theory’s various selves in the context of a self-immolating spectacle staged at London’s New Globe Theatre by the theory’s progenitor, Dr. Bryan Reynolds. The essay outlines the history of this scandalous affair, which was inspired by the work of Rodrigo Garcia (Accidens: Matar Para Comer), Deleuze and Guattari, and George Bataille. Transversal Poetics …

Art (13 works) · Literature (11 works) · Aesthetics (10 works) · Philosophy (8 works) · Sociology (8 works) · Epistemology (7 works) · Law (7 works) · Mathematics (6 works) · Political science (6 works) · History (5 works)

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