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Deborah R Geis

Biographic Data

ID1710848
NAMEDeborah R Geis
GIVEN NAMESDeborah R
FAMILY NAMEGeis
SIGNATUREGEIS D R
VERIFIEDNo
TOTAL WORKS4
TOTAL CITATIONS0
WORKS AS AUTHOR4
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1988
LATEST PUBLICATION YEAR1995
H-INDEX0
  • Postmodernism and Performance

    Steven Drukman, Nick Kaye et al.•ARTICLE•TDR/The Drama Review•1995

  • Modern/Postmodern

    Deborah R Geis, Silvio Gaggi•ARTICLE•Theatre Journal•1992

  • Wordscapes of the Body

    Deborah R Geis•ARTICLE•Theatre Journal•1990

    If the stage is a place where (as Helene Cixous has claimed) it is possible to get across the living, breathing, speaking body,' does that body constitute a in and of itself? In performance art an often-cited example of the female body text is Carolee Schneeman's Interior Scroll (1975), in which she appeared naked before her audience, extracted a long scroll from her vagina, and read aloud the words on the scroll.2 More recently, Karen Finley has…

  • Conversations with Edward Albee

    Open Access•Deborah R Geis, Philip C Kolin•ARTICLE•South Central Review•1988

    Edward Albee has reigned over the American theater since 1959. By transporting the techniques of European absurdism to American soil, he ushered in a new era in the American theater. He has said he won two and one-half Pulitzers---one for Delicate Balance, one for Seascape, and the one-half supposedly for Virginia Woolf, which the Pulitzer committee denied to Albee in 1962 because they objected to the language of the play. Albee's numerous roles …

No prominent works on this page.

  • Conversations with Edward Albee

    Open Access•Deborah R Geis, Philip C Kolin•ARTICLE•South Central Review•1988

    Edward Albee has reigned over the American theater since 1959. By transporting the techniques of European absurdism to American soil, he ushered in a new era in the American theater. He has said he won two and one-half Pulitzers---one for Delicate Balance, one for Seascape, and the one-half supposedly for Virginia Woolf, which the Pulitzer committee denied to Albee in 1962 because they objected to the language of the play. Albee's numerous roles …

  • Wordscapes of the Body

    Deborah R Geis•ARTICLE•Theatre Journal•1990

    If the stage is a place where (as Helene Cixous has claimed) it is possible to get across the living, breathing, speaking body,' does that body constitute a in and of itself? In performance art an often-cited example of the female body text is Carolee Schneeman's Interior Scroll (1975), in which she appeared naked before her audience, extracted a long scroll from her vagina, and read aloud the words on the scroll.2 More recently, Karen Finley has…

  • Modern/Postmodern

    Deborah R Geis, Silvio Gaggi•ARTICLE•Theatre Journal•1992

  • Postmodernism and Performance

    Steven Drukman, Nick Kaye et al.•ARTICLE•TDR/The Drama Review•1995

Aesthetics (2 works) · Art (2 works) · Postmodernism (2 works) · Theatre and Performance Studies (2 works) · Art history (1 work) · Art, Politics, and Modernism (1 work) · Cultural Studies and Interdisciplinary Research (1 work) · Epistemology (1 work) · History (1 work) · History (1 work)

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