Julien Brugeron
Biographic Data
| ID | 1711236 |
|---|---|
| NAME | Julien Brugeron |
| GIVEN NAMES | Julien |
| FAMILY NAME | Brugeron |
| SIGNATURE | BRUGERON J |
| AFFILIATIONS | Université Paris Nanterre |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2023 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 0 |
“War is a choice”
I write both nonfiction and fiction, and I think I conceive them very differently. Nonfiction is much more about connecting readers to two issues of war and peace: trying to get everyday people, the kind of people that I grew with, the kind of people that I know in my civilian life now who don't really wrestle with these issues because they're not forced to, for a lot of power dynamics, and try to humanize it, to humanize what's happening to civi…
Phil Klay and the Art of War Fiction
One of the reasons why I wanted to conduct
Jean Kempf, Les Conquérants de l'inutile
L’originalité de l’ouvrage de Jean Kempf tient à ce qu’il étudie non pas les photographies mais les photographes de guerre, plus précisément les « photographes qui travaillent pour le compte de canaux d’information » (p. 11), autrement dit les journalistes-reporters d’images. Si la « photographie de conflit » est, comme le suggère l’auteur, « une photographie comme les autres » alors les « photographes de guerre sont peut-être aussi des travaille…
No prominent works on this page.
“War is a choice”
I write both nonfiction and fiction, and I think I conceive them very differently. Nonfiction is much more about connecting readers to two issues of war and peace: trying to get everyday people, the kind of people that I grew with, the kind of people that I know in my civilian life now who don't really wrestle with these issues because they're not forced to, for a lot of power dynamics, and try to humanize it, to humanize what's happening to civi…
Phil Klay and the Art of War Fiction
One of the reasons why I wanted to conduct
Jean Kempf, Les Conquérants de l'inutile
L’originalité de l’ouvrage de Jean Kempf tient à ce qu’il étudie non pas les photographies mais les photographes de guerre, plus précisément les « photographes qui travaillent pour le compte de canaux d’information » (p. 11), autrement dit les journalistes-reporters d’images. Si la « photographie de conflit » est, comme le suggère l’auteur, « une photographie comme les autres » alors les « photographes de guerre sont peut-être aussi des travaille…
Art (2 works) · Military History and Strategy (2 works) · Art history (1 work) · Comics and Graphic Narratives (1 work) · History (1 work) · Intelligence, Security, War Strategy (1 work) · Law (1 work) · Middle East and Rwanda Conflicts (1 work) · Political science (1 work) · Psychology (1 work)