Anouk Bottero
Biographic Data
| ID | 1711036 |
|---|---|
| NAME | Anouk Bottero |
| GIVEN NAMES | Anouk |
| FAMILY NAME | Bottero |
| SIGNATURE | BOTTERO A |
| AFFILIATIONS | Sorbonne Université |
| ORCID | 0000-0002-0410-2675 |
| VERIFIED | Yes |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 6 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2020 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
Honeybees and Symphonies
The pastoral has long inspired idyllic representations of the US South, drenched in the 'bright golden haze' of Oklahoma! and where racial politics are but ghostly traces. As such, the pastoral mirrors the musical’s utopian impulse to erase personal and national dissensus through the harmonious interlacing of bodies and voices onstage analyzed by Raymond Knapp – a tendency perpetuated by the genre’s continued reference to the pastoral as shown by…
Pouvoir / Empouvoirement
International audience
Alexis Greene,Emily Mann. Rebel Artist of the American Theater
Alexis Greene’s riveting and richly documented biography of American playwright and director Emily Mann opens with a seemingly anecdotal prologue entitled “Emilyville”, in which Greene recalls an episode from Mann’s childhood: [Emily] is often locked out of the bedroom she shares with Carol, who does not want to play with her younger sister. So Emmy is given the guest bedroom for her very own private space. She is also given a set of bedroom furn…
Fanny Beuré, That’s Entertainment ! Musique, danse et représentations dans la comédie musicale hollywoodienne classique
Le succès du film La La Land (Damien Chazelle, 2016) en France et, plus récemment, l’exposition Comédies musicales : la joie de vivre au cinéma à la Philharmonie de Paris (octobre 2018-janvier 2019) ont confirmé l’engouement nouveau du public français pour le genre de la comédie musicale. Dans les pays anglo-saxons, le musical hollywoodien est un sujet académique bien implanté depuis plusieurs décennies. En France, en revanche, seuls quelques tra…
“Moon Change”
Écrit par le dramaturge Tony Kushner, sur une musique de la compositrice Jeanine Tesori, Caroline, or Change (2004) est un musical nocturne, dont le sujet inhabituel n’a pas empêché la critique de se montrer particulièrement élogieuse. S’éloignant des sujets de prédilection du genre, la pièce se déroule dans la petite ville de Lake Charles, dans la Louisiane de 1963. Elle met en scène Caroline, domestique noire au service d’une riche famille juiv…
Discipline des corps féminins dans A Chorus Line (1975)
After it first came to Broadway in 1975, A Chorus Line became a cultural phenomenon, whose success spanned fifteen years, and one of the most common examples of the then-recent subgenre of the concept musical that emerged towards the end of the 1960s. Michael Bennett’s choreography and direction moved A Chorus Line away from the classical integrated form, all the while maintaining the codes of the “backstage musical.” A Chorus Line stages the dis…
No prominent works on this page.
Fanny Beuré, That’s Entertainment ! Musique, danse et représentations dans la comédie musicale hollywoodienne classique
Le succès du film La La Land (Damien Chazelle, 2016) en France et, plus récemment, l’exposition Comédies musicales : la joie de vivre au cinéma à la Philharmonie de Paris (octobre 2018-janvier 2019) ont confirmé l’engouement nouveau du public français pour le genre de la comédie musicale. Dans les pays anglo-saxons, le musical hollywoodien est un sujet académique bien implanté depuis plusieurs décennies. En France, en revanche, seuls quelques tra…
“Moon Change”
Écrit par le dramaturge Tony Kushner, sur une musique de la compositrice Jeanine Tesori, Caroline, or Change (2004) est un musical nocturne, dont le sujet inhabituel n’a pas empêché la critique de se montrer particulièrement élogieuse. S’éloignant des sujets de prédilection du genre, la pièce se déroule dans la petite ville de Lake Charles, dans la Louisiane de 1963. Elle met en scène Caroline, domestique noire au service d’une riche famille juiv…
Discipline des corps féminins dans A Chorus Line (1975)
After it first came to Broadway in 1975, A Chorus Line became a cultural phenomenon, whose success spanned fifteen years, and one of the most common examples of the then-recent subgenre of the concept musical that emerged towards the end of the 1960s. Michael Bennett’s choreography and direction moved A Chorus Line away from the classical integrated form, all the while maintaining the codes of the “backstage musical.” A Chorus Line stages the dis…
Alexis Greene,Emily Mann. Rebel Artist of the American Theater
Alexis Greene’s riveting and richly documented biography of American playwright and director Emily Mann opens with a seemingly anecdotal prologue entitled “Emilyville”, in which Greene recalls an episode from Mann’s childhood: [Emily] is often locked out of the bedroom she shares with Carol, who does not want to play with her younger sister. So Emmy is given the guest bedroom for her very own private space. She is also given a set of bedroom furn…
Honeybees and Symphonies
The pastoral has long inspired idyllic representations of the US South, drenched in the 'bright golden haze' of Oklahoma! and where racial politics are but ghostly traces. As such, the pastoral mirrors the musical’s utopian impulse to erase personal and national dissensus through the harmonious interlacing of bodies and voices onstage analyzed by Raymond Knapp – a tendency perpetuated by the genre’s continued reference to the pastoral as shown by…
Pouvoir / Empouvoirement
International audience
Art (4 works) · Literature (3 works) · Musical (3 works) · Theater, Performance, and Music History (3 works) · Art history (2 works) · Historical Studies and Socio-cultural Analysis (2 works) · Theatre and Performance Studies (2 works) · Acoustics (1 works) · American History and Culture (1 works) · Anthropology (1 works)