Iris Smith
Biographic Data
| ID | 1710795 |
|---|---|
| NAME | Iris Smith |
| GIVEN NAMES | Iris |
| FAMILY NAME | Smith |
| SIGNATURE | SMITH I |
| AFFILIATIONS | University of Tasmania |
| VERIFIED | No |
| TOTAL WORKS | 9 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 9 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1958 |
| LATEST PUBLICATION YEAR | 1999 |
| H-INDEX | 0 |
Happy Days
Reviewed by: Happy Days Iris L. Smith Happy Days. By Samuel Beckett. Mabou Mines, P.S. 122 Community Center, New York City. 20–21 March 1998. Click for larger view View full resolution Figure 1. Ruth Maleczech and Tom Fitzpatrick in Samuel Beckett’s Happy Days. Directed by Robert Woodruff at TORONADA. Photo: Dona Anne McAdams. Mabou Mines inaugurated its new performance space, TORONADA, with Ruth Maleczech in Happy Days. The production was develo…
"Who Speaks and Who Is Spoken for?"
Joan Lipkin is uppity. No other word describes her as well. I suspect she was uppity long before she founded That Uppity Theatre Company in St. Louis in I988.' At a 1991 conference in Seattle, where she and I first talked, it was clear that this playwright, teacher, and director/producer had no patience for theorizing performance without seeing that theory into practice. A self-styled visitor in the land of academic conferences, Lipkin prefers to…
"Mabou Mines's "Lear
The name Mabou Mines has become a kind of totem in today's theatre. To their peers, this New York-based company represents a model of avant-garde theatricality -in writing, in acting, in directing, in production, in technology and in collaboration. To mainstream theatregoers and critics, Mabou Mines remains a curiosity, by turns fascinating, puzzling and infuriating. Since its beginning almost 20 years ago, the group has accumulated a powerful, a…
The fifth edition of the addiction severity index
Brecht and the Mothers of Epic Theater
This is the publisher's version, also available electronically from http://www.jstor.org/stable/3207978?origin=crossref&seq=1#page_scan_tab_contents
The semiotics of the theater of cruelty
quot;Toute I'ecriture est de la cochonnerie " With these few words Antonin Artaud (1896-1948) thrusts us abruptly into the realm he calls the Theater of Cruelty. This uncompromising judgment against the value of writing summarizes Artaud's struggle to replace the linguistic sign with a surreal
The Concept ‘Sensibilité’ and the Enlightenment
(1967). THE CONCEPT ‘SENSIBILITE’ AND THE ENLIGHTENMENT. Journal of the Australasian Universities Language and Literature Association: Vol. 27, No. 1, pp. 5-17
The MME De La Pommeraye Tale and Its Commentaries
Diderot's Jacques Le Fataliste
No prominent works on this page.
Diderot's Jacques Le Fataliste
The MME De La Pommeraye Tale and Its Commentaries
The Concept ‘Sensibilité’ and the Enlightenment
(1967). THE CONCEPT ‘SENSIBILITE’ AND THE ENLIGHTENMENT. Journal of the Australasian Universities Language and Literature Association: Vol. 27, No. 1, pp. 5-17
The semiotics of the theater of cruelty
quot;Toute I'ecriture est de la cochonnerie " With these few words Antonin Artaud (1896-1948) thrusts us abruptly into the realm he calls the Theater of Cruelty. This uncompromising judgment against the value of writing summarizes Artaud's struggle to replace the linguistic sign with a surreal
Brecht and the Mothers of Epic Theater
This is the publisher's version, also available electronically from http://www.jstor.org/stable/3207978?origin=crossref&seq=1#page_scan_tab_contents
The fifth edition of the addiction severity index
"Mabou Mines's "Lear
The name Mabou Mines has become a kind of totem in today's theatre. To their peers, this New York-based company represents a model of avant-garde theatricality -in writing, in acting, in directing, in production, in technology and in collaboration. To mainstream theatregoers and critics, Mabou Mines remains a curiosity, by turns fascinating, puzzling and infuriating. Since its beginning almost 20 years ago, the group has accumulated a powerful, a…
"Who Speaks and Who Is Spoken for?"
Joan Lipkin is uppity. No other word describes her as well. I suspect she was uppity long before she founded That Uppity Theatre Company in St. Louis in I988.' At a 1991 conference in Seattle, where she and I first talked, it was clear that this playwright, teacher, and director/producer had no patience for theorizing performance without seeing that theory into practice. A self-styled visitor in the land of academic conferences, Lipkin prefers to…
Happy Days
Reviewed by: Happy Days Iris L. Smith Happy Days. By Samuel Beckett. Mabou Mines, P.S. 122 Community Center, New York City. 20–21 March 1998. Click for larger view View full resolution Figure 1. Ruth Maleczech and Tom Fitzpatrick in Samuel Beckett’s Happy Days. Directed by Robert Woodruff at TORONADA. Photo: Dona Anne McAdams. Mabou Mines inaugurated its new performance space, TORONADA, with Ruth Maleczech in Happy Days. The production was develo…
Art (6 works) · History (4 works) · History (4 works) · Philosophy (4 works) · Sociology (4 works) · Aesthetics (3 works) · Art history (3 works) · Literature (3 works) · Philosophy (3 works) · Psychology (3 works)